It was a good thing Brian called me when he did, because if I’d gotten across the Manhattan Bridge and into Brooklyn, I’m not sure I would have gone back. I was tired, very tired, and my head was swimming. I was focused on the blackmail, on Natasha, on the dream of Maya in a room of black flies, on putting an end to it. I was thinking of Pam, of Sarah, of my own guilt over leaving them behind. The last thing I was interested in was the recently interred, New York saint-elect, Jorge Delgado. Besides, I no longer believed for a second he really had anything to do with Alta’s death. He was just another macho schmuck who had acted foolishly and impulsively when he went to Nestor Feliz and Joey Fortuna to have Alta hurt. I’m sure the parents of the little girl he saved wouldn’t have cared if Jorge was an axe murderer. Who knows, maybe it was his own guilt over what he’d done that made him jump in front of that car? I didn’t particularly care.
Doyle was leaning against the fender of a midnight blue Corvette coupe when I pulled onto West 11th Street in the West Village.
“Like it?” Brian asked, gesturing at the ’Vette.
“You must be doing well for yourself these days.”
He winked at me. “I make a nice living for an ex-cop.”
“Not exactly inconspicuous, though.”
“Just like you and Carm taught me, I drive a vintage shitbox when I do surveillance.”
“Nice to know someone listened to me.”
“It was really Carm who taught me,” he said. “I just didn’t want you to feel left out.”
“Fuck you, Doyle. I see your face is healing up. So what are we doing here?”
He didn’t answer directly. “You ever wonder why Delgado wasn’t cleared of Alta’s murder from the get-go and why everybody was so big on warning people off?”
“It crossed my mind, yeah.”
“I mean, all the guy had to do was give the cops a solid alibi and that was that, right?”
“Right.”
“So it’s gotta make you wonder why he didn’t. To me, there’s only two possible reasons a suspect don’t give a rock-solid alibi. He either committed the crime or he thinks the alibi is more trouble than it’s worth. Like a guy wouldn’t say I can prove I definitely didn’t kill X in Brooklyn because I was too busy killing Y and Z in the Bronx. Or maybe he knew that even if he was a suspect, that the cops couldn’t prove it and his rock-solid alibi would have been so embarrassing he was willing to take the heat.”
“Is this going somewhere, Brian?”
“Yeah, apartment 5S.”
“What’s going on? I thought you were done with this case.”
“For about five minutes,” he said, pressing the vestibule buzzer for apartment 5S.
I grabbed him by the shoulder after we were buzzed in. “I don’t know what I’m going to find up there, but thanks for not giving up. You know this means a lot to me.”
“No offense, Boss, but I didn’t do it for you. I’ve never let myself get scared off anything in my life and I wasn’t gonna start now. You back down once, there’s no telling when it’ll stop. You let yourself get scared and it never goes away. It fucks up your judgments.”
We shunned the elevator and walked the five flights up the pink marble stairs of the old pre-war building. The steps were so well-used that there were actually smooth ruts worn into the stone treads. The walls in these buildings were thick plaster and made for good neighbors the way stone walls and high fences made for good neighbors in the country. In a city of probably ten million people, New Yorkers held dear their small, private niches.
At the door to 5S, Doyle slapped me on the shoulder and handed me a slim digital voice recorder. “What you need is already on there,” he said, “but I think you’ll want to hear this for yourself. You can take it from here, Boss.”
I watched Brian walk away. He disappeared down the stairs, but his footsteps echoed around the stone and plaster. I rang the bell to the apartment and waited.
When the door pulled back, I was greeted by a slight but fit young man, maybe thirty years old. Shirtless and dressed in gym shorts, he was about five-seven and likely weighed no more than a hundred and thirty pounds. There wasn’t an ounce of fat on him and his muscles were cut and ripped without being ridiculous on someone his size. He was by any standard a handsome man. He had hazel eyes, flawless, perfectly shaven skin, and close-cropped light brown hair.
“Please,” he said, sweeping his arm back in a welcoming gesture. “Step in.”
I did and listened as the door closed behind me.
“I’m Marco and you must be Moe.”
“I am.”
“Something to drink? Wine? Bottled water?”
“Bottled water would be good,” I said. “It’ll be fine to leave it in the bottle.”
“Okay, look around. I’ll be right back.”
I took his suggestion to heart and stepped into the living room. The apartment was as perfectly groomed as Marco: neat and very well appointed. In one corner of the apartment was a rolltop desk used more as a mantel than a desk. A host of framed photos covered what would have been the writing surface and in those photos were the illustrated story of why Brian Doyle brought me here.
When Marco returned from the kitchen, he had a glass of red wine in one hand and a bottle of Perrier in the other. I took the bottle from him.
“Cheers.”
“Cheers.”
I clinked bottle to glass and picked up one of the framed photos. At a glance, it looked like a shot of Cher on stage. “You?” I said. I didn’t wait for an answer. “Very good.”
He smiled proudly with all his perfectly straight white teeth. “ Gypsies, tramps, and thieves, that’s what the people of the town would call us,” he belted out in quite a good imitation of Cher’s voice.
There were photos of him as Barbra Streisand, Marlene Dietrich, Joan Rivers, Elizabeth Taylor, and Liza Minnelli. They were remarkable.
“Liza, that’s who I’m known for. She’s even come to see me.”
And there it was, a picture of his Liza and the real one standing cheek to cheek. It was signed by her with the inscription: If only I were this young and pretty and talented. Love, Liza.
“She’s such a doll.”
But none of the photos of Marco as other people interested me nearly as much as the photo of Marco as himself, clutched in the thick, powerful arms of Jorge Delgado. He noticed my gaze.
“We met when he was working on the pile at Ground Zero,” Marco said, taking hold of the photo and sitting down on the couch. “God, I was such a child back then. I had been in the city for about a year from Denton.”
“Texas?”
“Yes, not exactly a place that had much use for someone like me.”
“I wouldn’t think so.”
“But after the attacks, I went down there to the Trade Center to help anyway I could. Georgie and I just struck up a kind of odd friendship to begin with. We both loved working out and though you can’t tell it, I’m half Argentinean. I speak fluent Spanish. Georgie liked that and my sense of humor. That’s all it was for years, a friendship. He would come to see me do my act on occasion. Of course, he could never tell anyone about me. My goodness, he would have never heard the end of it on the job. And his family… forget it! They would have been horrified. In some ways, I think that helped him to finally give into it. He had to hide me anyway. Over the years, when he would drink a little too much, and I was still in costume, we would kiss sometimes, but nothing more. Then one night, about two years ago, it didn’t stop with kissing. I loved him very much.”
“Not to burst your bubble, Marco, but your lover over there had a funny way of dealing with being with you. He basically tormented Alta Conseco because she was a lesbian. Did you know he tried to hire a guy to break her bones?”
“Guilt,” he said without a moment’s hesitation. “Moe, I didn’t say it was all bliss with Georgie. In some ways, it was easier when it was only kissing and I was in drag. He could maintain the pretense that way, but once we were together, his world crumbled. It’s always more difficult with men like him, the married macho types who can never accept themselves for what and who they are. He was jealous of Alta, someone who could be out in the world as a gay woman. Georgie resented it and was repulsed by who he was. What’s the old saying? We hate those things in other people we detest most about ourselves.”