“Thanks for this. You’re sweet,” she says, giving him her hand in a royal way. “What’s your name?”
“Eddie,” he says. Her hand is cold. He doesn’t know if he should kiss it or shake it. He doesn’t do either, just holds it for a few seconds and lets it drop.
“That’s weird,” she says. “My brother’s name is Eddie. Was.”
Now Fish considers giving her his real name. Instead, he says, “He changed his name?”
“No, he died.”
“Oh. I’m sorry.”
“No worries,” she says.
Fish pulls out of the parking lot and onto the frontage road. No worries. He wants to tell her how much he hates that expression, but doesn’t. “Don’t worry” makes sense, is a pat on the arm, a reassurance from one person to another, but “No worries” implies there aren’t any worries anywhere in the world, and that’s just not true.
They get on the highway. Fish asks her name. Her name is Wendy.
“Where’re you going?” she asks.
“Redondo Beach, I think.” That’s where Annie lives. Near the beach, with a futon, in a cave of an apartment next to the garage of a family of five. Her place is full of small glass figurines of mythical animals, ears pinched while the glass was molten— hippogriffs, hydras, satyrs, a tiny sphinx the color of cantaloupe.
“My ex lives in Redondo,” Wendy says. “He’s married now. She had four kids. Two of them Downies.”
“Huh,” Fish says. She is staring at him. He wonders how he looks in profile.
“So what were you doing at the motel?”
“Nothing. Getting stuff.”
“What stuff?”
“Just some stuff. Friend’s stuff.” Somehow that sounds shady. But he lets it go. She seems impressed.
Wendy pushes the radio scan button a few times, and finds the “Oooh-oooh, Jackie Blue” song.
“I love this song,” she says, and slaps her lap loudly. She leaves her hands there, grabbing her thighs as if to keep them in place.
“So do you party?” she asks.
“What?”
“Do. You. Party.”
“In general? I don’t—”
“You know. Party.”
He’s lost. He gives her a pleading look.
“You and me, party, handsome. We should go party somewhere. We could stop and get a drink and stuff. Or a room. Get some weed. Whatever.”
Fish finally knows. Shit. Normal women don’t call men “handsome”—only waitresses and prostitutes do that. It’s a shame, though. “Handsome” is such a beautiful word.
Fish gives her offer some thought. Her thighs have his head lunging. But it would cost too much, right, spending time with a woman like this? He doesn’t know. How did I get to my age without knowing how much things like this cost? But he can’t. He never takes off his shirt with people he doesn’t know. She’d see the hair on his shoulders and his hernia scar, much more sinister than it needed to be and she’d think he was a bad package, that the hair and the crooked smiling scar were proof he needed to pay for the kind of company she could offer.
“Nah, I gotta get down to Redondo,” he says, as if deciding whether or not to see an afternoon movie. “My friend’s waiting for me. And his wife and my mom and everyone. Cousins.” His mouth is adding family members quicker than his head can count. “They’re probably all waiting up.”
“We can be quick, if you want,” she says.
Another orange-and-black bird appears, shooting across the road low and fast. Fish wants to ask Wendy if she knows what they’re called — thrushes? finches? Not that it would make any difference, knowing their name. A name is a diagnosis, and neither makes a bit of difference. He glances over at her; her shoulders are squared to him now, her chin lowered. “I’m not expensive,” she says.
Fish pulls off the highway and under a gas-station canopy; it’s bright like daylight and he thinks of Reno. Wendy has asked to use the bathroom, and here her skin looks blue, translucent, as if lit from within, and the humidity has lifted. Instead of using the bathroom, though, she heads straight to the pay phone, and while she’s on the phone she waves Fish away like he’s her father dropping her off at a concert. He leaves.
By the time he gets to a phone to call Annie, it’s too late. He wakes her up, or she pretends to have been asleep. Her first syllable is full of scorn, and he wonders if Wendy is still at the gas station where he left her, a few miles back. “You have to start thinking of other people, honey,” Annie says, now without anger, without anything, and hangs up.
He is back at the hospital twenty minutes later. It’s well after midnight, and he has no hope of getting up to Adam’s room through the doors. He parks his car in the same spot and calculates which window is his. He knows that Adam is on the third floor, and the two possible windows are on either side of the steel ladder. So he runs under the willows and through the palmettos and starts up.
It’s the left window. He can see Adam in the light of the TV. His twelve-year-old’s face is facing Fish now, eyes closed. The brownie woman has gone.
As Fish is about to tap on the glass, Adam opens his eyes. When he sees Fish, he’s disbelieving. He closes one eye, as if looking through a telescope, to be sure. Fish waves, and Adam, with his fingers only, waves back.
Fish hasn’t thought any further than this. If he had a specific message for Adam, he could mime it through the glass, but he doesn’t have that kind of message.
Adam mouths the word “How?” and points to Fish. Fish is about to mime climbing a ladder but realizes he can’t do this without taking both hands off the rungs. He tries it with one hand, but it looks more like he’s shopping, like he’s doing the shopping-cart dance. Adam doesn’t get it.
Fish shakes his head, wiping the board clean. He decides he’ll pry the window open and tumble in and talk. But the window frame is flush to the building. It will not give.
Fish knocks his head on the glass, twice. Adam smiles. Fish does it a few more times, just to entertain him. Adam pretends to be laughing a lot. It isn’t as great as either of them makes it out to be, but there isn’t anything else to do. Soon Adam yawns. Fish yawns. Adam’s eyes are flickering, so Fish gestures that he’ll see him tomorrow, rolling his hand like he’s creating a wave, the wave meaning tomorrow, rolling and rolling.
Fish drives to Redondo and checks into a Red Roof by the highway. He figures he’ll call Annie in the morning and then see Adam again on his way back north, and do something with all the bags after he’s gone through them and dumped the pills and anything else he doesn’t want Adam to have. He resolves to get him a real suitcase or two, something with a hard shell, sturdy. He can do that tomorrow.
Tomorrow!
Tomorrow he can put Adam’s stuff in the sturdy suitcases and take them to him, put them in the hospital room, lined up by the door so they’re there when he’s ready to leave. Adam can be a promising young man with neat sturdy suitcases. Fish will repack everything, put it all in two rows, pants on one side and shirts on the other, with the second suitcase holding the other things — socks and underwear and toiletries and belts, baby powder. Tomorrow he can do these things better than he did today. Tomorrow! Tomorrow!
Fish’s Red Roof room is dark and he knows he’s being stupid. The walls smell like people, and he doesn’t deserve this, to be tricked like this again. He had made so many promises to himself that he would never waste himself, never again hand a pure intention, so much like a newborn, to someone so careless. He is done being fooled. Why would that Daly City man jack him on a bad check? It was such violence. He will not be the sucker. He doesn’t want to be a part of the world under the highway. No. Today was tomorrow and tomorrow was always the same. No, he’ll skip Annie and Adam and just get a shotgun now and go to that farm on I-5 and shoot a bunch of stupid cows. Ha ha! They wouldn’t make it, anyway — so many animals are built to die. Maybe cut off their heads and hollow them out and wear one as a mask. Yes! Just for fun. Just to do it. The humidity inside one of those big heavy heads — he’d love to see what it’s like in there for a second. His clean hair would be covered in blood, his face wet, filthy from the stuff he didn’t scoop out before he put the fucking thing on.