Cindy led the way to the front door. The lock-box wasn't too rusted—a surprise, considering how many years the thing had been out in Greensboro's weather, which ranged from intense rain to oppressive humidity, but always involved corrosive amounts of moisture. And the key she found went right into the lockbox and opened it.
"Well," she said. "Success."
From the lockbox she took the key that hung there and then discovered that it didn't fit the heavy Yale padlock that hung from a hasp on the front door. She was baffled.
Don reached for the key. She handed it to him. He bent and inserted it into the deadbolt keyhole on the door itself. It fit perfectly and the lock clicked open. Unfortunately, that did nothing for the massive padlock.
"I can't believe they'd put the key to the door in the lockbox but not the key to that padlock."
"Seems obvious the padlock went on after people stopped using that lockbox," said Jay. "Probably the owner had it put up to keep vagrants and vandals out."
Don was already heading for his truck. He came back with a wicked-looking wrecking bar, whose bladed end he slipped under the edge of the hasp on the door. He rocked it back once and got one side up; he slid the blade farther under the hasp and levered it off in one move. The screws tore chunks of wood out of the door coming out.
"So much for the locksmith," said Cindy.
"I'll fix it whether I buy the place or not," said Don. "Wasn't a very secure lock anyway."
He put his hand on the door and pushed it open easily.
"Is that the same technique you use with women, Don?" asked Jay. "Show 'em the wrecking bar and they open right up?"
So Jay was the kind of man who felt the need to make macho dirty comments in front of women. Too bad for you, Dilbert, thought Cindy. Not that Cindy was actually that bothered by the joke, but in this era of political correctness a man who talked like that in front of women was either deliberately trying to give offense or so oblivious to the culture around him that he should be checked for brain activity.
The entry hall was dingy, with a door on either side leading into the two ground-floor apartments. The whole back of the entry hall was filled with a wide stairway, forbiddingly high, that swept straight upward to the second story. The carpet on the stairway was worn to the underlying fabric in the middle.
Jay turned around and around, sizing up the layout. He patted the wall on the right of the stairway, the north side. "With the door off-center the way it is, this has to be the load-bearing wall cause it runs close to the center of the house. The other one was added in to divide off the other apartment, probably back in the thirties, judging from the transom over the door."
"Original stairs?" asked Don.
"Got to be," said Jay. He jumped up onto the first step, the second step, the third step, landing hard each time. "No way would some cheapjack landlord put in a stairway this wide or this solid. The thing's still like a rock! Somebody knew how to build back when this house went up."
"Dr. Bellamy was an amateur architect," said Cindy.
"Who?" asked Jay.
"Calhoun Bellamy, the man who built the house. He designed the place himself for his new bride. It was ready just in time for him to carry her across the threshold in 1874. I imagine he kept a close eye on the contractors as they built the place."
"If he had to," said Jay. "Back then people took pride in their work. Didn't have to watch 'em all the time to keep them from cheating or skimping. A man would be ashamed to put up a staircase that creaked or sagged."
"Still had to put the money in it," said Don. "What do you think, three carriages or four?"
"My money's on four," said Jay. "Or three really thick ones. Nowadays you put up a stairway that heavy, you get accused of gouging the customer by putting in needlessly expensive materials. So you put in a light one and they complain that the stairway bounces when they run up and down it. Go figure."
The apartment doors were not locked, and the apartments behind them were just what Cindy had expected. Ancient shabby furniture that had obviously been used by vagrants or small animals—or both—probably leading to the installation of the padlock on the front door. Faded rectangles on the walls showed where paintings or posters had been. The paint had been lazily applied over wallpaper, which had been applied over even older wallpaper, all of it put up with overlapping edges so that ugly seams ran up the walls under the ugly paint.
"Was this place remodeled by a blind person?" asked Cindy.
"Paint wasn't this color when it first went up," said Don. "It's cheap stuff that fades so fast you have to finish painting it in one day or you can see the dividing line."
"What color was it when it was first painted?" she asked.
"Even uglier," said Jay. "I'm betting it was painted in the seventies. We're just lucky the owner was too cheap to recarpet, or we'd be looking at green or orange shag."
"Is that mildew I smell or a dead animal?" asked Cindy.
"Just the smell of bad taste liberally applied," said Jay.
So maybe he wasn't a macho pig. Maybe he was just a guy who liked making jokes.
They were in the north apartment, which Jay decided must have been the original parlor, while the front room on the other side might have been a consulting office or a library or a study or even a groundfloor bedroom if there was a mother-in-law or a nephew or something. Don led the way through the door leading into a dark, cramped hallway. Small narrow bedrooms opened off the hall.
"The hall and the bedrooms aren't original, of course," said Jay. "This must have been the dining room. Kind of a grand one, too—four windows, no less!" And at the back of the apartment, a large old-fashioned kitchen with a massive table dominating the center of it. A bathroom had been carved out of the back inside corner of it, and beside the bathroom was the stairway leading down into the cellar. Don and Jay started down the stairs immediately.
"Don't you want to look at the kitchen cabinets?" asked Cindy.
"They're all cheap ones anyway," said Don. "I'll be building nice ones when the time comes."
Well now. That sounded like a man who had already decided to buy. Cindy refrained from comment as she followed them into the dark cellar.
Naturally, both Jay and Don had tiny flashlights with them. No doubt they could come up with any tool or small appliance by searching in one pocket or another. Her grandfather had been like that, and Cindy always thought of a working-man's pockets as a kind of treasure hunt. You never knew what you might stumble across. They trained their flashlights on the unfinished ceiling of the cellar. Here was where the house would reveal its secrets.
The wiring was ancient knob-and-tube, and Jay chipped away the insulation from some of it with his fingernails. "Don't run power through this, not even temporarily," said Jay.
"Don't have to tell me twice on that one," said Don.
"Miracle this place didn't catch fire and burn down when it was still occupied." Jay looked at Cindy. "When did it go vacant?"
"It was last occupied in the spring of '86," she told him. "It was rented by students, so I guess it was a miracle there wasn't a fire. What with hair dryers and curling irons left plugged in."
They found the fusebox. Jay gave a little laugh and closed the door immediately. "Give this one to a museum," he said. "A toy museum."
The plumbing, though, was surprisingly good. Jay and Don went on and on about how the cast-iron drainpipes and copper supply pipes were the golden age of plumbing and the workmen who installed it had done a decent job. Only the pipes leading to a couple of the added-on bathrooms were galvanized steel. Jay shone his tiny flashlight on a large patch of rust on the outside of one of the pipes. "Don't touch it," he said. "It's only rust holding it together." Jay sighed. "I guess we'd better figure out where these pipes lead."