door, outside the huge steel police lock, a steel pole that shored
up the door in case of a ramming attack, outside the cylinder
locks, outside the chain lock. I carried a knife back and forth
and I slept with a knife under my pillow.
The glare of the lightbulbs was naked. The pink paint flaked
and rubbed off to the naked touch. The heat enveloped one,
the skin burned from the hot water in the air. I immersed myself
in the bathtub: in the heat one never got dry: and lived between
the desk and the mattress on the floor: writing and sleeping:
concentrating: smiling at the red rug with the big flower. I
learned to be alone.
*
The apartment was painted Mediterranean pink, the paint was
powdery, I found some remnants of cheap cotton in a textile
store and tacked them up over the windows: light came in
unimpeded, the heat of the burning sun, the red searchlights of
the military, the red alarm of fire, danger, must run, must
escape, will burn. The walls between the apartments were thin.
There was a thin wall between me and the man in the next
apartment, a tiny man of timid gentleness. I heard long conversations and deep breaths, discussions about the seasoning in soups and the politics of anal warts, both subjects of his expertise. At night I would dream that there was a hole in the wall, and everything was like a play, the extended conversations, a two-person domestic drama: I knew I was sleeping but I believed the hole was reaclass="underline" and I knew I was sleeping but
the conversations must have been real, in their real voices with
their real inflections, as they sat there in my view. We had no
secrets and at night when I would scream out in terror at a
bad dream, I would alarm my neighbor, and the next day he
would ask me if anyone had hurt me: late, timid. Above me
the man would get fucked hard in the ass, as his expletives and
explications and supplications and imperious pleadings would
make clear. The two male bodies would thump on the floor
like great stones being dropped over and over again, like dead
weight dropping. Sleep could not intervene here and mask the
121
sound for me in flashy narratives of story-within-the-story,
play-within-the-play: the screams were too familiar, too close,
not yet lost in life rushing forward.
I slept when I was tired. I wrote. Sweat poured out. I took
long walks. My dreams were like delirium. I did not have hours
or days. I simply went on. There was a great, soft stream of
solitude and concentration and long, wet baths, and timid trips
to the toilet. Oh, yes, I had a terrible time getting money and I
don’t want to say how I did it. I lived from day to day, stopping
just short of the fuck. I had odd jobs. I did what was necessary.
I was always happy when I was alone: except when restlessness
would come like a robber: then I would walk, walk.
*
The pink walls and the red carpet with the huge flower were
my indulgences. The rest was austere, the heat prohibiting
excess, poverty offended by it. The single mattress was like a
prayer.
I came alive again: in solitude: concentrating: writing.
*
Yes, there were men and women, women and men, but they
were faded: they were background, not foreground, intrusions,
failures of faith, laziness of spirit: forays into the increasingly
foreign world of the social human being: they were brief
piercing moments of sensation, the sensation pale no matter
how acute, sentimental no matter how tough: namby-pamby
silliness of thighs that had to open: narrow pleasure with no
mystery, no subtlety, no subtext: pierce, come; suck, come;
foretold pleasures contained between the legs, while solitude
promised immersion, drenching, the body overcome by the
radical intensity of enduring. *
I met my beautiful boy, my lost brother, around, somewhere,
and invited him in. I saw him around, here and there, and
invited him in. Talking with him was different from anything
else: the way the wind whispers through the tops of trees just
brushed by sunset. It made me happy. I invited him in. My
privacy included him. My solitude was not betrayed. We were
like women together on that narrow piece of foam rubber, and
he, astonished by the sensuality of it, ongoing, the thick
sweetness of it, came so many times, like a woman: and me
122
too: over and over: like one massive, perpetually knotted and
moving creature, the same intense orgasms, no drifting separateness of the mind or fragmented fetishizing of the body: instead a magnificent cresting, the way a wave rises to a height pushing
forward and pulls back underneath itself toward drowning at
the same time: one wave lasting forever, rising, pulling,
drowning, dying, all in the same movement; or a wave in an
ocean of waves covering nearly all the earth, immense. My lost
brother and I became lovers forever, buried there, in that sea
so awesome in its density and splendor. I need never touch
him again. He became my lover forever. So he entered my
privacy, never offending it.
*
I had learned solitude, and now I learned this.
*
On his birthday I gave him a cat that had his face.
I had looked everywhere for it. I had looked in stores, I had
traced ads, read bulletin boards, made phone calls. I had gone
out, into the homes of strangers, looking for the cat I would
know the minute I saw it. Red. With his face: a certain look,
like a child before greed sets in, delicate, alert, listening. The
day came and I didn’t have it. I knew the cat was somewhere
waiting, but I was afraid I would not find it. The day of his
birthday I went out, looking, a last search, asking, following
every lead, hour after hour. The heat was rancid. Then a man
told me where to look: a woman had found a pregnant cat in a
garbage dump and had taken it home: the kittens were red. He
called her. I went there. The skies had darkened, gotten black.
The air was dusty. The thunder cracked the cement. Hail fell.
I ran to her house, awed by this surfeit of signs, afraid of the
stones of ice and the black sky. In the house the cat with his
face was waiting. I took the cat home.
*
Year after year, he is with me. Solitude is with me and he is
with me. Now I’ve spent ten years writing. Imagine a huge
stone and you have only your own fingernail. You scratch the
message you must write into the stone bit by bit. You don’t
know why you must but you must. You scratch, one can barely
see the marks, you scratch until the nail is torn and disintegrates, itself pulverized into invisible dust. You use the I23