“Did it work out all right last night, Bouba?”
“She’s totally crazy, man.”
“That’s the way you like them, I thought.”
“Not all the time, man. She wanted to do my astrological chart. Fuck the stars. She took me to her place on Park Avenue. A five-and-a-half, worse than the Oratory. Dark. Mystical bookshelves. Big blow-ups of the maharaji. Every crazy-man was hanging on her wall. She’s totally out to lunch. We sit down lotus-style on reed mats. She tucks her legs under her mystic ass. Legs that would drive the most ascetic bunch of Buddhist monks wild. We do a little meditation. My soldier is standing up straight.”
“What’s she doing?”
“Absolutely nothing. I got up and took a piss to show her that a human being, even a black one (especially a black one!) is made of flesh and blood, muscle and piss. She didn’t move. She uncoiled her legs and went into her room and came out with the tools of her trade. She wanted to do my chart at two o’clock in the morning. Date of birth, place, time, the whole thing: Jupiter influences Saturn and Saturn influences me, and I couldn’t influence her. Finally she remembered I was there. She got up to run a bath. I like a nice hot bath, but it really wasn’t the moment for it. It did smell good, like leaves. But I’m not the aquatic type. I was on fire. In the water. That kind of combination is hard on a man’s nerves. Then she put on a Hindu record, something like The Sacred Music of Plants of the Far East. You can listen all you like but you won’t hear a thing. Plant music, man. Plants aren’t too talkative. All that was missing was the incense. I’m telling you, brother, the West can’t get a hard-on without some kind of stimulant. No natural hard-ons.”
“The Philosopher-King speaks.”
“I’m warming up for my interview. Can you see me on TV, with noted sexologist-for-the-people Janette Bertrand: my opinion, Mme Bertrand, is that we have too many distractions. Leisure time, the bomb, religion, marijuana, TV. Madame, we are the last ones to get off on sex. Whites have lost their interest in it. Though I’m not talking about the women. some interest is still apparent. Am I shocking your audience?”
“Not at all. On this program we’re free to discuss everything. But what about porno films and dirty books; wouldn’t you say that that disgusting proliferation proves that whites, despite what you say, are still interested in amorous activity — in sex, as we say in modem language?”
“It’s a trap, madame. The West no longer cares about sex; that’s why it tries to debase it. It’s all directed against blacks because the Judeo-Christian world believes sex is their domain only. It can’t help but knock down the merchandise. But we blacks must restore sex to its full glory.”
“Is that the theme of your New Crusade?”
“In so many words.”
BOUBA MUST need a sleep cure if he’s confusing a Negro with Janette Bertrand. (Me Tarzan, you Jane.) People have been talking about mutation for a long time now. But I didn’t know it had gone that far.
The First Black Vegetarian
JUST AS i was finishing that chapter, Bouba came in with a fabulous girl. California style. Sun and orange groves. White teeth and sparkling smile. A regular cover girl. Finally! At last!
“Forget the dishes, man, we’re eating out.”
“It couldn’t come at a better time. I just finished the first draft of my novel.”
“Did you hear that? He just finished it.”
Bouba grabs the manuscript and goes dancing around the table.
“I could use a shower,” I say.
“We’ll wait, Homer.”
A SHOWER. A novel on the go. A knock-out girl and a meal in the cards. Some days it all works. I finish my shower. My head is spinning. Allah is taking a personal interest in me these days.
“Are you vegetarians?” Miz Cover Girl asks sweetly.
“No, herbivores.”
She smiles. I know that perfect happiness is not of this world. (“Had they believed in Allah and the Prophet and that which is revealed to him they would not have befriended the unbelievers. But many of them are evil-doers.” Sura V, 81.)
A CRUMMY restaurant on Duluth Street.
Nuts and berries on the menu. A dozen diners religiously munching on bowls of alfalfa. We take a table at the rear, back to the wall. The sound of mouths masticating reminds us of a mosque. We listen to the vegetarian credo mouthed by a herd of cud-chewers. We order our meal from a nature girl who looks as though she was raised in an alfalfa field. Cuisine à la sunflower oil. In the restaurant, twenty-odd wooden tables are scattered through three small rooms. The walls are cluttered with maharaji brochures, eco-agro journals, mystical propaganda and comic strips. How can you eat in this decor? The guests look desperate in their lumberjack shirts. On the wall behind me I read this appetizing offer: “Christine, organic woman into spiritual ways, seeks to share house in the country. Prepared to share with one or more people who wish to experience forms of Chinese energy (tai chi and acupuncture) in a beautiful natural setting.” Cruising verboten no doubt; too bad, it would be curious to see a Negro performing forms of Chinese energy with a white girl. A large poster displays a tunic-clad young woman: MARGILIS. Margilis at the Conventum. MARGILIS UNLEASHED. We hit the Conventum. In the lobby, we admire an exhibition of caged apes wearing tutus next to six large black-and-white posters of an off-Broadway play. We go in. Margilis. Intermission. I go to the john. A coded message next to the mirror: New York, Luigi? Jojo, Smith. Paris Lucienne Lambale / London Marie Lambert Co. / Principal dancer for Talk of the Town, “émission zoom / ballet jazz de Montréal Eddy Toussaint &. Co.”
I go up to Miz Cover Girl, who’s absorbed in conversation with two other girls. She does the introductions. One of the girls is skinny; the other enormous. A biological scandal and an anthropological curiosity. There’s Miz Alfalfa (the nice one), nature-girl, clear skin, freckles, smell of hay, probably goes for love in the stables. She emanates a robust sensuality. The other one is a walking skeleton, no breasts (not even a trace), smokes three packs of cigarettes a day and writes poetry. Miz Alfalfa, naturally, tends the alfalfa fields in a commune called “The Together Revolution Alfalfa Company Inc.” She eats, talks, sells and shits alfalfa. Probably fucks it too. One day she’ll give birth to alfalfa babies. While Miz Alfalfa tells us the heroic tale of alfalfa, Miz Gitane is smoking up a storm.
MARGILIS, PART 2. No one wants to make a decision. We go into the Conventum bar and gulp down a merguez sandwich. Next on the menu is a poetry reading at the Dazibao gallery that no one wants to miss. Bouba and I were hoping to stop off at Zorba’s for a souvlaki, out of nostalgia for meat.
Dazibao, rue St-Hubert, up above Café Robutel. To get there you have to climb a steep stairway welded to the Robutel like a handle on a coffee cup. The price of admission is a stack of copies of the nbj, the magazine for avant-garde poets. Total cost: $2.50. Whither Mayakovsky and the era of free poetry? Inside, every rejection-slip poet in Montreal. Alcoholic, mystical, lumberjack, truck-driver, tubercular poets and cruised-out poetesses. Bouba and I find room in the rear. A great big guy next to Bouba screams bloody murder after every strophe. Cases of beer at his feet. Poetry by the bottle. An enormous poetess, as round as a beer-barrel, tells the story of her lumberjack lover who was jealous of her books. A gentle giant wanted to sing us a lullaby. Another poetess, totally drunk, sits down between Bouba and me. Then the enormous poetess returns to the stage to tell the story of her lover whose feet stank. Make love with your boots on or get out. Most of the time he did it without his boots and the house stank for a week afterward. I went home. The novel was waiting for me. I put my last beer next to the Remington and made a sandwich. It was going to be a long night.