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"My anxiety was about you, and you would have mocked me for it."

"Indeed, I should never mock you, Anne Mie. But why should you be anxious about me?"

"Because I see you wandering blindly on the brink of a great danger, and because I see you confiding in those whom you had best mistrust."

He frowned a little, and bit his lips to check the rough word that was on the tip of his tongue.

"Is Sir Percy Blakeney one of those whom I had best mistrust?" he said lightly.

"No," she answered curtly.

"Then, dear, there is no cause for unrest. He is the only one of my friends whom you have not known intimately. All those who are round me now, you know that you can trust and that you can love," he added earnestly and significantly.

He took her hand; it was trembling with obvious suppressed agitation. She knew that he had guessed what was passing in her mind, and now was deeply ashamed of what she had done. She had been tortured with jealousy for the past three weeks, but at least she had suffered quite alone: no one had been allowed to touch that wound, which more often than not, excites derision rather than pity. Now, by her own actions, two men knew her secret. Both were kind and sympathetic; but Déroulède resented her imputations, and Blakeney had been unable to help her.

A wave of morbid introspection swept over her soul. She realized in a moment how petty and base had been her thoughts and how purposeless her actions. She would have given her life at this moment to eradicate from Déroulède's mind the knowledge of her own jealousy; she hoped that at least he had not guessed her love.

She tried to read his thoughts, but in the dark passage, only dimly lighted by the candles in Déroulède's room beyond, she could not see the expression of his face, but the hand which held hers was warm and tender. She felt herself pitied, and blushed at the thought. With a hasty good night she fled down the passage, and locked herself in her room, alone with her own thoughts at last.

Chapter X

Denunciation

But what of Juliette?

What of this wild, passionate, romantic creature tortured by a Titanic conflict? She, but a girl, scarcely yet a woman, torn by the greatest antagonistic powers that ever fought for a human soul. On the one side duty, tradition, her dead brother, her father--above all, her religion, and the oath she had sworn before God; on the other justice and honour, a case of right and wrong, honesty and pity.

How she fought with these powers now!

She fought with them, struggled with them on her knees. She tried to crush memory, tried to forget that awful midnight scene ten years ago, her brother's dead body, her father's avenging hand holding her own, as he begged her to do that which he was too feeble, too old to accomplish.

His words rang in her ears from across that long vista of the past.

"Before the face of Almighty God, who sees and hears me, I swear--"

And she had repeated those words loudly and of her own free will, with her hand resting on her brother's breast, and God Himself looking down upon her, for she had called upon Him to listen.

"I swear that I will seek out Paul Déroulède, and in any manner which God may dictate to me encompass his death, his ruin, or dishonour in revenge for my brother's death. May my brother's soul remain in torment until the final Judgement Day if I should break my oath, but may it rest in eternal peace the day on which his death is fitly avenged."

Almost it seemed to her as if father and brother were standing by her side, as she knelt and prayed. Oh! how she prayed!

In many ways she was only a child. All her years had been passed in confinement, either beside her dying father, or, later, between the four walls of the Ursuline Convent. And during those years her soul had been fed on a contemplative, ecstatic religion, a kind of sanctified superstition, which she would have deemed sacrilege to combat.

Her first step into womanhood was taken with that oath upon her lips; since then, with a stoical sense of duty, she had lashed herself into a daily, hourly remembrance of the great mission imposed upon her.

To have neglected it would have been, to her, equal to denying God.

She had but vague ideas of the doctrinal side of religion. Purgatory was to her merely a word, but a word representing a real spiritual state--one of expectancy, of restlessness, of sorrow. And vaguely, yet determinedly, she believed that her brother's soul suffered because she had been too weak to fulfil her oath.

The Church had not come to her rescue. The ministers of her religion were scattered to the four corners of besieged, agonizing France. She had no one to help her, no one to comfort her. That very peaceful, comtemplative life she had led in the convent only served to enhance her feeling of the solemnity of her mission.

It was true, it was inevitable, because it was so hard.

To the few who, throughout those troublous times, had kept a feeling of veneration for their religion, this religion had become one of abnegation and martyrdom.

A spirit of uncompromising Jansenism seemed to call forth sacrifices and renunciation, whereas the happy-go-lucky Catholicism of the past century had only suggested an easy, flowered path, to a comfortable, well-upholstered heaven.

The harder the task seemed which was set before her, the more real it became to Juliette. God, she firmly believed, had at last, after ten years, shown her the way to wreak vengeance upon her brother's murderer. He had brought her to this house, caused her to see and hear part of the conversation between Blakeney and Déroulède, and this at the moment of all others, when even the semblance of a conspiracy against the Republic would bring the one inevitable result in its train: disgrace first, the hasty mock trial, the hall of justice, and the guillotine.

She tried not to hate Déroulède. She wished to judge him coldly, and impartially, or rather to indict him before the throne of God, and to punish him for the crime he had committed ten years ago. Her personal feelings must remain out of the question.

Had Charlotte Corday considered her own sensibilities, when with her own hand she put an end to Marat?

Juliette remained on her knees for hours. She heard Anne Mie come home, and Déroulède's voice of welcome on the landing. That was perhaps the most bitter moment of this awful soul of conflict, for it brought to her mind the remembrance of those others who would suffer too, and who were innocent--Madame Déroulède and poor, crippled Anne Mie. They had done no wrong, and yet how heavily would they be punished!

And then the saner judgment, the human, material code of ethics gained for a while the upper hand. Juliette would rise from her knees, dry her eyes, prepare quietly to go to bed, and to forget all about the awful, relentless Fate which dragged her to the fulfilment of its will, and then sink back, broken-hearted, murmuring impassioned prayers for forgiveness to her father, her brother, her God.

The soul was young and ardent, and it fought for abnegation, martyrdom, and stern duty; the body was child-like, and it fought for peace, contentment, and quiet reason.

The rational body was conquered by the passionate, powerful soul.

Blame not the child, for in herself she was innocent. She was but another of the many victims of this cruel, mad, hysterical time, that spirit of relentless tyranny, forcing its doctrines upon the weak.

With the first break of dawn Juliette at last finally rose from her knees, bathed her burning eyes and head, tidied her hair and dress, then she sat down at the table and began to write.

She was a transformed being now, no longer a child, essentially a woman--a Joan of Arc with a mission, a Charlotte Corday going to martyrdom, a human, suffering, erring soul, committing a great crime for the sake of an idea.