Chapter 68
In the summer that Anthony is three years old, they celebrate Mitch's thirty-second birthday with a backyard party.
Big Green owns three trucks now, and there are five employees besides Iggy Barnes. They all come with their wives and kids, and Iggy brings a wahine named Madelaine.
Holly has made good friends — as she always makes good friends — at the real-estate agency where she is second in sales so far this year.
Although Dorothy followed Anthony by just twelve months, they have not moved to a bigger house. Holly had been raised here; this house is her history. Besides, already they have made quite a history here together.
They will add a second story before there is a third child. And there will be a third.
Evil has been across this threshold, but the memory of it will not drive them from the place. Love scrubs the worst stains clean. Anyway, there can be no retreat in the face of evil, only resistance. And commitment.
Sandy Taggart comes, as well, with his wife, Jennifer, and their two daughters. He brings the day's newspaper, wondering if Mitch has seen the story, which he has not: Julian Campbell, between conviction and appeal, throat slit in prison — a contract hit suspected, but no inmate yet identified as the killer.
Although Anson is in a different prison from the one to which Campbell was sent, he will eventually hear about the hit. It will give him something to ponder as his attorneys work to stave off his own lethal injection.
Mitch's youngest sister, Portia, comes to the party all the way from Birmingham, Alabama, with her restaurateur husband Frank and their five children. Megan and Connie remain distant in more than one sense, but Mitch and Portia have grown close, and he entertains hope of finding a way to gather his other two sisters to him, in time.
Daniel and Kathy had produced five children because he said continuation of the species could not be left to the irrationalists. Materialists must breed as vigorously as believers or the world would go to Hell by way of God.
Portia had balanced her father's five with five of her own, and raised them by traditional standards that did not involve a learning room.
On this birthday evening, they eat a feast at tables on the patio and lawn, and Anthony sits proudly on his special chair. Mitch built it for him to a design sketched by Holly, and she painted it a cheerful red.
"This chair," she had told Anthony, "is in memory of a boy who was six years old for fifty years and much loved for fifty-six years. If you ever think that you aren't loved, you will sit in this chair and know you are loved as much as that other Anthony was loved, as much as any boy ever has been loved."
Anthony, being three, had said, "Can I have ice cream?" After dinner, there is a portable dance floor on the lawn, and the band is not as woofy as the one at their wedding. No tambourines and no accordion.
Later, much later, when the band has departed and all the guests are gone, when Anthony and Dorothy are sound asleep on the back-porch glider, Mitch asks Holly to dance to the music of a radio, now that they have the entire floor to themselves. He holds her close but not too tight, for she is breakable. As they dance, husband and wife, she puts a hand to his face, as though after all this time she is still amazed that he brought her home to him. He kisses the scar in the palm of her hand, and then the scar in the other. Under a great casting of stars, in the moonlight, she is so lovely that words fail him, as they have so often failed him before. Although he knows her as well as he knows himself, she is as mysterious as she is lovely, an eternal depth in her eyes, but she is no more mysterious than are the stars and the moon and all things on the earth.
About the Author
DEAN KOONTZ is the author of many New York Times bestsellers. He lives with his wife, Gerda, and their dog, Trixie, in southern California.