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Beds had been switched, the room no longer held any flavor of sickroom, and Joan found that this greatly increased her feeling of well-being. Eunice's stenodesk had been restored to its usual spot beyond Johann's baby grand piano, Joan having learned that it was in her study where it had last been used, and had told Cunningham to have it brought in. It did not fit the room—but it fitted her notion of what the room should be; it was homey, it belonged.

She was alone, Winnie having gone to invite Mr. Salomon to dine with his hostess-ward. Joan sighed with satisfaction. (Feel better, hon? I do.) (Heavens, yes. But why did you lose your nerve?) (Oh, piffle, Eunice! I never intended to seduce her.) (Liar. Hypocrite. Dirty old man. You had her all set. Then you went chicken. I've met men like you before, dearie—talk a good game, then lose their nerve in the clutch. Cowardly Casanovas. Pfui!)

(Nonsense! You don't shoot ducks on water. If I ever make a real pass at her—I'm not saying I will but I admit she's a cuddlesome little bundle—) (She is indeed!) (Oh, shut up! If I ever do, I'll give her a sporting chance—not grab her when she dasn't scream.) (‘Sporting chance' my tired back. Listen to your big sister, Joan—sex isn't a sport, it's a way to be happy. There is nothing more exasperating to a woman than to be ready to give in—then have the matter dropped. You'll find out. You'll cry in your pillow and hate every man alive. Till the next time, that is.)

(Eunice? You've never had that sort of turn-down, have you? I don't believe it.) (Happens to every woman, Joan. Men are sissies, if we women weren't so willing, if we didn't just plain lead ‘em by the hand, the race would die out.)

(Uh—You know more about a woman than I do—)

(Lots more!) (—so let's talk about specifics. We're clean now and I know we're pretty; I checked us in the big glass and you agreed. But it isn't the job you used to turn out. I don't mean body paint, wouldn't be appropriate now anyhow. But, what does it take? Just that ‘tuning up'? Exercise?)

(‘More than that, Boss—although exercise is essential. You're talking about a professional job?) (Yes. The works.) (Well, I used to do myself—but I had had lots of practice, plus expert help from Joe. But let's say you want the best and don't care what it costs—) (Certainly! What's money? I can't get rid of it.) (All right, say you retain Helena Rubinstein, Limited, or some other top glamour shop. Say you phone and tell th~n to send a full team.

They would send an art director—male, but he may not be all that male and he's seen more female bodies unmade-up than an undertaker—and he doesn't touch you; he's too high up. He creates. And bosses. Won't look at you until several others get you ready. Minimum, bath girl, masseuse, manicurist, pedicurist, coiffeuse, depilatrix, parfumiste, lace and skin team of at least four, costume designer, highlight and accent specialist, and assistants for all of these if you expect the job done in less than all day. If you put a time limit on it, the price goes up—and if you don't, the price goes up.)

(Say that again?)

(It's like taxes. Any way you play it the price goes up. Boss, we don't need them. With what I know and the chassis we have to work with and a good lady's maid, you can be as glamorous as you like. I don't know where you would find a creative paint man equal to Joe; nevertheless there are good ones for hire. We can shop the market, we'll find one.)

(Eunice, 1 had no idea that being a woman was so complicated.)

(Relax, Boss. Being a woman is easier than being a man—and lots more fun. I'm going to teach you to be a twenty-first-century woman—and I'd be pleased if you would teach me how it was to be a twentieth-century man, and we'll close that silly ‘Generation Gap.' Understand each other as well as loving each other.)

(Beloved.)

(I think you're pretty nice, too, you cranky old bastard. With your brain and my body, we make a fine team. We'll get by.) (I'm sure we will, darling.) (We will. The first thing we need is a good lady's maid—scarce as whales in Kansas. We'll probably have to train one. Then lose her as soon as she's worth anything.) (Eunice, do we need a maid? You used to do yourself.) (I did, and kept house for Joe, and was your secretary and worked any hours you wanted me. But you're not used to that, Boss. You had a valet.) (Yes, of course. But I was very old and didn't have time to waste on such things. Eunice, one of the worst parts about getting old is that the days get shorter while the demands on your time increase. I didn't want a valet; I was forced into it. Didn't enjoy being dependent on a secretary, either—until you came along.)

(Dear Boss. Joan, we will need a maid. But not a secretary until you're active in business again—) (Won't be!) (We'll see. You may have to be. But may not need a secretary unless you get pushed for time. I can handle it. And thanks for having Betsy brought in; it makes me feel at home to see her again. My stenodesk, I mean. Pet name.)

(‘Betsy,' huh? I always thought of it as ‘the Octopus.')

(Why, what a nasty name to apply to a nice, respectable well-behaved machine! Boss, I'm not sure I'm speaking to you. I'm glad Betsy isn't switched on; if she had heard that her feelings would be hurt.)

(Eunice, don't be silly. I wonder what's keeping Jake?)

(Probably cutting his toenails. Lesson number two in. how to be a woman: Men are almost always late but you never, never, never notice it—because they pride: themselves on promptness. Boss, you didn't quite promise Winnie to stay in this chair—when she gave you strict orders.) (Of course not. Because it might not suit me. And it doesn't; I want to try the eighty-eight. Eunice, two gets you seven it hasn't been kept in tune—and I gave Cunningham orders about both pianos, this baby and the concert grand downstairs, not five years ago. So let's see.)

She stood up, did not notice that high heels gave her no trouble, and glided gracefully over to the little piano, sat down and opened it—let the first bars of Dvorak's Slavonic Dance # 10 run through her mind, then started to play—

—and achieved a clash of noise.

"What the hell!" She looked at the keyboard, then hit middle C with her right forefinger. It sounded okay-and so did the C an octave below it. Several one- and two-finger experiments convinced her that the piano was not at fault. Yet to strike a single chord required studying the keyboard, then carefully positioning each finger by sight.

Presently she managed a slow, uneven, faulty version of "Chopsticks" by watching the keyboard and controlling her hands so hard they trembled. She quit before reaching its undistinguished coda and crashed the keys with both hands. (There go ten years of piano lessons!) (What did you expect, Boss? I was never much good even with a guitar.) (Well, I'm glad Mama didn't hear that—she always wanted me to be a concert pianist. Eunice, why the devil didn't you study piano as a kid?) (Because I was too busy studying boys! A much more rewarding subject. Joan, if you want to play the piano again, we can learn. But we'll have to start almost from scratch. It's in your head, I know; I could hear it. But to get from there down into our bands—my hands, dear—will probably take more patient work than slimming our hips.)

(Doesn't matter, not really.) She got up from the piano bench. (Boss. Just a sec. While we're here, let's warm up Betsy and give her a check run.) (Huh? I know nothing about a stenodesk. It'll be worse than the piano.) (We'll see.)

She moved over and sat down at the stenodesk. (Well, Eunice? Which way to the Egress?) (Relax, Boss. The body remembers. Just say ‘Dictation, Eunice,' then recite something you know. Think about what you're dictating.)

(Okay.) "Dictation, Eunice. ‘Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition...

Deftly her hands touched the switches, swiveled the microphone in time to catch the first word, required the machine to listen & hold while she inserted punctuation, used erase & correct when the machine spelled "fourth" rather than "forth"—all without hurrying. —She stopped and looked at the result. (Be durned! How,