His life was wrapped up in comic art. He was an aspiring cartoonist himself and a devoted collector of comic books and strips and related memorabilia. He had no profession, outside of comics, having dropped out of college several years ago because of a lack of funds. He’d intended to go back when he got the cash, but when he finally did get it (from that bank robbery he’d been a part of, with Nolan) he’d had so much money that going back to school seemed irrelevant.
The comic-strip “carpet” Jon was presently in the midst of was a fitting accompaniment to the rest of the room. The walls were all but papered with posters of famous comics characters, which Jon had drawn himself: Dick Tracy, Flash Gordon, Tarzan, Buck Rogers, Batman, recreated in pen and ink and watercolor, uncanny facsimiles of their original artists’ style. The room was a bright and colorful shrine to comic art, and had come a long way from when Jon’s uncle Planner had first turned it over to him, a dreary, dusty storeroom in the back of the antique shop, its gray walls and cement floor straight out of a penal colony bunk-house. Jon had changed all that, first with his homemade posters, then with some throw rugs, circles of cartoony color splashed across the cold cement floor; and his uncle had donated a genuine antique walnut chest of drawers and almost-matching bed with finely carved headboard, neither of which Jon had spared from the comic art motif: bright decals of Zippy the Pinhead and the Freak Brothers, and taped-on examples of Jon’s own comic art, clung to the fancy wood irreverently. Boxes of comics, each book plastic-bagged and properly filed, stood three-deep hugging the walls, and a file cabinet in one corner was a vault that guarded his most precious comic artifacts.
On the wall next to his drawing easel was one of the few noncomic art posters in the room: Lee Van Cleef decked out in his “man in black” spaghetti western regalia, staring across the room with slanty, malevolent eyes. Jon felt the resemblance between Van Cleef and Nolan was almost spooky, though Nolan himself was unimpressed. Nolan was, in many ways, a fantasy of Jon’s come to life: a tough guy in the Van Cleef or Clint Eastwood tradition and a personification of the all-knowing, indestructible super-heroes of the comic books as well.
Initially Jon had been almost awestruck in Nolan’s presence. It was like coming face to face with a figment of his imagination and was unnerving as hell. Now, however, after two years of on-and-off close contact with the man, Jon realized Nolan was just another human being, an interesting and singular human being, yes, but a human being, imperfect, complete with human frailties and peculiarities. Take Nolan’s tightness for example. Monetary tightness, that is, not alcoholic. Nolan was a penny pincher, a money hoarder whose Scrooge-like habits were too ingrained to be thrown off even when on two separate damn occasions his miser’s life savings had been completely wiped out.
But the man was tough, no denying that. Jon knew of twice when Nolan had pulled through when he had enough bullets in him to provide ammunition for a banana-republic revolution. That alone was proof of the man’s toughness and perhaps indicated a certain shopworn indestructibility.
Nolan was in Iowa City, but Jon hadn’t seen him yet. He’d called Jon in the early afternoon to say that he was in town and that he’d stopped at the Hamburg Inn to grab a sandwich, where he’d run into an old friend named Wagner, with whom he was now spending the evening. Tomorrow Jon and Nolan would be driving in to Des Moines to sell some hot money to a fence — the money from the Detroit heist, which was all in marked bills.
Jon was getting a little groggy. The images of Li’l Abner, Alley Oop and company were starting to swim in front of his eyes, and maybe it was time he took a break and sacked out a few hours.
He checked his watch (early 1930s Dick Tracy), and it was almost nine-thirty. He’d been at this since just after lunch. He’d driven out to the country this morning to pick up the strips from an old farmer named Larson who had boxes of funnies up in his attic, stored there since the childhood of his two long since grown daughters and forgotten ’til Jon’s ad, seeking old comic books and strips, came out in the local tabloid shopper. Jon had all but stolen the pages — there were thousands of them, easily worth a quarter to a buck per page — and felt almost guilty about it. But the old guy seemed tickled as sin to get fifty bucks in return for a bunch of yellowing old funny papers, so what the hell? As soon as he had finished a quick lunch at the Dairy Queen across the street from the antique shop, Jon had gone to work, cutting up the pages and stacking them for future, more thorough sorting.
There was a reason, he knew, for his going at the project with such manic intensity. Every time something went haywire in his life, he turned to his hobby, to comics, spending more than he should, both time and money. Collecting old comic books was no kiddie game; it was a rich man’s hobby, roughly similar to the restoration of old automobiles but potentially more expensive. He’d gotten in the habit as a kid, when he was living with first one relative and then another, while his mother (who liked to call herself a chanteuse) toured around playing piano and singing in cheap bars. He’d never lived in one town long enough to make any friends to speak of. The relatives he stayed with, for the most part, provided hostile quarters where his was just one more mouth to feed and not a mouth that rated high on the priority list either. So he’d gotten into comics, a cheap ticket to worlds of fantasy infinitely more pleasant than the drab soap opera of his reality. Ever since then, he had turned to comics for escape. He was, in a way, a comic-book junkie. He needed his daily dose of four-color fantasy just as a heroin addict needs his hit of smack and for similar reasons. And prices.
But who could put a price tag on escape, anyway? To Jon, comics were the only happiness money could buy, a physically harmless “upper” he could pop to his heart’s content.
Take yesterday, for example. He’d gone over to see Karen. Karen was the thirty-one-year-old divorcee he’d been screwing for going on two years now. She had brown hair (lots of it — wild and flowing and fun to get lost in) and the sort of firm, bountiful boobs Jon had always hoped to get to know first-hand. She was great company, both in and out of bed, and looked and acted perhaps ten years younger than her age, while at the same time being very together, very mature, mature enough to run a business (a candle shop below her downtown Iowa City apartment) that was making her disgustingly wealthy. Sounds terrific, right? A rich, fantastic-looking woman, with a beautiful body and a mind to match, as faithful and devoted to Jon as John Wayne was to the flag, a woman absolutely without a fault.
Or almost.
She did have one fault. The fault’s name was Larry.
Larry was her ten-year-old, red-haired, freckled-face pride and joy. Larry was the one thing about Karen that Jon didn’t like. Jon hated Larry in fact. Larry was a forty-year-old man hiding out in a ten-year-old’s body. Larry schemed and manipulated and did everything in his considerable power to break up his mommy and Jon.
And yesterday he had damn near succeeded.
Yesterday Larry had been sitting across the room in Karen’s apartment, staring at Jon with those shit-eating brown eyes, saucer-size brown eyes like the waifs in those godawful Keane paintings, and he gave Jon the finger. The goddamn kid just sat there and out of the blue thrust his middle finger in the air and waved it at Jon with a brazen defiance only ten-year-olds and Nazis can muster. Karen was in the other room making lunch. Jon glanced toward the kitchen to make sure Karen wasn’t looking. He got up and went over and grabbed the. finger in his fist and whispered, “Don’t ever finger me again, you little turd, or I’ll break your goddamn finger off and feed it to you.” Jon let all that sink in, then released Larry’s finger and returned to his position on the couch, proud of himself; he’d handled the situation well. Nolan would’ve approved.