I am on the phone. I am trying to call Camille. Hendrich had heard her voice, that day when I was drunk in the park. For all I know he might have an alba on assignment in London now – Agnes or another – ready to kill her and mask her death as a suicide.
‘Pick up,’ I say, uselessly into the air. ‘Pick up, pick up . . .’
But she doesn’t. So I send her a text.
‘I’m sorry about the way I was. There is more I need to explain. And I will. I just want to tell you that you should get away. You might be in danger. Leave your flat. Go somewhere. Somewhere public.’
I send the text.
My heart beats wildly.
All my life, I realise, I have been dogged by fear. Hendrich had promised to be an end to those fears but all he had done was accentuate them. He controlled people by fear. He had controlled me by fear and he controlled Marion by fear. When it was just me, it was hard to see, but seeing how he had manipulated Marion, lying to her and me in the process, had made me realise the Albatross Society ran on secrets and the manipulation of its members, all to serve Hendrich’s increasing paranoia about external threats. Biotech companies aiming to stop the ageing process were his latest area of concern: one called GeneControl Therapies and another called StopTime that were both investing in stem cell technology that could one day prevent humans ageing.
Hendrich held on to the idea that those scientists at the Berlin institute had been killers, and he always had some new conspiracy theory to work with. Albas knew it was hard to be their true selves, and often had memories of horrific injustices, as I did. But I was no longer prepared to let the long shadow of William Manning shroud my judgement. The more I thought about the threat, the more I realised the threat was Hendrich himself.
He had tainted everything. Even the reunion with Marion.
I get a text from Camille. The text says: ‘????’
A taxi rolls by. The only car on the road.
Then my phone vibrates.
It is not Camille, but Marion.
‘He’s going to see Omai.’
‘What?’
‘He’s just leaving the restaurant. He’s going. He’s just got in a taxi. He’ll be at the house in ten minutes.’
A large yellow-striped lizard scuttles amid palm trees.
‘I just saw the taxi. What’s he going to do?’
‘He didn’t say. He told me to wait. I couldn’t push it. He was suspicious enough.’
‘Marion, has he got a gun?’
‘I don’t know. But—’
I am already running north to Broken Head Road before she finishes her sentence.
Canterbury, England, 1617
‘Father.’
Marion was looking up at me from her pillow. Her eyes were heavy with worry. She sighed. I’d been telling her about the birds that disappeared to the moon and lived there, on the side we couldn’t see.
‘Yes, Marion?’
‘I wish we were on the moon.’
‘Why is that, Marion?’
She frowned, deeply. As deep as only she could frown. ‘Someone spat at Mother. He came up to the stall and he stood there. He was wearing nice gloves. But he made a face like a gargoyle, and said no more words than a gargoyle, and he gave Ma the most horrid look, and then he gave me the same eyes and Ma didn’t like the way he was looking at me so she said, “Do you want any flowers, mister?” And I suppose she asked it a little harshly but that was because she felt nervous.’
‘So he spat at her?’
Marion nodded. ‘Yes. He waited a moment more and then he spat in her face.’ She clenched her jaw so tight I could see the muscles shift beneath her face.
I took this in. ‘And did the man say anything more? Did he explain himself?’
Marion frowned. The anguish in her eyes made her look older. I could easily picture the woman she would become. ‘He said nothing. He left Ma wiping herself, with all the hawkers and folk from town staring at us.’
‘And did he act peculiar to anyone else?’
‘No. Only to us.’
I kissed her forehead. I pulled the blanket up.
‘Sometimes,’ I told her, ‘the world is not how we wish it to be. Sometimes people can disappoint us. Sometimes people can do terrible things to others. You must be careful in this life. You see, I am different. You know that, don’t you? The rest of the world ages forwards and I age to the side, it appears.’
Her face sharpened. She was lost in violent imaginings. ‘I hope that man gets sick. I hope he dies in agony for shaming Ma like that. I’d like to see him hanging and his legs kicking wild and have him sliced into quarters and his innards slip out. I’d like to pull out his eyes and feed them to a dog.’
I looked at her. The fury was a force that you could almost feel in the air.
‘Marion, you are still a child. You must not think this way.’
She calmed a little. ‘I was scared.’
‘But what is it that Montaigne teaches us? About fear?’
She nodded slowly, as if Montaigne himself was also in the room. ‘“He who fears he shall suffer, already suffers what he fears.”’
I nod. ‘Now, hear me, Marion. If anything were to happen to you, if you were ever to become like me, if you were different, you must learn to build a shell around yourself. A shell as hard as a walnut. A shell no one else can see, but one you know is there. Do you understand what I am saying?’
‘I think I might.’
‘Be a walnut.’
‘People crack walnuts. And eat them.’
I suppressed a smile. There was nothing I could say to Marion sometimes.
A little later, after a jar of ale, I lay beside Rose, fearing for a future I already knew was against us. And I felt sick, knowing the time would arrive when I’d have to leave them. When I’d have to run away, and keep running, for however much life I had been given. Away from Canterbury. Away from Rose. Away from Marion. Away from myself. I was already feeling a kind of homesickness for a present I was still living. And I lay there, trying to find a route to a far distant future, where things might be better. Where somehow the course of my life had re-routed and headed homewards once more.
Byron Bay, Australia, now
You can hear the crashing of waves quite clearly on Broken Head Road. Where they break against the side of the cliff. It is quite easy for the sound of petrol splashing against timber to be disguised. I smell it before I see what he is doing.
‘Hendrich,’ I say, ‘stop!’
In the dark he almost looks his age. Stooped and thin and withered, like a Giacometti sculpture in jeans and a Hawaiian shirt. One of his arms hangs down, crooked, struggling awkwardly with the weight of the petrol can. But there is an urgent energy to his movement.
He stops for a second and looks at me with blank eyes. He isn’t smiling. I note this because I have rarely seen Hendrich without a smile.
‘You told me you couldn’t be the one to burn his house down in Tahiti. You were never really a finisher, were you, Tom? Well, history has a way of correcting its mistakes.’
‘Don’t do this. Omai isn’t a danger.’
‘As you get older you not only get a certain aptitude for people, Tom, you also get an insight into time itself. You’re probably not quite there yet but there are moments where the understanding is so profound that you see time both ways. Forwards and back. When they say “to understand the future you must understand the past”, I don’t think they know the real truth of it, Tom. You can actually see the future. Not the whole of it. Just pieces. Flashes. Like reverse memories. We forget some of our future just as we forget some of our past, it seems. But I’ve seen enough. I knew you weren’t to be trusted any more to finish a job. I’ve sensed it for some time. I knew where this was going.’