A rule of the world: when the shit happens, it happens fast. And so it was in suburban Boston in the Nyackett Federal Bank and Trust, February 10, 1971. A blur suddenly exploded behind very-nervous Miles, as the men involved moved faster than 24 frames per second, and when stopped, they revealed themselves to be two Boston armored car guards, who had been alerted by passers-by. They too were one-handed revolver gunners, in their Ruritatian Elite Guard uniforms, complete to braiding and double-breasted tunics; they too were scared and excited; they too gestured foolishly with their weapons, but they did, or so it seemed, have the drop.
As if he anticipated failure, Miles gave up without a twitch and yielded to the momentum of the transaction. His hands shot up before he even turned to see if the adversaries were armed, and that probably saved his life, for had he turned, almost certainly the very nervous truck guards would have fired away and dropped him, Amanda, the clerk, and any other poor soul whose body came to be in the line of their twelve-shot panic fusillade. Then Amanda turned, dropping the bag; her hands came up. And for just a second, the blurry frenzy turned to tableau: downward forty-five-degree angle freezing five human beings-clerk, two robbers, two guards-in perfect stillness while the moment downticked, or so it seemed, from violence. The poor clerk didn’t even have the thought to now duck, as her presence in that same line of fire was no longer required.
Then it all changed.
More blur, more craziness, more seventies mayhem. A person separated himself from the herd of frightened customers who’d fallen back to form a clot at the bank’s wall, his one hand out in some unusual fashion that one didn’t usually see in bank customers. That was because it held a gun, another revolver, surely a Colt or a Smith from right there in New England. It was the tall hippie boy first glimpsed at the teller’s window, now in the shape of pure counterculture wraith-a Prince Valiant hank of hair that flopped over ears, an out-of-place Zapata mustache-and he was himself in the costume of the day, the tight jeans, the Army field jacket, the crunching black of Navy blue watch cap pulled low. He looked like any kid in those days, except that now he held a revolver. He held it low, cowboy style, clearly an untrained shooter, but he was so close-less than six feet from the furthest of the uniformed men-he couldn’t miss. He fired six times in a second, discharging all his ammo, and he shot faster than the film itself ran through the camera, so that shots three, four, and five were not seen between frames, and only one, two, and six were documented. The powder was clearly smokeless, but it still produced a great fog of gun haze by today’s standards, and the muzzle flash illuminated itself as blades of sheer incandescence against the otherwise grainy texture of the filmed reality, as it spurted, then vanished. The guards, blindsided from the right, never had a chance, and Bob knew from reports that five of the six.38 bullets struck them, moving right to left, through biceps into chest cavity and blood-bearing organs. One simply yielded to death like a sack falling off a truck and went down graceless and stupefied, dead before he hit the floor. The other tried to respond and was halfway into turning to return fire when his knees pointed out to him that he was dead by giving way, and he went down to ass on floor, though still upright, then curled over in the fetal and died.
Another moment of stillness, though in the back you could see the knot of terrified customers recoiling further into themselves; the clerk put her hands to her ears, because the gunfire was so loud. Miles hopped up and down in feckless panic; Amanda stood still, frozen by the eruption of killing violence so close. Then, again almost too fast, Miles and Amanda leaped over the fallen guards and bolted out the door, presumably to the getaway car. It was the new shooter who had the brains to dash to the counter and pick up the fallen sack of money, turn, command the customers to remain rigid; he did so by pointing a now-empty gun at them, although they didn’t seem to notice. Then he knelt, picked up Miles’s dropped revolver, and instead of fleeing in panic, backed out coolly, keeping the gun on the crowd. He pivoted and was gone.
“Did you recognize him?” asked Anto, as the film ended in more opacity and scratches. “Yes, it was himself. He was twenty-one, had just been kicked out of his fancy university. He knew he had to return south, where his daddy would await with opprobrium and disappointment and put him to work in some dreadful department of his advertising agency. Little Tommy wasn’t yet ready for that life, so instead he floated about in the Boston underground in them days, grew the pile of hair and the guardsman’s furry brush. Too bad he didn’t have the hormones in him yet for a beard. He smoked pot, he got laid, he went to the demonstrations, he drank cheap wine, he met people, and he met other people. Somehow he volunteered to go along as tail gunner on a robbery attempt for some radical heroes of the moment. They never knew him as anything but Tommy, and he only realized later who they actually was, as all those boys and girls liked to play at IRA tricks like noms de guerre and suchlike. They was Nick and Nora to him, revolutionary pseudonyms. They gave him bus money and he left town that night for Atlanta-where you can bloody bet he shaved mustache and cut hair and became Mr. Neat n’ Trim, which appearance he clings to until this day-and ain’t been back to Boston ever since. The film was somehow stolen from the development laboratory by some kind of radical affiliate, and being hot was stored with a man who was loved and trusted by all them boys and girls of the time, the saintly commie journo O. Z. Harris. There it sat for thirty-odd years while Tom Constable built a life, enjoyed the lucky break of a father dying young and rich, and took that nice gift and expanded it into something gigantic and world famous.
“So there you have it, Sniper. Are you going to take him down for a second’s madness all them years back? Are you going to make a mockery of the name? And what about the good? What about the thousands of employees, dependent upon his lordship for their sustenance in businesses that will surely collapse when the news comes of his fall? What about the more than two hundred million in philanthropy over all them years, perhaps driven by guilt over the lives of them two fellas he gunned down? That’s a lot of good in this bad world to outweigh the moment of craziness. And you’re being the one sittin’ in judgment? You, who’s killed and killed and killed, mainly poor men doing what they seen as duty to country and cause in their own land. And for that, the mighty Bob Lee snuffed them from a mile out. Some of them sure never killed nobody nor would have, as you know most private soldiers is just marking time till they’re homeward bound. You must have killed your share of peasants without a hint of politics or patriotism on the mind, just working-class slobbos on patrol against their will when the mighty sniper took it all from them with but three ounces of pull in one finger. You’re going to judge another fella who pulled a trigger, and he in hot blood, not our sniper way of cold execution?”
Bob said nothing. He had not spoken since, “You talk too much,” which seemed from the Jurassic but was only from the Triassic BT-Before Torture.
“You haven’t reached him, Anto,” said Jimmy.
“I haven’t,” said Anto. “He won’t speak. He just looks off, his eyes going to hard little kernels of hate, like pieces of black corn. Give him a pistol at this second, and we’re all dead in the next. He’s a hard man. Unforgiving, like a bloody IRA gunman.”