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pathetically desperate. N and I are not allowed to be lovers so

we never are, alone. We evade the spirit of the law. N refuses

to make a political film. Politics, she argues, is boring and

temporary. Vietnam will be over and forgotten. A work of art

must outlast politics. She uses words sparingly. Her language

is almost austere, never ornate. We are artists, she says. I am

liberal with her. She always brings out my generosity. I take

no hard line on politics. I too want art. We need money. Most

of ours goes for cigarettes, after which there isn’t any left. We

fuck for drugs. Speed is cheaper than food. We fuck for pills.

We fuck for prescriptions. We fuck for meals when we have

to. We fuck for drinks in bars. We fuck for tabs of acid. We

fuck for capsules of mescaline. We fuck for loose change. We

fuck for fun. We fuck for adventure. We fuck when we are hot

from the weather. We fuck for big bucks to produce our movie.

In between, we discuss art and politics. We listen to music and

read books. She plays sax and clarinet and I write short stories.

We are poor but educated.

*

The day we moved in the men, our neighbors, paid us a visit.

We will get you, they said. We will come when we are ready.

We will fuck you when we are ready. We will come one

night when we decide. Maybe we will sell you. N is worth a

lot of money in Puerto Rico, they say. I am worth not so

much but still a little something. They are relaxed, sober.

Some have knives. They take their time. How will you keep

us out, one man asks logically. What can you do to keep us

out. One night we will come. There are six or seven of them

4i

there. Two speak, alternating promises. One night we will

come.

Our friend M shows up then, cool cool pacifist hippie type,

white, long hair in a ponytail. Hey man, he says, hey man,

hey man, let’s talk peace not war, let’s be friends man, let’s have

some smoke. He invites them into our storefront. The men sit

in a circle in the front room, the front door wide open. Hey,

man, come on, these chicks are cool. Hey, man, come on, these

chicks are cool. Hey, man, come on, I got some good smoke, let’s

just cool this out man smoke some smoke man together man

these are cool chicks man. He passes a pipe, passes joints: it is

a solemn ceremony. We gonna come in and get these chicks

when we want them man. Hey man, come on, man, these

chicks are real cool, man, you don’t wanna mess with these

chicks man they are cool man. The pipe goes round and round.

The neighbors become quiet. The threats cease. M gloats with

his hip, his cool, his ponytail accomplishment as peacemaker.

Hey man any time you want some smoke you just come to me

man just leave these chicks alone man smoke and peace man,

you know, man.

They file out, quiet and stoned. M is elated. He has forged a

treaty, man. M is piss-proud, man. We get stoned. Smoke,

man. The front door stays wide open as we sit in the front

room and smoke. Night comes, the dark. M points to the open

door. Just stay cool with those guys, man. Those guys come

back you just invite them in for a little smoke. It’s cool, man.

*

I have a habit, not nice. I am two years into it this time. I have

had it before. Black beauties. I take a lot of pills. The pills cost

a lot of money. N takes them too. I don’t know if it is addiction

or pleasure for her or how long she has been taking them or if

she can do without them. I never ask. These are privacies I

respect. I have my own dignity too. I pretend it is cheaper than

food.

One night N brings home a fuck, a Leo named Leo. He

steals our speed and all our cash. The speed is gone. I go into

emergency gear. I pretend it is a joke. How the fuck, I ask her

repeatedly, can anyone be stupid enough to fuck someone who

says he is a Leo named Leo? I ask this question, tell this joke,

many times. I am scared. We find a trick. She fucks him because

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she lost the pills. It is our code and her own personal sense of

courtesy. We get the pills. A Leo named Leo, I say. How can

anyone be so stupid? We pop the pills. A Leo named Leo. We

sit in our middle room, she is drinking scotch and I am drinking

vodka, we are momentarily flush: and the pills hit. A Leo

named Leo. We laugh until we start to cry. We hold our guts

and shake. A Leo named Leo. She grins from ear to ear. She

has done something incredibly witty: fucked a Leo named Leo.

We are incredibly delighted with her.

*

Walking down St Mark’s Place I run into an old lover, Nikko. He

is Greek. I love Greece. We say hello, how are you in Greek. It is

hot. I take him back with me. N is not there. We have a fight. I am

insulted because he wants to wear a condom. But women are

dirty, he says as a point of fact. I am offended. I won’t allow the

condom. We fight. He hits me hard in the face several times. He

hits me until I fall. He fucks me. He leaves. It is two weeks before

I remember that this is what happened last time. Last winter.

Women carry diseases, he said. No condoms, I said. He hit me

several times, hard in the face, holding me up so he could keep

hitting. He fucked me and left. I had another lover coming, a

woman I had been waiting for weeks to see, married, hard to see.

I picked myself up and forgot about him. She was shameless: she

liked the bruises, the fresh semen. He didn’t use the condom.

Either time.

*

We proceed with our film project. We are intensely committed

to it, for the sake of art. The politics of it is mine, a hidden

smile behind my eyes. We call a famous avant-garde film critic.

He says he will come to see us at midnight. At midnight he

comes. We sit in the front room, huddled on the floor. He is

delicate, soft-spoken, a saintly smile: he likes formal, empty

filmic statements not burdened by content: our film is some

baroque monster in his presence, overgrown with values and

story and plot and drama. It will never have this appearance

again. Despite his differences with us— aesthetic, formal,

ethereal— he will publish an interview with us to help us raise

money. We feel lifted up, overwhelmed with recognition: what

he must see in us to do this for us, a pure fire. We wait for the

other shoe to drop.

43

But he sits there, beatific. We can interview each other and

send it to him along with photographs of us. He drinks our