Even if the clothes had been a complete loss, as Friedl had said, the body might still have retained some indications of its living appearance, enough to guide a skilled man. The doctor who conducted the post-mortem might even have advised on a reconstruction from the bones of the face. Given the interest, it could be done. But would the result look like this? Or perhaps it was entirely fanciful; the romantic and morbid German temperament, Francis reflected, had done stranger things than this in its time. And perhaps some rich man not far from the end of his span was concerned rather with making his own soul than salvaging Robin Aylwin’s. The elaboration of his offering was what mattered. Beneath the portrait—for reconstructed or imaginary, it was a portrait—was an inscription in German. Francis translated it loosely, and wondered:
‘Pray for the repose of an unknown young man, drowned in the Rulenbach, and for those who erected this memorial over him.
February 1956.’
A modest donor, he had left his own name out of it along with the necessary omisson of the victim’s. Francis used up the rest of his film on the grave. The light was still good, and the definition in the engraving excellent. Developing the results would not be so easy, but at this time of year the backlog of work in the local studio would not be great, and a little persuasion and a discreet bribe might get him his pictures by to-morrow morning if he hurried back and handed over the film now. He would have preferred to spend a little time in making friends with the photographer and getting him to lend his darkroom, but with a police investigation going on in Scheidenau even so small a departure from the norm would invite attention. No, better just be a tourist in a hurry, there was nothing abnormal about that.
He went to the trouble, before he departed, to inspect every face of the stone. There was something about it that made him uneasy, something small and prosaic in which it differed from its kind, quite apart from the macabre quality of the work involved; but for the life of him he could not put his finger on it.
He picked up his car in the square, and drove back through the valley towards Austria. For two or three miles the road was a gentle rise with open meadow views. Then, in the belt of country near the frontier, there were broken woodlands and outcrop rocks, and more than one short but dramatic defile between high walls of forest and cliff. In this complex countryside echoes played strange tricks. Occasionally he would have sworn that he was about to meet another car, yet nothing appeared, and it seemed that the sound of his own engine was being flung back to him from some oblique face of rock ahead. Twice he thought he caught the note of a car following him, and once went so far as to cut his engine and slide in among the trees to see if anything passed by; but nothing did, and as soon as the note of his own motor ceased he was surrounded by a profound silence. It was a dark, enclosed road, little frequented at this time of year. He completed the ascent, and emerged into the comparative daylight of the westward side, winding down among rolling meadows to the Customs’ barrier. A bored official urged him through. In twenty minutes he was passing the Alte Post and entering Scheidenau.
In the darkness under the trees he stood and watched her windows, but he went no nearer than the water’s edge, where the public path in the little park ended; for she was there, safe, he need not wonder about her to-night.
She was singing. The notes of the piano prelude drifted across the lambent silver of the water, refined into unearthly purity and clarity. And then the voice, molten gold, pouring out on the air a passion of hope and longing.
‘Die Welt wird schöner mit jedem Tag,
Man weiss nicht was noch werden mag,
Das Blühen will nicht enden…’
Walled in and overshadowed with autumn, murder and sorrow, she sang about spring and hope and certainty, proclaimed that the world grew more beautiful every day, that no one could guess what miracle would happen next, what prodigy of blossom burst before a man’s eyes. And you would have thought, he reflected with an aching heart, that she truly believed it, she in her sickness and loneliness and undefined danger. Such a demon she had in her, and so little did it consider her. If he had not known in what extremity he had unwillingly left her that morning, he would have said, yes, this is the acme of joy.
‘Es blüht das fernste, tiefste Tal.
Nun, armes Herz, vergiss der Qual!
Nun müss sich alles, alles wenden,
Nun müss sich alles, alles wenden.’
Now, poor heart, forget your pain; Now everything, everything must change!
I wish, he thought, following the last droplet of the postlude to its silvery resolution far over the lake, I wish I believed it. For you it may yet, my beautiful, my darling, for you it shall if I can make it. But not for me.
CHAPTER EIGHT
« ^ »
Maggie pushed open the door of the restaurant Zum Bären just ten minutes after noon. He was there before her, credibly installed alone at one of the smaller tables for two. He saw her come, and his face, after the first blank glance, lit up with what she took for a creditable impersonation of a rather bored tourist spotting a totally unexpected acquaintance, though in fact the bravery of her appearance and the bloom that awakening had cast over her pallor and frailty had dazzled him out of all pretence. Maggie had been right, he was seeing her for the first time; the trouble was that he did not realise it. What he believed he was seeing, blessedly reassuring and agonisingly lovely though he found it, was what she could do by way of putting on a show when her life and future were at stake. Even so, he marvelled and adored her for it; but he would have been very chary indeed of taking it as genuine.
She walked across the room between the tables with her head up and her eyes roving, and her stride was young and elastic and easy, it would have done for the self-confident débutante she had never been. She made to pass him, and then looked straight at him, and halted, swinging upon him with delighted face and eagerly outstretched hand.
‘Mr. Killian! Well, what are you doing here? How nice to see you!’
Not overdone, either, he thought with rueful approval, the voice still subdued meant only for him, even the gesture preserving a thoroughly English restraint. She was, after all, an experienced opera singer, and no one needs acting skill more.
It was at that moment that he observed the man who had entered so unobtrusively after her. A tall man in a grey suit, who was just hanging up his hat and taking a seat at a table not too close to them, but strategically placed beside a pillar faced on its six sides with mirrors. He had his back to them, and the table was so aligned that Francis could not even see his face in the mirrors, but the stranger had only to turn his head a little to keep a close eye on them.
On his feet, beaming painfully at the apparition of beauty that was not and never could be his, going through the motions of inviting her to join him, seating her devotedly, Francis said into her ear, with no change of expression or intonation: ‘You’ve picked up a shadow. No, don’t look round! He’s several yards away, he can’t hear us if we’re careful, but he has us under observation. Keep acting, and slip in what you want to say among the chatter.’
He felt her stiffen for an instant, but when he sat down opposite her she was smiling at him. ‘How wonderful to meet somebody to whom I can talk in English. My German has been strained to the limit. Police, do you mean?’
‘Yes, plain clothes. Very discreet. But for the hat I’d have said English.’ He handed her the menu. ‘Tell me what you’re doing here?’