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“Okay, Officer,” Mia said. Mercedes made a face, collected her gear, and left.

Martin Warshaw was put to rest on the afternoon of the twenty-first, out in the old mass grave in Palo Alto. The day was bright and clear and the sprawling grounds of the former plague site had never looked greener, calmer, or more contemplative. Mia recognized no one at the ceremony. No one took the trouble to recognize her.

The nineteen elderly people who attended the ceremony were all very much of a type. Hollywood people had never been afraid of the knife. The Beautiful People had always been particularly eager to seize on any artifice of youth. Fifty years ago, people of this sort had been medical pioneers. Now they were genuinely and irretrievably old. Their primitive techniques, the biomedical cutting edge during the 2030s and 2040s, were hopelessly dated and crude. Now they truly looked the role of pioneers: very scarred and tired and hardscrabble.

Attendants opened the hinged white lid of the emulsifier, took the thin shroud from Martin’s wasted, puckered body, and slid him, with reverent care, feetfirst into the seething gel. The scanners set to work, Martin’s final official medical imaging. Gentle ultrasonics shook the body apart, and when the high-speed rotors began to churn, the emulsifier’s ornamental flowerbeds trembled a bit. Autopsy samplers caught up bits of the soup, analyzed genetic damage, surveyed the corpse’s populations of resident bacteria, hunted down and cataloged every subsymptomatic viral infection and prion infestation, and publicly nailed down the cause of death (self-administered neural depressant) with utter cybernetic certainty. All the data was neatly and publicly filed on the net.

Someone—Mia never discovered who—had asked a Catholic priest to say a few words. The young priest was very eager, and meant well. He was very exalted on entheogens, so filled with fiery inspiration that he was scarcely able to speak. When the priest finished his transcendant rant, he formally blessed the gel. The tiny crowd drifted from the site in twos and threes.

A necropolitan engraved Martin’s portrait, name, and dates onto the emulsifier’s cream white wall. Martin Warshaw (1999–2095) had become a colored patch the size of the palm of Mia’s hand, neatly ranked beside three hundred and eighty-nine other people, the previous occupants of this device. Mia tarried, gazing across the bright rows of funereal photoengravings. The sweet presence of all these human faces made it seem almost a kindly machine, a machine that meant well.

Mia summoned a taxi at the edge of the cemetery grounds. While she waited, she spotted a fawn-colored dog skulking in the oleanders. The dog wore no clothing and displayed no particular signs of intelligence. She stared at the dog as she waited for her taxi, but when she tried to approach him, the dog vanished into the bushes. She felt vaguely foolish once the dog had gone. Large brown dogs were common enough.

Mia left the taxi at the tube station, ducked under the conduit-riddled Californian earth, and emerged at the Public Telepresence Point at Coit Tower. Telegraph Hill was her favorite site when she was away from San Francisco. Whenever she traveled she’d link back to this site periodically, for a restorative taste of Bay Area urban sensory access. Mia had done telepresence to sites in cities all over the world, but she never fell in love with cities unless she could walk them. San Francisco was one of the world’s great walking cities. That was why she lived in San Francisco. That, and a great deal of habit. She set out on foot.

On the Embarcadero, Mia sipped a hot frappé in a crowded and noisy tourist café. She wondered glumly what her former husband would have thought of the day’s events. What he might have thought of Warshaw’s final ceremonies. Martin Warshaw had been the only genuine rival that Daniel had ever had. Would there have been some lingering trace of male jealousy there, maybe some slight satisfaction? Mia wondered if her former husband kept her in mind anymore—or if he ever thought coherently about anything or anyone at all. Daniel was in a very strange space in northern Idaho, a space beyond real possibility of contact. Mia could have called her daughter, Chloe, in Djakarta, but there was no comfort in that. Chloe would only pick at her batik and utter harangues about turns of the wheel and spiritual authenticity.

A long stroll toward Fisherman’s Wharf—Mia had managed not to think about work all day, and that was a novelty for her and, in its own way, a great accomplishment—and she arrived at her destination, a metal-clad two-story town house. A weathered redwood sign in an overgrown hedge identified the place as a for-profit netsite. Mia paid to get through the door, and once inside the cavernous building she slid a cashcard into a clock.

The proprietor ambled up. He was a lanky old gentleman, well into his second century, all knees and elbows, with a sharp beak of a nose, two absurdly large and efficient hearing aids, and a shapeless fisherman’s cap. The fisherman’s cap was an affectation, since Mr. Stuart’s scaly, corrugated skin had not seen prolonged daylight in decades. He wore a short-sleeved bile green shirt and a pair of oil-stained trousers, their belt loops hung with fold-out multitools on little metal lanyards.

Mia had not visited this netsite in thirty-seven years. The town house had been extensively rebuilt: floors and walls knocked out, windows bricked over, outer walls copper clad to reduce stray emissions. Still, Mia was unsurprised to discover the very same owner, still in the very same business, at the very same locale, and wearing what seemed to be the very same clothing. Mr. Stuart had always impressed her as the sort of man who could easily outlast a mere building.

Stuart himself looked much the same, although his nose and ears had swollen visibly in the past few decades. Growth hormone treatments and steroid adjustments were one of the more sensible and low-key life-extension strategies. Men’s noses and ears tended to swell quite a bit under that regime of treatment. Something to do with male steroids and progressive ossification in the cartilage.

Mia looked the place over. Gray sound-absorption baffles hung from the ceiling, beneath colored spaghetti tangles of power cables and fiber optics. The metal rafters were alive with twittering flocks of brown sparrows.

The floor held a bizarre collection of network access machines. The western end of Stuart’s barn contained brand-new netlinks, many with the frazzled look of prototypes. The eastern end was jammed with collectors’ items, specialized relics from the past hundred and twenty years of virtual space manipulation. Mr. Stuart had always specialized in media that were either dying or struggling to be born.

The walls were smorgasbords of crates and buckets of electronics parts. Stuart’s creaky cleaning-robot was gamely wandering about, meticulously dusting the other machines. There was a requisite sandbox for the droppings of the domesticated birds. The lighting in the place was, as always, dreadful.

“I thought you were going to put in windows,” Mia said.

“Real soon now,” Stuart told her, slitting his eyes. “Who needs windows anyway? A netsite is a window.”

“What are you running here that can handle a gestural passtouch and get me into a memory palace set up back in the sixties?”

“That depends on your setup, but all life depends on the setup,” Stuart said. Stuart had a pronounced taste for aphorisms. “Tell me about the initial parameters and the hardware it’s on.”

“I can’t tell you anything about that.”

Stuart shrugged gnomically. “You may be here quite a while, then. You want my advice, try it the simple way first. Plug a touchslate into one of those foveal curtain units and see if you can just bring up the palace right in front of you.”

“You think that might work?”

“It might. You might try it out on spex if you want more …” Stuart paused portentously. “Discretion.”