A walkaround reaffirmed my positive first impression. The building was shabby-looking and plain from a distance, but up close I could see that it had been largely rebuilt in the past ten years or so. One might wonder why a barn had a superb view from high on the bluffs overlooking the Mississippi Valley, perhaps halfway between La Crosse and Dubuque, or well-kept gravel paths leading into an abandoned quarry, or a small planted trellis over the stairs leading down into the former pigpens. Someone really curious might venture around to the valley-facing side and wonder at all the windows and the little patio around brick fire pits.
But I’d have to enter to find out if this place passed my most important criteria.
First, security. If I don’t think a location is safe, or run with the wellbeing of its translife clientele in mind, I won’t touch it, no matter what the fee. Location, location, location, as the real estate fleshies say. I’m a hungry Irish night-rider, not a wizard; I can’t do anything about location.
Second, staff. Staff can sometimes make me walk right out the door within an hour of entering, if I think there’s absolutely nothing that can be done with them. I looked forward to meeting them, starting with the owner.
The Skyline’s owner, Mason Mastiff, came out to greet me, looking flushed and out of breath. He walked with short steps and crackled with a touch of other worlds about him, but he was as human as any of the dairy drivers whose rigs I’d been caught behind on the drive over from Madison. A wig cut to resemble the youthful, carefully crafted parted-on-the-left hair of a politician rested on his head, as out of place as a napping dove. I’ve always found wigs on men a little unsettling. Or maybe it’s the kind of men who wear wigs that I find strange. I should have trusted my instincts that Mason Mastiff would be arse-over trouble. Staring, suspicious eyes, vaguely mad and dangerous like Rasputin or an Old West gunfighter thirsty for blood and whiskey, blazed out of a fleshy, pale face.
“Chef Woolsley, I apprehend,” he said. His high-pitched voice rang out across the hills. He peeked over my shoulder into the van, perhaps wondering if a more impressive figure was waiting to be introduced.
I don’t look like much in the day, I’ll grant. My arms are out of proportion to my body and I’m a bit bowlegged. Haggard and limp when I’m not riding. I usually tell humans I’m between chemotherapies. Once the moon is up I’m not much better, but my hair comes alive and I’m hungry for fun.
Mastiff wore a brilliant azure smoking jacket and neat twill trousers that made him look as though he should be leading a marching band in a salute to John Philip Sousa. A cravat with a little golden skull stickpin at his throat screamed trouble.
I mean it literally. The feckin’ thing was enchanted.
“Welcome, monsieur, set yourself down,” it sang out.
Strike the enchanted, probably possessed.
“Quiet, Hellzapoppin,” Mastiff said. “Business, not a customer. Have trouble finding the place, Woolsley?”
We exchanged politenesses. As we toured his grounds, Mastiff told me a little about his background. He’d started out as a restaurant writer and critic, or at least that was his dream. Strictly for human consumption back then. There was too much competition for the big names and the Michelin-guide stuff, so he started to specialize in dive eateries, bohemian cafés, and theaters where you could get a bit of performance art with your canapés and coffee.
“I was killing an hour with a custom appliance installer in a little Seattle bistro, asking him about odd little places he’d seen. The dear man had had a few tales to tell and told me about a place he’d done when he lived in San Francisco. Not in the city, mind you, out in the wine country. There were some cages behind the kitchen and a special table that looked like something out of an episode of CSI. He figured it was some kinky sex establishment.
“I smelled a unique story there, and dredged up every piece of information I could about it. I tracked it down and tried to get in. No luck, private club, membership card only, that sort of story. No record of it with the health department, no advertising. So I started watching the clientele going in and out, always in late at night, always out again well before dawn or leaving in a well-tinted limo the next day from a lightless garage. I managed to meet the owner and talked him into letting me work there.”
He nudged some cold embers back into one of the fire pits with a polished dress shoe. The skull pin broke into the dwarf “Whistle While You Work,” but quietly.
“I met my first translife there. From then on, I was hooked. So many legends, so much human history, quietly filling forgotten corners, unrecognized.”
“We like it that way,” I said.
“At first, I thought I had a food exposé that would win me a Pulitzer, but I found the customers were more interesting than the story—and the money! The money, my dear Woolsley. I learned everything I could about the business and found this place. Sunk my life savings into it, but the game hasn’t gone my way. Hoped you’d tell me where I’ve gone wrong, dear fellow.”
“Let’s take a look inside,” I suggested.
Third, décor. An easyish fix most of the time. We walked in through the front door. If Mastiff’s own eyes couldn’t tell him where he’d gone wrong, nothing short of a burning bush on a Sinai mountaintop could.
As soon as I saw his interior I decided this would be an easy job. All I needed was to find a couple of crowbars and a flamethrower.
The barn’s interior was architecturally interesting, inspiring even, with the high, thick-timbered ceiling and small loft at one end, currently occupied by the bar. Big, airy, yet intimate in the way all those beams ate up the sound. Most translife don’t care for noise and clamor. The tall windows facing the Mississippi gave a beautiful show of a green-and-blue river valley, vaster than the Grand Canyon and very nearly as deep, with the Minnesota bluffs a blue smear on the horizon.
There were definite possibilities in the way you looked down into the kitchen. He’d opened up the barn floor so you could see into a bit of the cooking line setup in the old pigpens. He’d set up sort of an open-air dumbwaiter. Above the big kitchen hatch hung what I first thought was an art piece. Some chains and a big platform featuring a surgeon’s table not unlike the one used to animate Dr. Frankenstein’s go at creation gave me all kinds of ideas for culinary showmanship.
However, as we toured the inside, I felt like putting on welding goggles to keep out the ugly. All that sturdy beauty to work with, and Mastiff decided to cover it up with garish flourishes.
Mastiff had ruined with décor what should have been won with space and view. Ghastly brass and fern fixtures that managed to combine the worst excesses of the late seventies and early eighties clustered here and there on the barn floor like scattered dog turds. Pointless plaster mini-Greek columns stood next to vintage washtubs and gas-station Coca-Cola machines, and a Tesla coil buzzing here and there. Imagine Castle of Dr. Frankenstein meets bricky urban loft meets postindustrial rave.
Curtains and linens in purple and black and pink with flecks of red with billowing gauzy cotton hung in festoons from the ceiling, trying to look ethereal but succeeding only in adding to the tatty feel and hiding the interesting details in the ceiling. Pointing out his acquisitions with one arm while the other remained anchored across the small of his back in a ducal pose, Mastiff prattled on, gassing about where he’d obtained the fabric and how much time it had taken to get the draping just right.