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not the grandeur of mountains. She hadn’t seen snow, except

maybe once before she came here. For me snow had been:

trying to get back and forth from school with the boys surrounding the girls, chasing us, heading us off, pelting us with snowballs, and the snow melting under the dirty car smoke

and turning brown and greasy, and a shovel to dig out the cars

and clear the sidewalks, and playing in the snow dressed in

snowsuits and trying to make a snowman: but especially,

trying to get back and forth from school without getting hurt

by a snowball. My snow had nothing to do with solitude or

beauty and it fell on a flat place, not a hill or mountain, with

the cement under it less solid than this New England earth,

less trustworthy, ready to break and split, ready to loosen and

turn into jagged pieces of stone big enough to throw instead of

snowballs or inside them. We were endlessly strange together,

not rich, foreign to this cool, elegant, simple, beautiful winter.

I didn’t touch her, but I touched him. Her best friend since

childhood, both in Kenya, little kids together and now here,

preparing, preparing for some adult future back home. She

took me with her and delivered me to him and I took him

instead of her, because he was as close as I could get. She was

delighted he liked me, and sullen. It happened in a beautiful

room, an elegant room, at elegant Harvard, friends of theirs

from home, their room, all students studying to be the future

of their country, and I was bleeding anyway and so I spread

my legs for him, not knowing of course that it was because I

loved her. I stayed with him over and over, for months, a night

here, an afternoon there, though I came to hate him, a purely

physical aversion to his clumsy, boring fuck: I didn’t want

him to touch me but I had him fuck me anyway, too polite to

say no for one thing, not knowing how to get out of it, and

wanting her, not knowing it. I got pregnant and had an

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abortion and she went home. Nothing like pregnancy to make

the man disappear. It decided her. The years of exiled youth

ended. She went home. Like everyone else in the world I was

terrified, it would have been easier right then to be an outcast

hero and have a little black baby whom I could love to death

without having to say why and I would have felt brave, brave:

and no one would have hurt that child: but Emmy looked at

me a certain way all the time now, hate, simple, pure, and I

had the abortion, the hate was hard as a rock, diamond,

shredding the light. She got so quiet I could have died. She left,

but I was the deserter. I didn’t care too much. By the time

mother died everyone was a stranger anyway, and after that I

was a too-cold child with a too-cold heart. I have stayed that

way. Everything gets taken away and everyone eventually

weeps and laughs and understands. Why lie?

36

The great thing is to be saturated with

something— that is, in one way or another,

with life; and I chose the form of my

saturation.

Henry James

*

Have you ever seen the Lower East Side of New York in the

summer? The sidewalks are boiling cement, almost molten,

steaming, a spread of heat scorching human feet, the heat like

the pure blue of the pure flame, pure heat saddled with city

dirt and city smell and especially the old urine of the hundreds

of near-dead junkies hanging nearly skeletal in the shadows of

doorways and crouched under the stinking stairwells of

tenements in which the hot, dead air never moves.

The sun burns. It burns like in Africa. It is in the center of

the sky, huge and burning. No clouds can cover it. It comes

through them, a haze of heat. It gets bigger every day. It is a

foul yellow fire, sulfur at the edges. It hangs and burns. It

spreads out. It reaches down like the giant hand of some monster. The buildings burn.

The air is saturated with the hot sun, thick with it. The air

is a fog of fire and steam. The lungs burn and sweat. The skin

drowns in its own boiling water, erupting. The air lies still,

layers of itself, all in place like the bodies filed in a morgue,

corpses grotesquely shelved. Somewhere corpses and rot hang

in the air, an old smell in the old air, the air that has never

moved off these city streets, the air that has been waiting

through the killer winter to burn, to torment, to smother: to

burn: the air that has been there year after year, never moving,

but burning more and more summer after summer, aged air,

old smelclass="underline" immortal, while humans die.

There is never any wind. There is never a cool breeze. The sun

absorbs the wind. The cement absorbs the wind. The wind

evaporates between earth and sky. There is never any air to

breathe. There is only heat. Rain disappears in the heat, making

the air hotter. Rain hangs in the air, in the thick, hot air: bullets

of wet heat stopped in motion. Rain gets hot: water boiled that

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never cools. Rain becomes steam, hanging in midair: it burns

inside the nose, singes the hairs in the nose, scorches the throat:

leaves scars on the skin. The air gets wetter and hotter and when

the rain stops the air is heavier, thicker, harder to breathe. Rain

refreshes only the smell, giving it wings.

The smell is blood on piss. The blood coagulates on the

cement, then rots. Knives cut and figures track through the

blood making burgundy and scarlet footprints. Cats lap up its

edges. It never gets scrubbed out. The rain does not wash it

away. Dust mixes in with it. Garbage floats on top of it. Candy

bar wrappers get stuck in it. Empty, broken hypodermic

needles float. It is a sickening smell, fouling up the street,

twisting the stomach into knots of despair and revulsion: still,

the blood stays there: old blood followed by new: knives especially: sometimes the sharp shots of gunfire: sometimes the exploding shots of gunfire: the acrid smoke hanging above the

blood: sometimes the body is there, smeared, alone, red seeping

out or bubbling or spurting: sometimes the body is there, the

blood comes out hissing with steam, you can see the steam just

above the blood running with it, the blood is hot, it hits the

pavement, it hisses, hot on hot: sometimes the person moves,

walks, runs, staggers, crawls, the blood trailing behind: it stains

the cement: flies dance on it in a horrible, pulsating mass: it

coagulates: it rots: it stinks: the smell gets old and never dies.