Nowhere, again, do we find graves containing bronze swords and iron axes and adzes. I know nothing nearer in discoveries to my supposed age of bronze weapons and iron tools than a grave of the early iron and geometrical ornament age of Crete—a tholostomb, with a bronze spear-head and a set of iron tools, among others a double axe and a pick of iron. But these were in company with iron swords? To myself the crowning mystery is, what has become of the Homeric tumuli with their contents? One can but say that only within the last thirty years have we found, or, finding, have recognised Mycenaean burial records. As to the badness of the iron of the North for military purposes, and the probable badness of all early iron weapons, we have testimony two thousand years later than Homer and some twelve hundred years later than Polybius. In the Eyrbyggja Saga (Morris and Maguъsson, chap, xxiv.) we read that Steinthor "was girt with a sword that was cunningly wrought; the hilts were white with silver, and the grip wrapped round with the same, but the strings thereof were gilded." This was a splendid sword, described with the Homeric delight in such things; but the battle-cry arises, and then "the fair-wrought sword bit not when it smote armour, and Steinthor must straighten it underhis foot." Messrs. Morris and Maguъsson add in a note: "This is a very common experience in Scandinavian weapons, and for the first time heard of at the battle of Aquae Sextiae between Marius and the Teutons." {Footnote: The reference is erroneous.} "In the North weapon-smiths who knew how to forge tempered or steel-laminated weapons were, if not unknown, at least very rare." When such skill was unknown or rare in Homer's time, nothing was more natural than that bronze should hold its own, as the metal for swords and spears, after iron was commonly used for axes and ploughshares.
CHAPTER X
THE HOMERIC HOUSE
If the Homeric poems be, as we maintain, the work of a peculiar age, the Homeric house will also, in all likelihood, be peculiar. It will not be the Hellenic house of classical times. Manifestly the dwelling of a military-prince in the heroic age would be evolved to meet his needs, which were not the needs of later Hellenic citizens. In time of peace the later Greeks are weaponless men, not surrounded by and entertaining throngs of armed retainers, like the Homeric chief. The women of later Greece, moreover, are in the background of life, dwelling in the women's chambers, behind those of the men, in seclusion. The Homeric women also, at least in the house of Odysseus, have their separate chambers, which the men seem not to enter except on invitation, though the ladies freely honour by their presence the hall of the warriors. The circumstances, however, were peculiar—Penelope being unprotected in the absence of her lord.
The whole domestic situation in the Homeric poems—the free equality of the women, the military conditions, the life of the chiefs and retainers—closely resembles, allowing for differences of climate, that of the rich landowners of early Iceland as described in the sagas. There can be no doubt that the house of the Icelandic chief was analogous to the house of the Homeric prince. Societies remarkably similar in mode of life were accommodated in dwellings similarly arranged. Though the Icelanders owned no Over-Lord, and, indeed, left their native Scandinavia to escape the sway of Harold Fairhair, yet each wealthy and powerful chief lived in the manner of a Homeric "king." His lands and thralls, horses and cattle, occupied his attention when he did not chance to be on Viking adventure—"bearing bane to alien men." He always carried sword and spear, and often had occasion to use them. He entertained many guests, and needed a large hall and ample sleeping accommodation for strangers and servants. His women were as free and as much respected as the ladies in Homer; and for a husband to slap a wife was to run the risk of her deadly feud. Thus, far away in the frosts of the north, the life of the chief was like that of the Homeric prince, and their houses were alike.
It is our intention to use this parallel in the discussion of the Homeric house. All Icelandic chiefs' houses in the tenth and eleventh centuries were not precisely uniform in structure and accommodation, and saga writers of the twelfth and thirteenth centuries, living more comfortably than their forefathers, sometimes confuse matters by introducing the arrangements of their own into the tale of past times. But, in any case, one Icelandic house of the tenth or eleventh century might differ from another in certain details. It is not safe, therefore, to argue that difference of detail in Homer's accounts of various houses means that the varying descriptions were composed in different ages. In the Odysseythe plot demands that the poet must enter into domestic details much more freely than he ever has occasion to do in the Iliad. He may mention upper chambers freely, for example; it will not follow that in the Iliadupper chambers do not exist because they are only mentioned twice in that Epic.
It is even more important to note that in the house of Odysseus we have an unparalleled domestic situation. The lady of the house is beset by more than a hundred wooers—"sorning" on her, in the old Scots legal phrase—making it impossible for her to inhabit her own hall, and desirable to keep the women as much as possible apart from the men. Thus the Homeric house of which we know most, that of Odysseus, is a house in a most abnormal condition.
For the sake of brevity we omit the old theory that the Homeric house was practically that of historical Greece, with the men's hall approached by a door from the courtyard; while a door at the upper end of the men's hall yields direct access to the quarters where the women dwelt apart, at the rear of the men's hall.
That opinion has not survived the essay by Mr. J. L. Myres on the "Plan of the Homeric House." {Footnote: Journal of Hellenic Studies, vol. XX, 128-150.} Quite apart from arguments that rest on the ground plans of palaces at Mycenae and Tiryns, Mr. Myres has proved, by an exact reading of the poet's words, that the descriptions in the Odysseycannot be made intelligible on the theory that the poet has in his mind a house of the Hellenic pattern. But in his essay he hardly touches on any Homeric house except that of Odysseus, in which the circumstances were unusual. A later critic, Ferdinand Noack, has demonstrated that we must take other Homeric houses into consideration. {Footnote: Homerische Palдste. Teubner. Leipzig, 1903.} The prae-Mycenaean house is, according to Mr. Myres, on the whole of the same plan as the Hellenic house of historic days; between these comes the Mycenaean and Homeric house; "so that the Mycenaean house stands out as an intrusive phenomenon, of comparatively late arrival and short of duration..." {Footnote: Myres, Journalof HellenicStudies, vol. xx. p. 149.} Noack goes further; he draws a line between the Mycenaean houses on one hand and the houses described by Homer on the other; while he thinks that the " lateHomeric house," that of the closing Books of the Odyssey, is widely sundered from the Homeric house of the Iliadand from the houses of Menelaus and Alcinous in earlier Books of the Odyssey.{Footnote: Noack, p. 73.}
In this case the Iliadic and earlier Odyssean houses are those of a single definite age, neither Mycenaean of the prime, nor Hellenic—a fact which entirely suits our argument. But it is not so certain, that the house of Odysseus is severed from the other Homeric houses by the later addition of an upper storey, as Noack supposes, and of women's quarters, and of separate sleeping chambers for the heads of the family.