“All right, I hear you. No, Bon didn’t keep any clothes at my place. No, she didn’t have a secret cash stash. No, Matt Conroy didn’t grab her. He also asked around—college employment office, campus security, a few library regulars. Did his due diligence, I’ll give him that. The note she supposedly left? It’s bullshit. And leave her bike? She loved that bike. Saved for it. I’m telling you someone stalked her, grabbed her, raped her, killed her. My sweet Bonnie.”
This time the tears fall and she lowers her head.
“What about the boyfriend? Tom Higgins. Know anything about him?”
Keisha utters a harsh laugh and looks up. “Ex-boyfriend. Wimp. Loser. Stoner. Bonnie’s mother was right about him, at least. Definitely not the kidnapping type. No idea what Bon saw in him to begin with.” Then she echoes Penny: “The sex must have been great.”
Holly is back on someone stalked her. That seems more and more likely, which would mean it wasn’t an impulse crime. Ergo, Holly needs to look at the Jet Mart footage again, very carefully. But it ought to wait until tomorrow, when her eyes and mind are fresh. This has been a long day.
“Have you been a private detective for long?”
“A few years,” Holly says.
“Is it interesting?”
“I think so, yes. Of course there are dull stretches.”
“Is it ever dangerous?”
Holly thinks of a certain cave in Texas. And of a thing that pretended to be a man falling down an elevator shaft with a diminishing scream. “Not often.”
“It’s interesting to me, you being a woman and all. How did you get into it? Were you on the cops? You don’t seem like the cop type, is all.”
Another clang from the horseshoe pit followed by yells of delight. The kids in the meeting hall are now singing “Tonight,” from West Side Story. Their young voices soar.
“I was never a cop,” Holly says. “As to how I got into the business… that’s complicated, too.”
“Well, I hope you succeed on this. I love Bonnie like a sister, and I hope you find out what happened to her. But I can’t help feeling bitter. Bonnie’s got a well-off mama with a cushy bank job. She can afford to pay you. It’s wrong to feel that way, I know it is, but I can’t help it.”
Holly could tell Keisha that Penny Dahl probably isn’t well-off, she’s been furloughed from her job thanks to Covid, and while she may still be getting a check from NorBank, no way can it be her full salary. She could say those things but doesn’t. Instead she does what she does best: keeps her eyes on Keisha’s face. Those eyes say tell me more. Keisha does, and in her distress, or anger, or both, she loses some of her careful I’m-talking-to-a-white-lady diction. Not much, just a little.
“What do you think Maleek Dutton’s mama has? She works in the Adams Laundry downtown. Husband left her. She got twin girls about to go into middle school and they’ll need clothes. School supplies, too. Her oldest has a job at Midas Muffler and helps what he can. Then she loses Maleek. Shot in the head, brains all over his bag lunch. And you know that saying about how a grand jury would indict a ham sandwich, if the prosecutor asked them nice? They didn’t indict the cop that shot Maleek, did they? I guess he was just peanut butter and jelly.”
No, but he did lose his job. Holly doesn’t say that, either, because it wouldn’t be enough for Lakeisha Stone. Nor enough for Holly herself. And to Isabelle Jaynes’s credit, it wasn’t enough for her. As for the cop? Probably working a security gig, or maybe he caught on at the state prison, guarding the cells instead of inhabiting one.
Keisha makes a fist and bangs it softly on the scarred surface of the picnic table. “No civil suit, either. No money for one. Black News got up a fund, but it won’t be enough to hire a good lawyer. Old story.”
“Too old,” Holly murmurs.
Keisha shakes her head, as if to clear it. “As for finding Bonnie, go with God’s love and my good wishes. I mean that with all my heart. Find whoever did it, and… do you carry a gun, Holly?”
“Sometimes. When I have to.” It’s Bill’s gun. “Not today.”
“Well if you find him, put a bullet in him. Put it right in his motherfucking ballsack, pardon my French. As for Maleek? Nobody’s looking for his justice. And nobody’s looking for Ellen Craslow, either. Why would they? Just Black folks, you know.”
Holly is thrown back to the Dairy Whip parking lot, talking to those boys. The leader, Tommy Edison, was redhaired and as white as vanilla ice cream, but what he said then and what Keisha said just now are voices in two-part harmony.
You want to know whose mother is worried? Stinky’s. She’s half-crazy and the cops don’t do anything because she’s a juicer.
She thinks of Bill Hodges, sitting with her one day on the steps of his little house. Bill saying Sometimes the universe throws you a rope. If it does, climb it. See what’s at the top.
“Who’s Ellen Craslow, Keisha?”
Holly lights a cigarette as soon as she gets back to her car. She takes a drag (the first one is always the best one), blows smoke out the open window, and pulls her phone out of her pocket. She fast-forwards to the last part of her conversation with Keisha, the Ellen Craslow part, and listens to it twice. Maybe Jerome was right about it being a serial. No jumping to conclusions, but there is a pattern of sorts. It just isn’t sex or age or color. It’s location. Deerfield Park, Bell College, maybe both.
Ellen Craslow was a janitor, swapping her time between the Life Sciences building and the Bell College restaurant and rathskeller. The Belfry is in the Memorial Union, a central spot where students tend to get together when they’re not in class. Keisha’s library gang gathers there for their coffee breaks, lunch hours, and often for beers when the day’s work is done. It makes sense, because the Reynolds Library is nearby, making it a quick walk on those winter days when the snow and wind come howling off the lake.
According to Keisha, Ellen was bright, personable, probably a lesbian, although not one with a partner, at least currently. Keisha said she once asked if Ellen had thought about taking classes, and Ellen said she had no interest.
“She said life was her classroom,” Keisha says from Holly’s phone. “I remember that. She said it like she was joking, but also not. Do you know what I mean?”
Holly said she did.
“She was happy with her little trailer in a trailer park on the edge of Lowtown, said it was just fine for her, and she was happy with her job. She said she had everything a girl from Bibb County, Georgia, could want.”
Keisha got used to seeing Ellen sweeping in the Belfry or buffing floors in the lobby of Davison Auditorium, or up on a ladder, changing bulbs, or in the women’s bathroom, filling the paper towel dispensers or scrubbing graffiti off the stalls. If she was alone, Keisha said, she always stopped to talk to Ellen, and if all of them—the library crew—were together, they always made room for her in their conversation if she wasn’t working in Life Sciences or too busy. Not that Ellen would sit with them, but she was happy to join them for a little talk, or maybe a quick cup of coffee, which she would drink on her feet, standing hipshot. Keisha remembered once they were arguing about No Exit, which the theater club was putting on in the Davison, and Ellen said in an exaggerated Georgia accent, “Ah dig that existential shit. It be life as we know it, my homies.”
“How old was she?” Holly asks from her phone.
“Maybe… thirty? Twenty-eight? Older than most of us, but not a lot older. She fit right in.”