“I understand, sergeant, I understand,” says Waltemeyer, walking out of the coffee room. “I been a policeman a long time now.”
McLarney leans back in his chair, resting his head against the office blackboard. He absently pulls a copy of the police department newsletter off the top of the desk and scans the front page. Grip-and-grin photographs of commissioners and deputy commissioners shaking hands with whichever cop managed to survive the last police shooting. Thank you, son, for taking a bullet for Baltimore.
The sergeant tosses the newsletter back on the desk, then gets up, giving one last glance at the board on his way out of the coffee room.
Vines, Ward and Jones. Red, red and red.
So, McLarney tells himself, it’s gonna be that kind of year.
Harry Edgerton begins the day right, his freshly shined loafer narrowly avoiding a piece of the dead man’s ear as he pushes through the screen door of a Northeast Baltimore townhouse.
“You just missed his ear.”
Edgerton looks up quizzically at a ruddy-faced patrolman leaning against a living room wall.
“What was that?”
“His ear,” the uniform says, pointing down at the parquet floor. “You just missed stepping on it.”
Edgerton looks down at a pale lump of flesh next to his right shoe. It’s an ear, all right. Most of the lobe and a short, curled stretch of the outer ridge, resting just beyond the welcome mat. The detective glances at the dead man and the shotgun on the sofa, then moves toward the other end of the room, choosing his steps carefully.
“How does that line go,” says the uniform, as if he had practiced it for a week. “Friends, Romans, countrymen…”
“Police are some sick fucks,” laughs Edgerton, shaking his head. “Who’s handling this one?”
“Straight-up suicide. She’s got it.”
An older patrolman points to a younger uniform sitting at the dining room table. The officer, a black woman with delicate features, is already writing out her incident report. Edgerton makes her immediately for a uniform new to the street.
“Hey there.”
The woman nods.
“You found him? What’s your unit number?”
“Four-two-three.”
“Did you touch him or move anything around?”
The woman looks at Edgerton as if he’s just dropped in from another solar system. Touch him? She doesn’t even want to look at the poor bastard. The woman shakes her head, then glances over at the body. Edgerton looks over at the red-faced officer, who understands and accepts the detective’s silent plea.
“We’ll walk her through it,” the older uniform says quietly. “She’ll be okay.”
The academy had been turning out policewomen for more than a decade and as far as Edgerton was concerned, the verdict was still out. Many women had joined the department with a reasonable understanding of the job and a willingness to perform; some were even good cops. But Edgerton knew there were others out on the street who were absolutely dangerous. Secretaries, the older hands called them. Secretaries with guns.
The tales became worse with each telling. Everyone in the department had heard about the girl out in the Northwest, a novice who got her gun taken from her by that mental case in a Pimlico convenience store. And there was that female officer in the Western who called in the Signal 13 while her partner was getting the shit kicked from him by a family of five in a Sector 2 rowhouse. When the radio cars came racing up the street, they found the woman standing at the curb, pointing toward the front door of the house like some kind of crossing guard. Stories like that could be heard in every district roll call room.
Even as other sections of the department became grudgingly familiar with the idea of women officers, the homicide unit remained a bastion of male law enforcement, a lewd, locker room environment where a second divorce was regarded almost as a rite of passage. Only one female detective had ever lasted for any length of time: Jenny Wehr spent three years in homicide, time enough to prove herself a good investigator and exceptional interrogator, but not long enough to begin anything that could be considered a trend.
It was only two weeks ago, in fact, that Bertina Silver had transferred into the homicide unit on Stanton ’s shift, making her the only female among thirty-six detectives and sergeants. In the judgment of other detectives who had worked with her in narcotics and patrol, Bert Silver was a cop: aggressive, hard, intelligent. But her arrival in homicide did little to change the prevailing political view among many detectives, who regarded the decision to give badges to women as unequivocal evidence that the barbarians were rattling the gates of Rome. For many in the homicide unit, the reality of Bertina Silver did not contradict the established theory, she was simply an exception. It was an unjustified but necessary contortion of logic that kept her out of the accepted equation: The women officers are secretaries, but Bert is Bert. Friend. Partner. Cop.
Harry Edgerton would have been the last person to complain about Bert Silver, whom he regarded as one of the unit’s better recruits. This opinion held despite a continuing campaign of aggression and hegemony being waged by Bert for partial control of Edgerton’s desk. After years of having a place to call his own in the homicide office, Edgerton had been told at the beginning of the year to double up with Bert because of a space shortage. He did so grudgingly and soon found himself on the defensive. Once such innocuous additions as family portraits and a gold statuette of a policewoman were granted space on the desktop, they were followed by hairbrushes and loose earrings in the upper right drawer. Then came the unending assault of the lipstick canisters and the arrival of a perfumed scarf that kept finding its way back to the bottom drawer, where Edgerton kept his suspect files from several previous drug investigations.
“That’s it,” said the detective, pulling the scarf out of the drawer and stuffing it into Bert’s mailbox for the third time. “If I don’t fight back, she’ll be putting curtains up in the interrogation room.”
But Edgerton didn’t fight back, and eventually Bert Silver had half the desk. In his heart of hearts, Harry Edgerton knows that is as it should be. Then again, this young thing writing an incident report at the dining room table is no Bert Silver. Despite the older officer’s assurance, Edgerton takes the uniform aside and speaks softly.
“If she’s the first officer, she’s going to have to wait for the crime lab and then do the ECU submissions.”
The comment is almost an open question. More than once a medical examiner has turned a seeming suicide into a murder, and God knows it won’t do to have some recent academy product tangling up chain-of-custody on every item submitted to evidence control. The uniform understands without another word spoken.
“Don’t worry. We’ll walk her through it,” he repeats.
Edgerton nods.
“She’ll be okay,” the officer says, shrugging. “Hell, she’s more on the ball than some we’re seeing.”
Edgerton opens his small steno pad and walks back into the dining room. He begins asking both uniforms the standard questions, pulling together the raw material for a death investigation.
On the first page, dated 26 Jan. in the upper right corner, the detective has already recorded the details of his own notification by a police dispatcher at 1:03 P.M.: “1303 hours/Dispatch #76/serious shooting/5511 Leith Walk.” Two lines below that, Edgerton has recorded his time of arrival at the scene.
He adds the name of the young female officer, her unit number and time of arrival. He asks for the incident number, 4A53881-4 representing the Northeastern District, A signifying the month of January, the remaining digits the basic tracking number-and writes that down as well. Then he records the number of the city ambulance unit that responded and the name of the medic who pronounced the victim. He finishes off the first page with the time of the ambo crew’s pronouncement.