In Europe, Britain alone could boast the presence of an independent press in the first half of the 19th century. The London Times demonstrated the value of journalistic objectivity and the need to criticize governments if hard-won rights were to be preserved. Under the consistent management of John Walter II and John Walter III, son and grandson of the founder, and with enlightened editorial control from outstanding journalists such as Thomas Barnes and John Thaddeus Delane, The Times became a model for most serious British newspapers. In 1819 its reporting of the Peterloo Massacre by government troops at a political rally in Manchester was uncompromising; it campaigned for Parliamentary reform (achieved in 1832) and exposed the horrors of the Crimean War. From a technical standpoint The Times led the way in the introduction of advanced printing machinery and provided a fast and reliable news service as early as the Napoleonic Wars.
In 1836 the Stamp Tax was reduced to one penny, and in 1855 it was abolished entirely. This gradual relaxation of an impost on newspapers produced higher circulations for existing newspapers and encouraged the publication of new titles. Many were cheap, lurid crime sheets that disappeared as fast as they emerged. One exception was the sensational Sunday paper, the News of the World (1843), which attracted more readers than any other Sunday paper in Britain for more than a century. More characteristic of the age was the Daily Telegraph (1855), a penny paper, but one that competed directly with The Times by covering serious news stories and including thoughtful editorial comment on four sides of print, but at a quarter of the price of the fourpenny Times. Continental Europe and other countries
During much of the 19th century, fear of popular insurgence led the European monarchies to keep a watchful eye on the newspaper presses. At the same time, prior to the unification of the modern states of Germany and Italy, newspapers covering national affairs were of limited interest. The first signs of a popular press appeared with the founding in Paris of La Presse (1836) by Émile de Girardin, who might be called one of the first press barons. He introduced new features and serials to raise circulation as high as 20,000 and thus to enable him to lower the price of his newspapers. A prominent contemporary of Girardin was Louis-Désiré Véron, who founded the Revue de Paris (1829) and revived the liberal daily Le Constitutionnel (1835). Aspiring French authors could gain publicity for their literary talents in these papers, especially when the Tanguy Law (1850) made it compulsory for them to sign the articles they wrote. But this literary slant to French newspapers, which persists to some degree in the modern era, could not disguise their paucity of hard news.
Disunity and political censorship continued to restrict the German press, although one independent daily, the Allgemeine Zeitung (Tübingen, 1798), managed to achieve wide influence. Farther north in Sweden, despite the freedom of speech granted to the press in 1766, the country’s first notable newspaper, the Aftonbladet (Swedish: “Evening Press,” founded by political and social reformist Lars Johan Hierta), was not begun until 1830.
Toward the middle of the century, censorship was abolished or relaxed in many other countries, including Switzerland (1848) and Denmark (1849). The new freedoms, together with the spread of literacy, gave birth to important newspapers, many of which still survive, including Le Figaro (Paris, 1854, daily from 1866), Frankfurter Zeitung (1856, renamed Frankfurter Allgemeine Zeitung), Le Peuple (Brussels, date unknown), and the Corriere della Sera (Milan, 1876). In Spain and Portugal, censorship continued to prevent the development of true journalistic independence; any periods of comparative freedom were quickly followed by the reimposition of controls. In Russia strict censorship remained in force under the tsars, apart from a single decade (1855–65) of tolerance under Alexander II, when many new papers appeared. But limitations on publication were reimposed when it was found that greater freedom allowed radical ideas to be voiced, and the Russian press, like that in much of Europe, was forced to concentrate on literary rather than journalistic achievements.
The arrival of the U.S. naval officer Matthew Perry in Japan in 1853 was announced to the public in kawara-bans, which continued to be published for some years, though they began to be superseded by English-language newspapers. The first of these, the Nagasaki Shipping List and Advertiser (1861), was followed in the next five years by numerous periodicals, mainly translations produced by the shogunate Office for Reviewing Barbarian Papers. The office translated items from newspapers of China, Hong Kong, and the United States, as did Joseph Heko, a naturalized U.S. citizen and an interpreter at the American Embassy, in his monthly Kaigai shimbun (“Overseas Newspaper,” 1865–66). The news items were therefore out of date, of little concern to the average Japanese, and bore too great a resemblance to official announcements to be regarded as true newspapers. In 1867, however, the overthrow of the shogunate in the Meiji Restoration led to the publication of more than a dozen newspapers concerned with domestic issues. Mainly issued by shogunate sympathizers, they included the Kōko shimbun, whose publisher, the dramatist and educator Fukuchi Gen’ichirō, had studied Western newspapers on his official travels abroad for the Japanese government (and who was later, in 1874, to preside over the Nichi-Nichi shimbun, a paper that was closer to Western newspapers in style). The government soon suppressed these publications and promulgated the Newspaper Ordinance, which, in its 1871 version, decreed that the contents of a newspaper should always be “in the interest of governing the nation,” a principle that was already anathema to many European and North American publishers.
Arrests of journalists and the suppression of newspapers were common in the 1870s, but several giants of contemporary Japanese journalism nevertheless originated during the decade. In 1870 the Yokohama Mainichi, the first daily in Japan, was started; it was also one of the first to use lead type. Two years later the Tokyo Nichi-Nichi appeared as one of the first truly modern Japanese newspapers, although it regarded itself as virtually an official gazette. The Yomiuri shimbun, one of the three leading national dailies in modern Japan, was founded in Tokyo in 1874, and it soon gained a reputation as a “literary” newspaper. The other two principal papers—the Ōsaka Nippō (1876) and the Ōsaka Asahi (1879)—were to become, respectively, the Ōsaka Mainichi and the Asahi shimbun" class="md-crosslink">Asahi shimbun (created in the early 1940s by a merger with the Tokyo Asahi, founded in 1888). They are associated with two of the fathers of modern Japanese newspaper publishing, Murayama Ryōhei (Asahi) and Motoyama Hikoichi (Mainichi). Motoyama took full control of the Mainichi in 1903 and three years later added the Tokyo Nichi-Nichi to his publishing empire.