After the march into Munich in May 1919 which aims to topple the Räterepublik, the Freikorps Oberland campaigns against Communist risings in the Ruhr in April 1920, and from May to August 1921 fights against Poland in the border war in Upper Silesia. Max Humps is present at the storming of the Annaberg in Upper Silesia, an event that wins the Freikorps great credit in conservative circles. Max’s father-in-law the general is looking after his wife and daughter, for he himself is seldom at home. When the Allies enforce the disbanding of all defence associations in the summer of 1921, some sections of the Freikorps Oberland set up the ‘Bund Oberland’, the ‘Oberland League’, with its headquarters in Munich. Its statutes promote the idea of a ‘struggle against the enemy within’, and express hostility to the Republic. The group’s new leader, Friedrich Weber, paves the way for close collaboration with the NSDAP. On 1 May 1923 armed units of the Oberland League and the SA (Sturmabteilung or Brownshirts) oppose a Social Democratic and Communist demonstration on the Oberwiesenfeld in Munich. In September the Bund Oberland becomes part of the newly founded ‘Deutscher Kampfbund’ (German Combat League), led by Adolf Hitler.
Several companies of the Bund Oberland take part in Hitler’s putsch of 8–9 November 1923. Max Humps is with them, and is decorated with the NSDAP Blutorden (Blood Order) for his part in the operation. The Bund is then banned, but continues in existence as the ‘Deutscher Schützen- und Wanderbund’ (German Marksmen and Hikers’ League).
It is not clear whether Max Humps supports Hitler’s attempted putsch out of political conviction, or simply for lack of any better way to spend his time, or whether he really believes that Hitler will give the country’s economy a boost. His daughter for one regards him as a patriotically mercenary type of character who felt it opportune to go along with his comrades◦– they included Sepp Dietrich, later to be leader of the Leibstandarte SS (Hitler’s bodyguard)◦– and to spout nationalist slogans. He is not arrested after the failure of the putsch; he is not important enough. However, he still fails to find regular employment and his wife and children are suffering real hardship◦– children in the plural now, because a second daughter is born in December 1923, a month after the failed putsch. The girls’ mother often has no idea how she is going to feed them next day. In 1925 Humps goes to Turkey, now under the control of Mustafa Kemal Pasha, later known as Kemal Atatürk. As the country moves closer to Europe it needs the practical skills of Western professionals, and Max Humps finally gets back to work as a master brewer. He leaves his family behind in Munich◦– and now if not before, Hildegard Humps’s patience with her husband is exhausted. She wants no more to do with him and goes back to her parents’ home with her children◦– as a housewife and mother with no independent income, she can see no alternative. When Max Humps, who has done quite well in Turkey, tries on several occasions to bring his family to Smyrna (now Izmir), Hildegard refuses to go and asks for a divorce instead.
Traudl is five years old when her father leaves. Even before that he was not, admittedly, the traditional father-figure, but on the few occasions when he did come home she found him a delightful companion and an inventive playmate.
She begins school in 1926. She goes to the Simultanschule in Munich’s Luisenstrasse, an establishment which admits children of all religious persuasions, probably not so much as the result of any broad-minded attitude of her mother’s as because it was close to her grandparents’ apartment in Sophienstrasse, near the Old Botanical Garden. Traudl was baptized an Evangelical, but has grown up without strong ties to the church and often plays truant from the Sunday children’s services.
Traudl’s grandfather Maximilian Zottmann, born in 1852, rules over the five-roomed apartment in Sophienstrasse, which is quite a grand place. She finds her grandfather a stern and pedantic autocrat who regulates the course of his day to the minute, thinks a great deal of discipline and order, and doesn’t understand a joke. He is no substitute for her father. He regularly tells her mother, ‘Kindly bring your brats up better’, when Traudl and Inge laugh just a childish decibel too loud. But little Traudl’s world is still all right as long as her grandmother is alive. Agathe Zottmann makes peace between everyone in the apartment, and Traudl adores her. Agathe is a native of Leipzig and met her husband when she was visiting the spa resort of Bad Reichenhall; Traudl later describes her grandmother as a very affectionate, understanding woman. The little girl loves to hear Agathe’s stories of Leipzig in her young days, and when Traudl has to write a composition at school on ‘My Dream Holiday’ she chooses not Hawaii or the Himalayas like her school friends, but Leipzig.
Agathe dies in 1928, and her loss hits eight-year-old Traudl hard. After his wife’s death Traudl’s grandfather becomes meaner with money and more of a domestic tyrant than ever. He likes his new-found bachelor freedom and plays sugar daddy to a young dancer called Thea, and although his daughter is running his household he misses no opportunity to point out that she and the children are a financial burden on him. In 1930, when Traudl begins secondary school at the Luisenlyzeum for girls, her mother applies for reduced fees because she cannot pay the full amount out of her housekeeping money◦– only 4.50 marks a day to feed four mouths. Traudl often has to report sick when there is a school outing because her mother can’t scrape up the 2.70 marks for expenses. However, she does not feel that her childhood and early youth are unhappy. Difficult as their situation is for both mother and children, it brings the three of them closer together. Hildegard Humps is not a particularly demonstrative woman◦– not the kind of mother you kiss and cuddle◦– but her children feel that she loves them and understands them. She provides them with security. Her educational ideals are those of her time: they must grow up to be ‘decent people’, truthful, helpful, honourable, modest and considerate, they must make allowances and they mustn’t poke their noses into what is none of their business.
The girls have ample opportunity to practise the virtue of making allowances when their mother’s younger brother moves in with the family. Hans is an artistically gifted young man who has trained as an architect, but he suffers from schizophrenia. The children are usually amused but sometimes upset by his persecution mania and peculiar notions, and they feel increasingly uneasy when they realize what a trial their mother finds her brother’s crazy ideas and wild accusations. In the middle of the 1930s Hans Zottmann◦– like at least 360,000 Germans with what are described as hereditary disorders◦– will be forcibly sterilized. The family do not question the operation but accept it as a necessary evil. Hans would never make a good father, they tell themselves.
As a girl Traudl enjoys life. She loves nature and animals; the household always includes a dog or some cats. And she likes going to school◦– not that she is particularly eager for education, but she fits easily into classroom society and likes the company of her girlfriends. Looking back, she describes herself as a herd animal, never meant to be a loner and not notable for original ideas and lateral thinking, but a girl who seeks security, safety and recognition in her own environment and wants everything to be harmonious. Her academic achievements are not much above average; her favourite subjects are art and gymnastics, but she likes German and English too. She is thought of as a lively child, and often, when her high spirits are too much for her grandfather or her mother, she puts up a fervent prayer to heaven in the evening: ‘Please make me a good girl.’ She is particularly anxious not to hurt her mother, whose personal misfortunes have not escaped her notice. However, she can be light-hearted. Even at the age of six, when told reproachfully, ‘Oh Traudl, if only you weren’t so wild!’ she replies cheekily, ‘Oh dear, if only God didn’t want it that way.’ This remark becomes a family saying. Little highlights in her young life are her rare visits to the movies with her sister◦– a ticket for the Bogenhausen cinema costs 70 pfennigs, and it is an hour’s walk for Traudl and Inge from Schwabing to Bogenhausen and then an hour back again◦– and their summer holidays in the foothills of the Bavarian Alps, where Grandfather rents a game preserve, first and for a long time in Aschau, then in Seeon and finally on the Ammersee, where he shoots his last stag at the age of eighty.