All in the hope, as Doon had often explained, that once isolated, these little colonies of humanity might actually develop something new. Something better than the decaying remnant of the Empire. "All we are," Doon had often said, "all we are is that last relic of the European civilization that was born in England with the industrial revolution. All we are is the fading shadow of the Technical Age. We're ripe for something new. Either for regeneration of the human race, or for replacement." And Jazz had cast his vote for regeneration, as had dozens of others who, though at first coerced into Doon's collection, had later been willing servants of Doon's vision.
Vision, thought Jazz, and as he settled down to maneuver the ship out of the cradle and out of Capitol's system, the idea of vision kept nagging at him. Vision of what? Do I have anything I want so badly that I'd sacrifice anything to have it? Is there anything that I am so sure is right that I would fight for it?
My own life, Jazz thought, but that isn't vision — every animal instinctively fights for that.
And then the go–ahead signal came, Jazz opened the view walls of the control pod, and the cradle slowly lifted him into the smoky sunlight of Capitol's surface. Around him the winds eddied and whirled, and from where Jazz sat in the retractable bubble at the front of the needlelike payload section of the ship, it seemed that the winds were dancing for him. Far below him, the vast doors of the ship cradle slowly closed, sliding under the massive landing gear that now bore the weight of the barrellike stardrive section of the ship.
When the door was closed, Jazz sat for a moment, waiting for clearance from the deeply buried traffic controllers, whose communications complex was called, for some nonsensical reason, the "tower." As he sat, he mentally said good–bye to Capitol. To the teeming crowds who had cheered on the exploits of Jazz Worthing, hero. To the men and women who had offered their bodies to him; to the incredible wealth and equally incredible poverty; to the oppression and the heady liberty that lived side–by–side in the corridors of Capitol. He also said good–bye to somec, and found that it was somec he would miss most of all.
"I'm a bloody hypocrite," Jazz said, laughing nastily at himself. "Out to destroy somec, when I crave it as much as anyone else."
And then the clearance came, and Jazz punched in the preset program alert, specified the route they had been cleared for, and then retracted the bubble so it wouldn't be shredded in the stresses of takeoff.
Days later, as the starship drifted lazily out of the Capitol system at a mere 1.35 gravities, and as the computers lavishly checked, double–checked, triple–checked, and then reported to Jason Worthing, Jazz realized the mistake he was making. Would Hop love him when they reached their colony, knowing he was a Swipe? Of course Hop and Arran would be grateful at first. But gratitude is the least dependable of human emotions, Jazz reminded himself. And I should know. I should know.
He confirmed the computer's verdict that the ship was ready for starflight. The readout warned him that he had thirty minutes before the ship would make its turn, putting the full thrust toward Capitol's sun, and accelerating to five, fifteen, twenty light–years per year. As always, Jazz had the whimsical thought that all the electromagnetic radiation in the universe was envious of him for the speed he could muster.
"Gratitude is the least dependable emotion," Jazz said aloud, and he went to the storage cabinet where the papers and rosters of the colonists were stored. There he found the two memory tapes that the Sleeproom attendant had brought him. On the one, the words Arran Handully, on the other the words Willard Noyock. Jazz felt a momentary longing to go and wake them, play the tapes into their heads, talk to them for a moment or two, plead for their reassurance that he was, after all, right in the choices he had made. But he squelched the desire. Who in the universe has ever been sure he was right?
Except Abner Doon, of course.
And thinking of the man who had collected him, and remembering his advice, Jazz confidently walked to the garbage recycler and tossed the two memory tapes inside. Within ten seconds they had been stripped to their basic molecules, and those had been simplified to uncombined elemental atoms, which hung in a static field, available for use later. "So easily we murder," he told himself, and then went to the coffin that waited for him in the control room — the only coffin that was not in the hindmost compartment of the ship, the only one that would waken its occupant automatically, at the command of the ship's computer.
Jazz stripped off his clothing and laid it aside. Then he climbed into the coffin, eased himself down, and pulled the sleep helmet over his head. It recorded his brainwave pattern. A small amber light flashed on just outside Jazz's range of vision, and he said, "Jason Worthing, XX56N, sleep OK." That was the code; but he added, "Good night."
The cover slid over him, and he watched as the sealer oozed upward from the edges of the coffin and made the space airtight. And then a green light flashed on, and a needle entered his scalp from the sleep helmet, and the somec flowed hotly into his veins.
The somec burned, the somec was agony, the somec felt like death — or worse, like the fear of death. Jason panicked, afraid that something was terribly wrong, afraid that somehow the somec was burning him up from the inside out, destroying him.
He didn't know that somec was always like that; it had always happened after the taping, and he had no memory of it.
But after a fifteen–second eternity the somec emptied his brain and Jason slept.
As soon as he was unconscious, the great stardrive silently fired and the tremendous acceleration began. Jason's coffin, and each of the coffins in the passenger compartment, filled with a clear gel. As the acceleration reached 2.7 gravities, the gel solidified, formed a rigid supporting structure that kept the bodies from breaking under the strain of three gravities, four, five.
And the ship shoved its way relentlessly through the empty space with three hundred thirty–four bodies inside it, all of them alive, all of them on fire, though they didn't know it, with an agony that would make even life worth enduring by contrast.
6
SOME REVOLUTIONS happen overnight. Some are years in the making. But no other took so long to foment as the Somec Revolution. The first step of the revolution was Abner Doon's seizing of control of the overt organs of Imperial power. With the Service and the secret police behind him, he ousted the Cabinet, and assumed tyrannical control of every aspect of the Empire. At first this seemed to be merely a coup — and one long overdue. But Doon was subtle.
He began to make his tyranny oppressive in the colonies first. Had Capitol come to hate him from the beginning, its inhabitants might have ousted him, put another more clement man in his place, and the Somec Revolution might never have happened. As it was, minor rebellions began to occur on planet after planet, as the privilege of somec sleep became whimsical in its bestowal, corrupt in its administration. Acting on Doon's instructions, totally undeserving people were put on somec, while those long accustomed to it were abruptly removed. And in every case, the rebellions were begun, not by the masses who had never had any hope of somec sleep, but by the wakened sleepers, whose fear of death was irrational, whose hatred for those who stole immortality from them was implacable.