He stood watching as the lightning and thunder increased. Still no breath of air moved. The lightning flared along the distant edge of darkness like the cannon flashes of some titanic war of the gods, just out of sight over the horizon. The thunder grew. Now the heat lightning had given way to chain lightning, which stitched wild, jagged thrusts of brilliance across the sky.
The air sighed suddenly outside the window. It blew damply against him. The thunder roared. Suddenly the skies split with thunder directly above him, and a lightning flash left a searing afterimage of trees and bushes painted on his vision. The wind blasted, and suddenly there was a dry, hard pattering all around.
It was hail. At once, before he could move back and close the window, the full hailstorm was on him. In the wild lightning he saw the yard below full of dancing whiteness, saw the bushes bent over and even the ornamental flowering crab tree bent nearly to the earth.
Only the oak, he noticed, refused to bend. It stood towering as before. Its leaves lay over flat, and its branches swayed to the wind, but its trunk ignored the storm. It stood unyielding, upright, all but indifferent.
Hail was stinging Miles’ face and arms. He pulled back from the window, closing it all but an inch or two. Even through that little space, the wind whistled icily into the room. He got back into bed, huddling the covers up around him.
Before he knew it, he was asleep once more.
“The Ship…”
It seemed that those were almost the first words Miles encountered on going downstairs after waking the next morning. They were on the lips of his landlady as he left for breakfast and his first class, and they echoed around him from everybody who was abroad in the red light of this early day as he crossed the campus. When he reached the room in which the seminar on Renaissance art was held, it seemed to be the only topic of conversation among the graduate students there as well.
“Too big to land, anyway,” Mike Jarosh, a short, bearded man who was one of the graduate history majors, was saying as Miles came in. “As big as the state of Rhode Island.”
“They’ll probably send down a smaller ship,” somebody else put in.
“Maybe. Maybe not,” Mike said. “Remember, the ship just appeared there, in orbit a thousand miles out. None of the telescopes watching the sun saw it coming, and it appeared right in front of the sun, right in front of their telescopes. If whoever’s in the ship can do that, they may be able to send down people to the surface of the Earth here just by some way of transferring them suddenly from the ship to here—”
The professor in charge of the seminar, Wallace Hankins, a thin, stooped man, half-bald but with his remaining hair still as black as his eyebrows, came in the door just then, cutting off Mike in mid-sentence.
“Any news? Any broadcasts from the ship—” Mike was beginning to ask him, when Hankins cut him short.
“Yes, there’s been some kind of message,” Hankins said. “The United Nations Secretary-General just received it—the broadcasts don’t say how or why. But that’s all beside the point. It’s plain there’s no use trying to hold any kind of seminar under these conditions. So we won’t try it today. The rest of you go about your business—and, with luck, we’ll meet again here next week at the same time under conditions more conducive to a discussion of Renaissance art.”
The babble of excitement that broke out at this announcement, Miles thought, would have suited a group of grade-school children better than a dozen hardworking graduate students. The others hurried off as, more slowly, he put his own books back into the briefcase from which he had taken them while Mike Jarosh was talking. Hankins had stood aside to let the class members stampede past him out the open door. So it happened that, as Miles was leaving last, he came face to face with Hankins.
“I’m sorry to lose a day,” said Miles honestly, stopping.
Hankins looked back at him, his round face under the high, hairless forehead more than a little sour.
“The Renaissance seems out of fashion at the moment,” he said and, following Miles out through the door of the seminar room, closed it behind both of them.
Miles, briefcase in hand, headed back down the worn marble steps of the staircase inside the history building and out of the building back toward his rooming house. He was not quite sure what he should do with this unexpected gap in his daily schedule. Automatically, he thought of setting up his easel somewhere outside and trying to work—and then he remembered that outdoor painting would be all but impossible as long as the sun continued to be this color. Color values would be all off.
No sooner had he thought of this than he was intrigued by the notion of doing a painting under the red light, just so that he could see in what way the colors were off once the sun returned to normal. He hurried on to the rooming house and went up the stairs to his room with enthusiasm beginning to burn inside him. But as he entered his room, his spirits took a sudden drop. The sight of the canvas he had painted yesterday afternoon, now drying in the corner, reminded him abruptly of Marie and the storm of the night before.
He was suddenly face to face with a strong sense of guilt and loss. No matter how wrong Marie had been last evening, two things remained unchanged. It was her concern for him that had made her say what she had and also, he had no one else in the world that was close to him.
He sat down heavily on the edge of his bed, newly made by Mrs. Arndahl. The strap springs creaked dolefully under his weight. He had been looking forward to the release and freedom of his year in Europe. The thought of loneliness had never occurred to him until now. But now he felt it come to him powerfully at the thought that he might easily lose Marie for good.
He got abruptly to his feet. He had been wrong in walking out like that. It had not been fair to expect her to understand what moved him in his wholehearted search without ever a word of explanation of that search. At least he could find her and make that explanation now. He owed her that much.
He got up, went over to open the top drawer of his dresser to take out a brown manila envelope. He put it into the inside pocket of his jacket and headed back out of the rooming house.
At this hour Marie was usually in the second-floor study room of the university library. But when he got there, he found the room deserted except for three or four stray figures looking dwarfed and foolish among the long tables and empty chairs. Marie was not one of them. He turned and left the library.
The most logical place to look next was the girls’ dormitory, in which Marie was a counselor.
He went there. It was on the other side of the campus, a tall red-brick building with a row of glass doors across the front of it. He went through one of the doors into the lobby and asked for Marie at the desk. The clerk buzzed Marie’s room, and less than a minute later Marie herself called down on the house phone. Miles heard her voice with a sense of relief.
“It’s me,” he said. “Can you come down?”
“I’ll be right there,” her voice answered. His heart moved in him. It was the same soft, calm voice as ever. He had expected any reaction but this, after he had walked out on her the way he had the night before.
“You can wait in the lounge,” the pointed-faced little clerk said to him.
He had waited in that lounge many times before, but when he went in now, like everything else, it was different. Usually there were only four or five vaguely impatient or irritated males seated in the heavy armchairs and couches scattered decorously about the room. Now nearly all the farther seats were empty. The nearer ones had been drawn in around the television set and were occupied by a small crowd of girls. These listened to the omnipresent television announcer in such uniform silence that Miles had no difficulty overhearing what the announcer was saying.