Hand pulled Pilar into his body and held her.
“It’s good that you came,” he said. She murmured her agreement. He kissed the top of her head.
In front of their hotel room there was an anteater.
“It’s not an anteater,” Hand said, crouching down. “It’s a sloth.”
“Sloths don’t have noses like that,” Pilar said, “long noses like that.”
It wasn’t moving, but from its side they could see it breathing, the rise and fall of its coarse fur.
“They sometimes do,” Hand said. “Down here they do. Look at his toes — they’re three-toed, like—”
“You don’t know what you’re talking about.”
Hand opened his mouth then closed it.
“Maybe it is an anteater,” he said.
It was bleeding. From its long snout there was a viscous substance that connected to the tile hallway, a stream of blood and mucus.
Pilar brought a saucer of milk. The animal made no movement toward it.
“It’s dying, isn’t it?” she asked.
“I don’t know. It doesn’t look hurt anywhere. Just the blood coming out the snout.”
They decided to leave the animal outside. There was no animal hospital in Alta, and there was nothing they could do for it inside.
“But how the hell did it get here?” Hand asked. “It can barely move. How’d it climb all these stairs? It must have started weeks ago. And why’d it stop at our door? This is too strange. There has to be a reason. We have to bring him inside.”
So they brought him inside. Hand did it.
“Like lifting a very fat cat,” he said.
Now the anteater was lying under a chair near the door. Pilar put the saucer of milk near it again, and added another saucer of water. The animal looked dead.
“If it dies tonight, it’ll smell,” Pilar said.
“It won’t die,” Hand said.
Hand sat on her bed and Pilar stood before him. For a moment, Hand continued to watch the anteater. Then he looked up, grabbed her shorts from the front and pulled her toward him. She sat on his lap and leaned into him, but when she wanted to put her mouth all over his, he spoke.
“It’s resting. It came here to rest.”
The only graffiti Pilar had ever found thought-provoking was the line she’d seen again and again in bathrooms: Sex invented God. Each time she saw those words, for hours afterward, it was the way she saw the world, as stupid as she felt about it. She loved her life, but the only transcendent experiences she’d had began with provocation of her skin.
The animal unmoving, Pilar and Hand were side to side, and kissing slowly. Pilar wanted to kiss him harder and push him onto his back and stand on his chest and dance, but she didn’t, because now they couldn’t talk and they were strangers. She continued to kiss him quietly as they lay on their sides, facing each other. They waited for judgment, they wondered if this was working, they hoped they would get excited.
“Hi,” she said.
“Hey,” he said. “We should leave the door open. In case he wants to leave.”
Hand got up, opened the door a crack, and jumped back to the bed. Pilar swung her leg around him. She was above him, straddling, and from her vantage point Hand looked so far away, so old and dead. She leaned down and held his face in her hands. “This face,” she said. It was like holding a rock painted gold.
They took their clothes off and she lay on top of him, placed her ear to his sternum, and the water inside him went shuckashucka and kissed her again and again.
Where had she been snorkeling before? Florida, near Pensacola — another place where everything was for sale. It had rained all day and she and her father had gone in anyway, with rented equipment and just a few hundred yards out.
They hadn’t seen anything then, everything so murky there, close to the breaks. But this, here, is what one wanted from snorkeling. The coral was dull colored, and there were no schools of fish. Here the fish traveled alone, loud blue ones, and very orange ones, small, and there was one with black and white stripes from stem to stern, and red on the hull. There was an especially bright yellow one that wanted to join Pilar inside her mask. It followed her, almost perched on her nose.
They had paddled a shoddy two-person inflatable kayak out to an island in the bay, hoping to watch the sunset here, closer to it. They’d pulled the kayak onto the island, which was not, as expected, covered with sand, but was made of shells. All of its white — the island was white when seen from the beach— was shells. Millions, edges and distinctions worn irrelevant. Pilar and Hand broke a dozen of them with each step. The outermost Pacific-facing side of the island was settled by what seemed to be pelicans but weren’t; they were more elegant than pelicans, and numbered about fifty. The surface was lavalike, but was more cartilaginous than that. It was the consistency and color of burned flesh.
From the kayak they retrieved the snorkeling things, putting their mouths on plastic mouthed by hundreds before. With the cold fins snug they fell in.
All the fish on the floor were being pushed and pulled by the tide. And though this was their home, it didn’t look like they were the least bit accustomed to the underwater wind. They seemed baffled and cautious, like Californians driving cars through rain. Pilar’s hands, propelling her forward, appeared in front of her mask, glowing in the sun, angelic. She was an angel, she thought. But what were these fish doing here, where they were pushed and pulled by this bastard tide? This was nowhere to live. But these bright fish, existing only to be looked at, or pushed around, or eaten. She thought of people she had known. She forced metaphors. The sun shot through the surface like God imagined it, in straight and fabulous rays. The water was full of fish she’d seen in pictures and pet stores.
Pilar and Hand had woken up facing opposite walls but their ankles entwined. They smiled at each other and he reached over and grabbed her nose, as if to pluck it off. She knew that they would continue to sleep together because the night before had been good, and nothing wrong had happened. It would be this way: at night they would brush their teeth and sit on the bed and pull their legs around and under the thin blanket. They would scoot toward each other, their hands searching like those of children pretending to be blind.
To Pilar’s left came three small sharks, striped, built like jets. They were headed for her. She was calm and knew she could make it safely. She pointed her head toward the shore and with her flippers gave the sharks a flurry of waved good-byes, the fins like handkerchiefs in a breeze. Close to shore she stood in the warm shallows, feet slipping over the mossy rocks, and looked for Hand. He wasn’t anywhere. She wanted him not to be attacked by sharks. She wanted to sit on him, on this island, facing the sunset — it was all the colors of a bloody wound.
But there was a man on the island. She hadn’t seen him before. Or he’d just shown up, and Hand was not visible but the man, not far away, waved to her and stepped toward her. He was about forty, and wearing a small swimsuit and sunglasses, neon-framed, reflective lenses. She jumped back into the water, not fearing the sharks. He followed her to the water and then screamed at her, slapping his chest.
On the way back to shore, after she recounted the episode and described the man — Hand had not seen him — Hand scolded her for wearing clothes that invited the attention of men in the town whom the two of them didn’t know enough about and couldn’t necessarily trust.
“I’ve always wondered what it would be like to be seen as prey,” he said.
He went into great detail about what the men in the town had been doing when she’d been walking by. There was the guard in front of the bank, who carried a semiautomatic rifle and, according to Hand, looked Pilar up and down and inside out each time they went into the bank or passed by. How does she decide not to wear a bra? Hand wanted to know this. Not to alarm her, he said, but men covet certain women, women they see every day. So perhaps it would behoove her — he used this word — to do more to disinvite the gaze of these men.