“Go flog yourself.”
Croyden hung up. Shahla was on a call. As soon as she saw that Tony was free, she put the call on the speaker. The voice sounded like a woman with a cold.
“…stare at me when I go out without wearing a bra. I think they can see my nipples. It makes me very uncomfortable.”
Shahla pressed the Mute button and said, “It’s the Chameleon.”
The Chameleon? Oh, yes, he sometimes imitated women. “How do you know?”
“Because I’ve heard him use this voice before.”
The breathy voice was saying, “What do you think I should do?”
Tony said, “Try to find out if he wrote the poem.”
Shahla cancelled the Mute and said, “So, do you wear tops with spaghetti straps?”
“Spaghetti straps. I love to wear spaghetti straps. Do you like to wear spaghetti straps?”
“Sometimes. But we have to wear bras in school. Do you know that the assistant principal has the job of bra-snapper?” Shahla winked at Tony. “It’s his job to make sure all the girls are wearing bras. I don’t like it when he checks from the front-and his hand slips. On purpose.”
“It’s so…when men have their hands all over you.” The Chameleon dragged this out, making it sound as if the hands were at work on him.
“He’s masturbating,” Shahla mouthed.
“Hang up,” Tony mouthed back.
Shahla shook her head.
“I don’t like to wear a bra,” the Chameleon said in a breathy monotone. “I like my tits to be free of restraint. It makes me feel so…free.”
“I know a poem about spaghetti straps,” Shahla said.
“Men shouldn’t be allowed to make us feel uncomfortable. We should be able to wear what we want.”
“She wears a summer dress, spaghetti straps to hold it up…”
“I love spaghetti straps. I could wear them every day.”
“You and I have a lot in common. Let’s get together. What do you think?”
There was a click.
“I think you violated just about every Hotline listening rule,” Tony said. “Again.” He was relieved that the Chameleon had hung up.
“Just following orders, General.”
“But I didn’t ask you to try to meet him again.”
“Cold feet? I thought we were in this together.”
“Anyway, you scared him off. It’s probably just as well. And he didn’t pick up on the poem.”
“I guess I was a little abrupt. But I don’t think he wrote the poem. He’s about as poetic as a mud fence. But that doesn’t mean he isn’t the killer.”
“Okay, but let’s let Croyden handle him. Fill out a call report, and we’ll leave it for Nancy to give to him. But don’t mention the poem.”
“Aye aye, sir.” Shahla gave an imitation of a salute. “I don’t know what you think of me, but I’m not really a bad person. I get good grades. I don’t smoke, drink, or do drugs. And if I listen to dirty talk, it’s because it’s part of my job.”
Tony was taken aback for a moment. She was fishing for a compliment. He was not great at giving compliments. “I-I think you’re doing a super job. Just don’t do anything risky.”
Shahla held his eyes. “Do you care what happens to me?”
“Of course I care what happens to you.”
Shahla seemed satisfied with that. She filled out the report while Tony took a call from somebody who wanted a referral to a therapist. When he hung up, Shahla was on another call. It wasn’t until an hour later that they were both free at the same time. Tony still figured that their best bet to help the investigation was to try to track down the writer of the poem, especially since Croyden didn’t have any leads there.
He looked up the information on Paul the Poet. The page in the Green Book said that Paul still lived at home, even though he was in his late twenties. He apparently had a job and girlfriends, so he wasn’t completely stunted. That he lived at home didn’t square with his claim of having been abused by his parents. But he did admit to sleeping with a teddy bear and a night-light.
“It’s funny,” Shahla said as they read it. “When you talk to him, he brings up this abuse issue, but then if you ask him where he lives, he says he lives at home. I asked him once who paid his phone bill. He didn’t give a straight answer. And I think he has a job. It doesn’t all make sense.”
“I’ve discovered that our callers don’t always make sense. How often have you talked to this guy?”
“Many times.” Shahla spun her chair around to face him. “He’s one of our more intelligent callers, in spite of the contradictions. We actually had some good conversations about poetry. He read a few of his poems to me.”
“And were they really good?”
“They weren’t bad. They showed talent.”
“So you think he could have written the poem?”
Shahla hesitated and then said, “He’s the best guess I have right now.”
“So he just happened to be in Southern California. And he just happened to write a poem he wanted to deliver to the Hotline. And somehow, he found out the address of the Hotline.”
“Sounds farfetched, doesn’t it?”
“Especially if he’s going to be a murder suspect. Why would he come all the way here to murder somebody? Did he ever show animosity to you on the phone?”
“No, he was one of the easiest repeat callers to talk to. He was always appreciative. He often thanked me for listening to him.” Shahla kicked the floor with her feet and spun her chair around, a child at play. “I guess we can eliminate him.”
Tony furrowed his brow. “Still, it would be nice to talk to him. Did he ever give any indication of where in Vegas he lives? Or where he works? There’s nothing here.”
“Not that I can remember.”
“Wait. The book gives a last name for him. Vicksburg.”
Shahla shrugged. “Who knows whether that’s correct? Our callers use a lot of aliases.”
“But since we don’t ask for last names, he must have volunteered it. I’m going to Google him.”
Tony went into the office and started up Patty’s computer. It asked him to enter a password. He looked at Shahla, who had followed him.
“The password is ‘m-i-g-i-b,’” Shahla said.
“How do you know that?”
“Patty told me. I helped her with some computer stuff one time.”
“What does it mean?”
“She wouldn’t tell me. But her boyfriend’s name is Marty. So I remember it as, ‘Marty is great in bed.’”
Tony didn’t comment on that. He connected to the Internet and then the Google search engine. He typed in “Paul Vicksburg.” On the first try he got mostly references to pages about Vicksburg, Mississippi, and the Civil War, so he modified his search with the word poet.
“He’s got a website,” Tony told Shahla, who had come in to see what he was doing. “And there’s poetry on it.”
They looked at the pages together. The poems were the kind of plaintive meanderings that had always put Tony to sleep, but he noticed that some of them did rhyme, just like the spaghetti strap poem. They showed the egotistical nature of a person who thought his problems were the most important problems in the world. Still, Tony realized, many people believed that, including some of the Hotline callers. Poets went a step further and put the thought into words.
“Is this the guy?” Tony asked Shahla, after she had read several of the poems.
She reread one of the poems and said, “He recited that poem to me on the phone. I’m sure of it. Does it say where he lives?”
It didn’t, but there was a “Contact me” button. Tony clicked on it and found the poet’s e-mail address. He said, “Let’s say we want to arrange a meeting with him, like you’re always trying to do with your beloved Chameleon. Would he respond better to an e-mail from a man or a woman?”
“A woman. He likes girls. Isn’t this the point when we have to turn the evidence over to Detective Croyden?”
Tony smiled at her imitation of his voice and said, “I haven’t been to Vegas for a while. I just might take a run up there. My car needs the exercise anyway. What’s your e-mail address?” He added, “Keeping in mind that you’re not going to be the one to meet him.”
“Are you sure you want to do this? That’s a long drive for probably nothing.”