With all of us agreed, we separated to lie in wait. I continued deeper into the woods on the same path, Flidais took off to my left, and Granuaile melted into the trees with Oberon to my right. Once I’d traveled another fifty yards or so and turned around to face my trail, the directions were switched, with Granuaile waiting somewhere off to my left and Flidais to the right.
I drew Fragarach from its sheath and stood so that I had a good view through the trees. The first gray fingers of dawn were reaching through the canopy.
I cast camouflage as a helicopter chopped the air above the Home Park, probably very near where we had paused after the explosion. These days, British security would be prone to suspect any attack on Windsor Castle as a terrorist strike, and not even in their wildest theories would they suspect that someone was simply trying to slam a door in my face. The two men that Granuaile and I had rendered unconscious by Frogmore House would become a part of the investigation now, and satellite feeds from that area would be scoured. One frame we’d be there and then the next we’d disappear. That would make them start searching in an ever-widening circle, and eventually they’d get here—maybe would even spot Artemis and Diana as they were inbound. That would complicate matters. Our duel required privacy.
I shuddered merely thinking the word. This wouldn’t be a duel. There wouldn’t be any rules or codes. They would simply come at me knowing that the worst I could do to them was deliver some brief pain and annoyance.
How to placate an implacable foe? The Morrigan’s advice came back to me: Gaia loves us more than she loves the Olympians. The solution, I realized to my chagrin, was to take hostages—figuratively as well as literally. I am not a fan of taking hostages, since it’s an act of desperation and so rarely works, and when I kicked Bacchus through a portal it was more to save my life than anything else. But now I could see how the Olympians would view it as a hostage situation. Right now my leverage was tenuous: On the one hand they said they wanted Bacchus back, but on the other a couple of them were doing everything they could to snuff me. The leverage could change—they knew that if they took Oberon or Granuaile I’d give them anything. There might, however, be a way to increase my leverage—or to at least make them talk, which was the entire problem, from my point of view. It wouldn’t be pretty, but it had a better chance of working than expecting the Olympians to be reasonable without significant encouragement. It made me wonder why the Morrigan, or the rest of the Tuatha Dé Danann, or anyone else who’d ever had occasion to fight the Olympians, hadn’t thought of compelling them to talk. Perhaps in some cases it was simply not an option for them, but more likely it never occurred to them that there was any way of winning other than through force of arms.
Communicating with Albion through my tattoos, I introduced the elemental to the concept of storage units, in case my plan turned out to work.
Chapter 23
I should be confident of what’s to come, but somehow that confidence has fled. With Atticus here and Flidais too, and the theoretical aid of Herne—I’m not sure if he’s coming back—we ought to be a bit more evenly matched. But nothing went the way I expected it to the last time we tried to ambush the Olympians. I am strategically ill equipped to deal with them. Unless I land a powerful blow to the head with Scáthmhaide, I don’t have a way of taking them out. My knives will only annoy them, and they are so very annoyed with us as it is.
Atticus claims that I fight better when I’m angry, and if that’s true, I’m sure he’s right about the effect but not the cause. When I fight, I am occupied not only with the exertion but with the manner in which I win—a distinction that Atticus believes pointless. In battle there is no moral high ground, he says, only high ground that puts either you or your enemy at a disadvantage, depending on who occupies it. I privately disagree. People can lose—or die—with dignity. If I could give them that, I would. But I admit that I cease to care if my own dignity is wounded first. With anger comes a remarkable clarity of purpose, a stillness from which many paths to victory lie in front of me. Some paths are much less dignified than others, and the distance to travel much shorter. I need only choose one and take the first step. But I do not have that clarity of purpose yet with the Olympians, for I think they have some just cause to be incensed with us. Though messing with the dryads on Olympus was ultimately a successful stratagem—it gave us the time to complete my binding to the earth—I always knew we would have to pay a price for it.
Perhaps my insecurity stems from the knowledge that for the majority of this journey I have been watched and judged from afar by beings who, if my current run of luck holds true, may prove to be my adversaries someday. Or it could come from the fact that Oberon and I nearly lost our lives the last time—in almost no time at all.
My experience thus far has shown that battles in martial-arts and action movies always last longer than the real thing—especially when there are gods involved in the real thing. When you’re watching in the theater with your salted popcorn and high-fructose corn syrup, the battles linger and slow-motion sequences pay exquisite attention to killing blows and masks of rage, a celebration of violent death intended for people like me who (until recently) customarily do nothing more violent than buy butchered meat at the grocery store. Once the movie hero and villain finally have their showdown, they discover that they’re evenly matched and there is time for a long, beautiful silhouette sequence in front of a dawning sun as the soundtrack composer mashes down some organ keys and a boys’ choir sings whole notes until they drop dead from hypoxia. What makes such shots exceedingly silly is the weeks or months of preparation it takes the actors to rehearse the battle so that they don’t accidentally kill each other. If they wanted to truly go at it, they wouldn’t need to rehearse. Like all true battles on the individual level, it would be ugly and anguished and over before the cinematographer could focus. I have learned that our emotions and adrenal glands won’t have it any other way.
I heard the goddesses approach before I saw them, and that saved me from further worry. I had to clear my mind for combat as best I could. The rolling tumble of hooves announced their arrival at the edge of the clearing, where Flidais had left her chariot.
<They’re here,> Oberon said. Holding Scáthmhaide in my left hand and a knife in my right, I cast invisibility on myself and camouflage on Oberon. I also activated the strength and speed bindings worked into the silver and iron knotwork on my staff.
Lie down, Oberon, and their shots should sail high. Don’t attack unless they draw near.
<Don’t worry about me,> he replied. <I almost think barking would be a better distraction than trying to bite them.>
You’re probably right.
I saw flashes of movement and heard a hushed conversation, and then the huntresses left their chariots and proceeded on foot into the forest, bows ready. Artemis took point, studying the undergrowth ahead and watching the trail for booby traps, while Diana trailed behind, looking up and around for the expected ambush.
When Artemis reached the point where we’d split up, she said as much to Diana. Diana told her to keep moving ahead, so Artemis did. I let her pass, and when Diana drew even with me, I threw a knife at her head and shed my invisibility. The knife dropped in flight and sank into the side of her ribs, because her right arm had been raised to fire her bow, exposing her side. “Ha!” I shouted, then flipped the invisibility back on and hit the ground as an arrow from Artemis sailed overhead.