As always, many generous people helped me in my research. My old friend Kathryn Kase opened doors for me among defense attorneys who represent prisoners on death row. Virginia attorney Jon Sheldon, who saw two clients put to death in the final months of 2009, was incredibly helpful and generous with his time, providing me with details about the sights, sounds, and daily life at places I would never be allowed to visit—Sussex I, Virginia’s Death House and execution chamber. (The Mayberry comparison belongs to him.) He also helped me puzzle out how I could credibly keep a man on Virginia’s death row for two decades, as Virginia moves more swiftly than almost any other state in putting people to death. The commonwealth of Virginia has excellent online resources about its correctional facilities, with details about everything from corresponding to inmates to visiting hours. I have my own definite ideas about the death penalty, but this is a novel, not a polemic, and I did my best to make sure that every point of the triangle—for, against, confused—was represented by a character who is recognizably human.
Thanks, always, to Vicky Bijur, Carrie Feron, and everyone at Morrow, including but not limited to Tessa Woodward, Liate Stehlik, Sharyn Rosenblum, and Nicole Chismar. Thanks to Alison Chaplin. Ethan Simon was an invaluable informant about public schools and their current policies. However, the version of North Bethesda Middle School used here is completely fictitious, although its rules and procedures are consistent with guidelines on the Montgomery County school’s website. And while I’ve stolen many, many friends’ anecdotes over the years, I feel that Lisa Groves deserves a special shout-out for the way I pilfered that Stuckey’s peanut log from her childhood.
This book is unusual for me in that most of the geography is fudged, although there is a Sucker Branch in Patapsco State Park. Roaring Springs will probably be mistaken for Oella, but it’s really another version of my beloved Dickeyville. The action is set in 2008 and is consistent with the calendar, although not necessarily the weather. But, mainly, I sat in front of my computer and made stuff up. That’s what novelists do. And I watched a lot of music videos, circa 1985, at MTV.com, which I believed at the time to be vital to the process. But maybe I’m just another person who likes to rationalize what I do.
About the Author
LAURA LIPPMAN grew up in Baltimore and returned to her hometown in 1989 to work as a journalist. After writing seven books while still a full-time reporter, she left the Baltimore Sun to focus on fiction. She is the author of ten Tess Monaghan novels, including Baltimore Blues, The Sugar House, and Another Thing to Fall; five stand-alone novels, including Every Secret Thing, To the Power of Three, What the Dead Know, and Life Sentences; and one short story collection, Hardly Knew Her. She is also the editor of another story collection, Baltimore Noir. Lippman has won numerous awards for her work, including the Edgar, Quill, Anthony, Nero Wolfe, Agatha, Gumshoe, Barry, and Macavity.
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ALSO BY LAURA LIPPMAN
Life Sentences
Hardly Knew Her
Another Thing to Fall
What the Dead Know
No Good Deeds
To the Power of Three
By a Spider’s Thread
Every Secret Thing
The Last Place
In a Strange City
The Sugar House
In Big Trouble
Butchers Hill
Charm City
Baltimore Blues
Copyright
This book is a work of fiction. References to real people, events, establishments, organizations, or locales are intended only to provide a sense of authenticity, and are used fictitiously. All other characters, and all incidents and dialogue, are drawn from the author’s imagination and are not to be construed as real.
I’D KNOW YOU ANYWHERE. Copyright © 2010 by Laura Lippman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
FIRST EDITION
Library of Congress Cataloging-in-Publication Data has been applied for.
EPub Edition © July 2010
ISBN: 978-0-06-200823-7
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