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None would speak of why they attacked, but it was obvious to Abdullah, after those others’ efforts in Marrakech, that they had been paid to find Max.

And now Sophie was missing.

Not kidnapped, but gone off into the night. Gates for a loading ramp at the far end of the town, once used for bringing in trucks carrying the animals, had been opened-and closed again-and that was where Sophie had driven Abdullah’s Land Cruiser. Fauvre had cursed, furious at his daughter’s behavior. The mood swing from being desperately concerned about her during the attack to this condemnation made Max realize just how fickle grown-ups could be. What he didn’t tell Fauvre was that she had taken Zabala’s pendant. He needed more information first. Fauvre phoned half a dozen people. Contacts at the airports, the banks, anyone who might know where she had run to. He canceled the credit cards he’d given her and closed her bank account. She would soon turn for home.

Max needed to interrupt Fauvre’s anger. “I’ve brought this trouble on you, Laurent. I’m sorry for that, but this is connected to Zabala and now to Sophie. What did he send you?”

Fauvre took him down a ramp into what were once the town’s dungeons. Fetid air caged the memory of lost souls, and dull lightbulbs gave a murky glow to what was little more than a tunnel dug from the soft sandstone.

“I always knew that if Zabala was not a crazy man, then what he had sent might be of importance. No one would come down here to search for it,” Fauvre said as he unlocked and pulled open a walk-in safe’s door.

The bulky documents, mostly handwritten, were almost illegible to Max’s eye. But when they returned to the brighter light of Fauvre’s office and spread the sheets out, it was obvious that the documents were in precise, chronological order-from his earliest investigations, suspicions and theories. They still made little sense, but the photograph and drawings did. And so did Fauvre’s explanation.

“I have known Zabala and this man”-he pointed to the photograph that Max had seen before, the gaunt man who stood with Zabala in front of the Chateau d’Antoine d’Abbadie-“for nearly thirty years. The man with Zabala was one of his few friends. He betrayed Zabala, who was going to go public with his information. He was determined the world would listen to him this time, but this so-called friend tried to steal the information from him. I don’t know what happened to him. He just disappeared.”

Fauvre turned more pages. “Zabala knew his friend had betrayed him to someone powerful, but did not know who.”

He opened a folded letter and passed it to Max. The scratchy writing was almost frantic in its untidiness. “He was convinced they would send someone far more lethal after his secret. And before he could get the information to me, the killer struck.”

He shuffled through the documents and laid out the same drawings that Max had found at d’Abbadie’s chateau. The circle, the angles drawn within and the numbers.

“That’s a birth chart,” Max said.

“Yes, correct. Do you see this French name on the chart, right here?” Fauvre said.

Max squinted at Zabala’s tiny writing. “Beetle something … beetlejuice?”

Fauvre smiled. “Betelgeuse. It is an enormous red star. Massive. Five hundred times bigger than our sun. History suggests it represents a catalyst for a terrifying event.”

He saw the look of uncertainty-or was it disbelief? — on Max’s face.

“It’s true, Max. Astronomers believe that in the next thousand years this supergiant will explode and destroy everything, but astrologers have recorded its influence over the centuries. It was there on 9/11, the tsunami in Indonesia, even as far back as the Great Fire of London. If Betelgeuse is in a certain position in the heavens, it always indicates catastrophe.”

Max felt overwhelmed. Star charts, predictions and heavenly conjunctions of planets. It might be more ooby-gooby stuff. Messages and influences from the stars weren’t something he could see as solid, no-nonsense facts. One thing was certain, though. Enough people believed in this stuff to have Zabala murdered and send attackers after Max. Those were facts. That was something he could believe in.

“And someone has killed him to retrieve the information, and has sent people after you because you now hold his secret.”

“Maybe this is what they’re looking for. I have a birth chart exactly the same,” Max said, pulling out the drawing he’d found at d’Abbadie’s chateau.

Max put the two pieces of paper side by side. The sketches seemed identical and made by the same hand. Although he knew nothing about astrology, he realized that with a bit of practice he’d get the hang of it. Maps, sea charts, star maps, they all had a logical system to them.

Max traced the symbols he didn’t understand.

“There’s a difference,” he said. “On Zabala’s original drawing I’ve got there’s an extra triangle drawn inside the circle of the birth chart. On yours, it’s missing. They’re not the same.”

“So that’s why he sent me this chart. You must have something else, something that shows the difference between these two predictions. The first was incorrect, but the second …”

Fauvre glared at Max. He realized Zabala’s pendant was missing.

“Where is the stone? Did you lose it during the attack?”

“No, Sophie took it. That’s why she ran. And I need to see her room.”

The stone-walled room was once part of a cluster of single-story houses. Ruins on each side blocked any means of entry other than the one door. Like other teenagers, Sophie Fauvre kept her room locked. It was her sanctuary. One of Fauvre’s men brought bolt cutters and squeezed the blades over the padlock’s thick shackle.

Two of the walls inside were plastered with an ochre-colored clay screed. Small windows, covered by muslin curtains, allowed a faint light to penetrate the darkness. Max tried the light switch; nothing happened. In the cool, shadowy room he could see a single bed covered with a brightly embroidered cloth. Books filled shelves on one wall, and CDs another. Candles, trapped in their own spilled wax, were dotted around the room, many of them barely puddles of color from being burned so low. A faint scent clung to the airless room. Max realized it was Sophie’s fragrance.

A makeshift desk was used mostly as a dressing table, its top cluttered with makeup, a glass pot full of an assortment of combs and brushes, while a mixture of dust and body powder showed where essential oil bottles-lavender, marjoram, thyme-had left sticky ring marks.

Fauvre had edged his wheelchair into the room. He gazed as mesmerized as Max at the unfolding world of his daughter. Photographs, posters, the girl’s drawings and sketches-slashes of color on squares of canvas, muted pages of charcoal anger scribbled by a furious hand-a world of pain and despair.

Max looked at family pictures from when Sophie was obviously a child. The strongly muscled Fauvre before his accident, the beautiful, dark-haired woman without a face. Every picture showing parents and child, right up to what were obviously recent years, had the mother’s face burned out or scratched away.

But Max’s attention was fixed on the wall above Sophie’s bed. Clustered together were pictures taken far from Morocco’s sun-baked harshness. They were of startling white landscapes, prickly green fir trees dusted with snow and brightly dressed skiers in competition. But this was no downhill racing; these skiers stretched their limbs across differing terrain. Some of them knelt in a firing position, a rifle to their shoulder, others stood and aimed at targets, while in the same picture skiers pushed away into the background.

“This is a cross-country skiing competition,” Max muttered to himself.

“That’s right,” Fauvre said. “A biathlon. Last year in Norway. Sophie was a junior competitor in the fifteen-kilometer ski and shoot. She didn’t get placed. She had the stamina, but her target shooting was not good.”

Max looked closer. A figure had been captured in one of the photographic sequences. Flurried snow indicated the skier had had to stop and shoot at a target. It was a standing pose, rifle to shoulder. Max’s stomach fluttered. It was almost a mirror image of when the killer shot Zabala.