But they were asking the wrong guy, because the man with the guns was tuned to some other frequency as he shuffled along the aisle, swinging his pistols left and right and pumping bullets through the silencers. Phut!… phut! … phut! The sounds barely audible through the music as slugs tore into heads and tear-stained faces, sometimes right through the supplicating hands. He moved without the slightest hint of urgency, looking for all the world like a suburban homeowner on a sunny Saturday morning strolling his lawn with a can of herbicide and casually spraying the weeds he passed.
And somewhere up there, up front, someone's bowels had let loose and the stink was filling the car.
Brain screaming in panic, Sandy ducked and swung around and saw the GPM crouched behind his seat, facing the rear of the car, and he must have lost it because he was shouting something that sounded like, "Doesn't anyone have a goddamn gun?"
Yeah, asshole! Sandy wanted to say. The guy standing in the aisle has two, and he's coming your way!
Turning further Sandy came face to face with Lina or whoever she was and knew the naked fear in her blanched face must have mirrored his own. He looked past her at the rest of the screaming, panicked riders crammed like a mass of worms into the rear of the car, the nearer ones wriggling, kicking, biting, clawing to get further to the rear and the ones at the very back battling with all they had to stay where they were, and suddenly Sandy knew what the others had already discovered—that once you got back there you had nowhere to go unless you could find a way to open the rear door and jump onto the tracks at who-knew-how-many-miles an hour and hope that if you were lucky enough not to break your neck when you hit, you wouldn't land on the third rail and get fried to a cinder.
He saw a brown hand snake upward at the rear of the press, grip the red emergency handle, and yank down…
Yes!
Saw the handle come free as the cord snapped.
And just then the Fifty-ninth Street/Columbus Circle station lit up around the train but it didn't slow because oh shit it was going to skip Sixty-sixth Street as well and not stop until Seventy-second.
Seventy-second! No wonder the gunman was in no hurry. He had his prey cornered like cattle in a stockyard pen and could slaughter them at will—kill just about everyone before the train reached its next stop.
Sandy saw only one chance to save his life. If he could get to the rear there, worm his way through the massed crowd, even if he had to do it on hands and knees—he was thin, he could do it—and get as far back as he could and crawl under a seat, maybe he could survive until Seventy-second Street. That would be the end of it. When the doors opened the gunman would take off or blow his own brains out, and Sandy would be safe. All he had to do was survive until then.
Another glance at the gunman showed him pointing one of his pistols down at someone Sandy couldn't see. The only visible part of the next victim was a pair of hands raised above the back of a seat, a woman's hands, mocha colored, nails painted bright red, fingers interlocked as if in prayer.
Even more frightening was the realization that this faceless woman and the GPM appeared to be the last living people between Sandy and the killer. Panic took a choke hold on his throat as he turned and lunged toward the rear of the car—oh sweet Jesus he didn't want to die he was too young and he hadn't really begun to live so he couldn't die now oh please not now not now—but the film student was there, half in, half out of a crouch and he slammed against her, knocking her over, and they both went down, Sandy landing on top as they hit the floor.
He was losing it now, ready to scream at the bitch for getting in his way, but more important than screaming was knowing right now, right this instant where the gunman was, so he looked back, praying he wouldn't see that impassive bearded face looming behind the muzzle of a silencer. Instead he saw the GPM, whose face was set into grim lines of fury and whose eyes now were anything but mild, and he was muttering, "Shit-shit-shit!" and pulling up the cuff of his jeans where something leather was strapped and then he was yanking a metallic object from the leather and Sandy saw it was a tiny pistol. At first he thought it was one of those old-fashioned Derringers women and gamblers carried in westerns but when he saw the dude work the little slide back and forth he realized it was a miniature automatic.
And now the GPM—Sandy was finding it hard to think of him as generic anymore but didn't have any other handle for the guy—was on his feet and moving toward the killer and Sandy wondered, What's he think he's going to do with that little pop gun? and then it went off and after the dainty little phuts of the killer's guns the sound was like a cannon in the confines of the subway car and the bullet must have caught the killer in the shoulder because that was where his fatigue jacket exploded in red, knocking him back and spinning him half around. He screamed in pain and stared with eyes full of shock and wonder and fear at this guy coming at him from out of nowhere. Sandy couldn't see the GPM's face as he worked the slide to his pistol again, just the back of his head and not much of that thanks to the knit cap, but he did see the woman who'd been the next intended victim crawl out from where she'd been cowering on the floor and scrabble past the dude on her belly, her teary eyes showing white all around, her lip-sticked mouth a scarlet 0 of terror.
Then the killer started to raise the gun in his good hand but the GPM was still moving toward him like an eagle swooping in on a field mouse, had that little pistol raised and it boomed again, the recoil jerking his hand high in the air, the second bullet detonating another explosion of red, this time in the killer's other shoulder, knocking him back against one of the chrome hang-on poles in the center of the aisle where he sagged, both arms limp and useless at his sides, and gaped at the relentless man moving ever closer. He roared and lunged forward, whether to head-butt or bite the GPM no one would ever know, because without pausing, without the slightest hint of hesitation the GPM leveled that toy pistol at the killer's left eye and let it boom again. Sandy saw the killer's head snap back and the impact swing him halfway around the pole before he lurched free to do a loose-kneed pirouette and collapse, half sitting, half sprawled against one of the doors, very, very, very dead.
And then the GPM was working the little slide on his little gun again, and a fourth boom, this into the tape player, reducing it to a thousand flying black fragments and stopping its incessant cries about time having come today.
Stunned silence in the car after that final report—only the rattle of the wheels and the whistle of the wind racing past.
Saved!
The word batted around the inside of Sandy's head, bouncing off the walls, looking for purchase on the disbelieving, rejecting surfaces. Finally it landed and took root as Sandy accepted the glorious possibility that he would see tomorrow.
And he wasn't alone. Cheers and cries of joy arose from the multitude packed like sardines at the rear of the car. Some were on their knees, tears on their faces and hands raised to heaven, thanking whoever or whatever they called god for deliverance; others were laughing and crying and hugging each other.
"We're alive!" the film student under him said. "What—?"
Abashed, Sandy rolled off of her. "Sorry."
She sat up and stared at him. "God, I can't believe you did that!"
"Please," he said, looking away to hide his shame. He saw the GPM in a crouch, picking up something from the floor, but couldn't focus on what he was doing. Sandy had to frame an answer. How could he explain the terror that had taken control of him? "I don't know what came over me. I—"
"You shielded me with your own body!"
What? He turned and found her staring at him, her chocolate-brown eyes wide and wonder filled.
"I've heard of it and, you know, seen it in films, but I never believed—I mean, you were like some Secret Service agent!"