And the proof that he represented a mortal threat was also plain: Small piles of ashes dotted the room, mute markers testifying to the death of numerous faeries.
Prudence and a profound disability to move quickly dictated that I should simply try to find another way out rather than hop across in front of him, chained or not, so I turned around and spent ten minutes discovering that the path through Midhir’s sex room was the only practical exit. Past the selkie alcove, the architecture afforded nothing but another couple of unoccupied bedrooms. I toyed with the idea of laboriously unbinding the substance of a wall so that I could squeeze through the hole into the proverbial sunset, but there was some bad juju about it in the magical spectrum—either a ward or a trap, I wasn’t sure which. It was advanced binding of the sort the Tuatha Dé Danann were capable of, but I didn’t know if it was Midhir’s work or the work of whoever killed him. The bindings were tightly coiled, like the ones Aenghus Óg had placed on the mind of the late Tempe police detective Darren Fagles; if I tried to unbind them, it would set off an alarm at the very least, though I wouldn’t be surprised if something more violent happened. Insane as it sounded, I thought it best to risk the sleeping manticore. I might be able to sneak by him, but there was no way I could fight off anyone summoned by an alarm.
Returning the way I had come, I nervously filled my bear charm once more before stepping onto the marble and then employed my lopsided pogo dance to reach the first pillar. The manticore hadn’t moved. It still lay motionless in the mud.
Lacking the luxury of time—my magic was steadily draining now due to the camouflage spell—I hopped to the next pillar in three bounds and paused to check on the manticore. Motionless still.
I had a much larger space to cross now. Though I was tackling the short width of the room rather than the length, it was still a damn big room and the pillars were clustered at the corners of it. A matching pair to the two on my end awaited me perhaps thirty feet away, and it was behind those pillars—or, rather, to the left of those pillars on the north wall—that the kitchen doors waited; beyond them, straight ahead on the east wall, was the door to a mystery room. It was a long way for a one-legged, one-armed dude to go without any support, but I didn’t have much choice. Taking a deep breath and praying to the gods below, I pushed off from the pillar and lunged forward, hoping I didn’t wipe out.
The manticore woke when I was halfway across. The eyes snapped open, wide and alert, and searched for me. Though I was camouflaged, it wasn’t perfect invisibility, and he was able to spot my movement if not my clear outlines. No doubt he heard me moving as well. The black spiked tail rose up into the air behind him like some unholy cobra and fired venomous barbs in my direction. Some of them sank into the upholstery of a long red leather sofa facing the koi pond and blessedly shielded my lower body, and others missed to either side. But one struck me high on the right arm, and the pain that exploded there was unlike anything I’ve ever felt.
Worse than the tooth faeries eating my left side. Worse than the Hammers of God throwing a knife in my kidney. Worse than dark elves setting me on fire in Greece. It was nerve-searing, caustic agony that shut my motor function down, and I spilled forward onto the unforgiving marble, screaming. Fragarach flew from my grasp and skittered across the floor.
I triggered my healing charm but feared it was already too late. I began to convulse with involuntary muscle spasms, helpless to stop them and unable to pluck out the thorn with either hand—my left was useless and my right hand couldn’t reach the side of my own right shoulder. I managed to glimpse the thorn before a convulsion jerked my head away; the skin and flesh around it were dissolving and blackening—not like they would in acid but more like in a base, as if the toxin would do double service as a drain cleaner. It was ruining the topmost band of my shape-shifting tattoos—the one that let me return to my human form. So if I somehow managed to survive long enough to shift to an animal—not a bad idea, since as an otter or a hound I might be able to reach around and rip out the thorn with my teeth—I would never be able to shift back. I’d be stuck.
And I was stuck anyway. No one knew where I was. No one would arrive in time to help me with a convenient vial of manticore antivenin, because no such thing existed. I had to figure something out before I died an ignominious death, cut off from the earth in Midhir’s seedy sex hall. The venom was a vicious cocktail of biological agents—nothing against which my cold iron aura would be any use. A searing alkali to burn and dissolve my skin, an inflammatory akin to concentrated capsaicin to keep all the nerves alight and to swell soft tissue, and a fast-acting tetanus analog to lock up my muscles. It wasn’t actually tetanus or I would have been able to fight that off easily; it was a different molecule causing all the trouble. It paralyzed the manticore’s victims in the most painful manner possible—imagine an epic charley horse in every single muscle—and then he would eat them whole and alive as they screamed their way down his gullet.
The leather couch provided cover from further missiles, but the manticore hadn’t bothered to fire any more or even to rise up out of the mud. He knew by the noise I was making that he’d scored a hit, and that was all he needed to do. And he’d played me very well, very patiently; at no point had he ever been asleep. He had simply waited until I made myself an easy target.
I had to escape to another headspace if I was going to manage anything, and I thought Dante would serve me well. Though Druids have to learn different languages to manage their magic and communication with elementals, we also have to memorize large bodies of literature as a method of dividing our consciousness; it allows us to take others with us when we shift planes, for example. The body of work is a template for thoughts and a world unto itself, and we can slip ourselves or someone else into it. Granuaile had absorbed Whitman so far, so she could take one other person with her when she shifted. I had The Odyssey in the original Greek on tap, The Iliad in Latin, the complete works of Shakespeare, Dante’s Divine Comedy, and Dostoyevsky’s Brothers Karamazov in Russian, along with a bunch of bardic tales in Old Irish, which was my first project when I was a wee lad. I was maxed out now; active human memory can’t handle much more than seven things at a time without significant risk of loss. But headspaces also have other uses—especially in situations like this one. They can be the happy place you need to find when your mind or body is decidedly unhappy. Dealing with the virulence and pain of the manticore’s venom, therefore, could be left to my primary headspace. Removing the thorn would require cool thoughts in another, and getting access to more power before my magic ran out would have to follow directly after.
The thorn was not a straight spine but rather held small sacs of poison along its length, and these were pulsing and delivering more of the manticore’s evil shit into my flesh. I had to remove it before the poison overwhelmed my ability to break it down; I was barely keeping pace as it was, fighting to keep the muscles of my right side unlocked and my diaphragm from freezing up. I slipped into Canto V of Purgatorio, and the rhythm of it existed outside the pain and the contractions and the havoc being wrought on my system:
Là ’ve ’l vocabol suo diventa vano,
arriva’ io forato ne la gola,
fuggendo a piede e sanguinando il piano.
Yes. In purgatory, souls burn away that which afflicts them and, passing through the crucible, become whole again. Bind the thorn to the back of the sofa and ignore the fact that you can’t blink or move your eyes and your throat is closing and your organs are edging toward failure.