"Oh, well, that's out of the question," Faust said. "Come now, I'm trying to be gallant. You have to try, too."
"Hmm," Faust said, eyeing her with salacious eye. "A wise man might think your body good enough reward."
"You don't get the body, either," Helen said. "You'll have to kill me first."
Faust found himself thinking it might come to that. But he gritted his teeth. The funny thing was, he didn't even desire this woman very much. To own her, possess her, dominate her, yes, sure. But to make love to her? Faust found her formidable even when she was silent, and a virago when she was vocal. He marveled that the ancient world had never commented on Helen's conversational style.
"Look," Faust said, "let's be reasonable. There are only a few roles to play in this world of ours. I'm playing the role of possessor, though I can assure you it doesn't entirely suit me. I'm not at my best with imperious women. I like goosegirls, to tell the truth. But having you is the big time of aspiration, even if I don't go for it much personally. So I play my part. Now then, Fate, or Necessity, or Chance, or whoever it was, cast you in the role of the ultimate desired woman. You're supposed to be a paragon of seductiveness. It does no good for you to wish yourself something else. You've got your role and it's a good one. A lot of women would give anything to change places with you. And it's not bad, as roles go.
Even if you don't like it, at least try to not let down the side."
Helen considered for a while. Then she said, "Well, Faust, you say well and you talk bluntly. Now let me be equally blunt. Are you up to me? The Helen archetype is known everywhere. But I never heard of the Faust archetype."
"It came along after your time," Faust said, "but it is no less potent than your own. In the ancient world, men might have wished to be an Odysseus or Achilles. Nowadays, young men aspire to the Faustian ideal."
"Can you sum up that ideal for me?" Helen asked.
"It is difficult to capture in words the veritable quality of one's own numinosity. Let's just say that Faust wants more. It's quite a bit more than that, but that gives you an idea."
"A sort of latter-day Prometheus?" Helen asked.
"Perhaps so, Helen," Faust said, chuckling. "But with a difference. Prometheus ended up on a rock with a vulture tearing out his liver. Whereas Faust ranges free over space and time. With a little help from his friends, of course. And that's the difference between the old world and the new."
"I see you can keep up your end of a conversation," Helen said. "If nothing else." She chuckled, and Faust's titillation receptor cells went into a frenzied fibrillation until application of his powerful will caused them to quiet down again.
"Let us go on, then, Faust," Helen said. "I confess, I'm interested in seeing the contours of this new myth you're creating. Can you give me a hint as to what happens next?"
"Next we're going to get out of here," Faust said. "Charon! Is the boat ready?"
"You got that Traveling Spell?" Charon asked.
"Here it is," Faust said, handing it over. Charon felt along the lapstraked side of the boat and found the Motive Slot. Carefully he inserted the spell. Faust said the words that brought it to life. A spirit stood amidships and cast off the lines as the first ripple of motion rocked the boat. The motion came again.
There was a great cloud of smoke, green and gray in color, with ochre backlighting and little wispy nebulosities hanging from its extremities. Then the Traveling Spell kicked in. And suddenly, just like that, the boat took off.
CHAPTER 4
Mack found himself walking on a road that ran straight between rows of poplars. He topped a little rise and saw, in the near distance, the spires of a noble city. The weather was warm and sunny. There were other people strolling along the road. They wore hose, tunics, soft boots, just like in Cracow, but with an Italian panache. Mack saw that Mephistopheles had dressed him in the same way. He proceeded through the gates into the bustling wonder that was Florence.
There was a lot of stir and turmoil in the narrow streets. Everybody seemed to be out, most of them in holiday clothing. Florence was in festive mood on this fine spring day. There were multicolored banners snapping in the breeze, flying bravely from many balconies and rooftops. They represented the various communes of the city. Food vendors were out in force, selling the newest taste sensation, tiny Renaissance pizzas. Armed riders in steel helmets coursed through the streets, pushing people out of the way in the manner of policemen of all times and ages. Mack passed close-packed stalk selling cloth, kitchenware, spices, swords, and knives. One stall had large porcelain plates for sale, another watermelon, a third, smelts.
As interesting as it all was, Mack decided he'd better find a place to stay. First he checked his purse and found that he had plenty of expense money. Mephistopheles had not been stingy in that regard. An inn just up the street appealed to him with its well-painted pastel walls and gold-leaf sign proclaiming it the Paradiso. The owner, a stout, red-faced man with a carbuncle on his nose, was suspicious at first, since Mack hadn't sent a messenger ahead to announce his arrival. But he became all affability when Mack handed him a gold florin.
"Our best room for you, my dear Dr. Faust! You come at an auspicious time. This is a public holiday, you know, the time when we Florentines burn our vanities."
"Yes, I know," Mack said. "Will it be held far from here?"
"Just a couple of streets away in the Piazza Signoria," the innkeeper said. "You'll have a great view of one of the most remarkable phenomena of our time. Savonarola has promised that this year's bonfire will be something truly remarkable."
"What sort of man is this Savonarola?" Mack asked.
"What's that?"
"It's our pact with the French king, which keeps us protected from the Pope's desire to force the Medicis back on us."
"You don't like these Medicis?" Mack asked.
"Oh, they do well enough," the landlord said. "Lorenzo is called the Magnificent, for good reason. There has never been a greater patron of the arts. Under his rule, Florence has become the most beautiful city in the world."
"But you still don't like him?" Mack asked.
The landlord shrugged. "It's the people who pay for his magnificence. And besides, we don't like any family lording it over us. We Florentines are free people, and we intend to stay that way."
Mack inspected his room and found it was up to the standard he was rapidly getting used to. Time to find Marguerite. The owner told him that the silk market was held in a small piazza on the Fiesole road. To Mack it looked like an oriental bazaar with its stalls crowded close together, its casual bathroom facilities, and its pig-tailed retinue of observers from Cathay. Here were piled high the watered silks that were de rigueur in Flanders and the Netherlands; the twice-dyed material that was making such a hit that year in Amsterdam, and the raw silk estofados and open-necked sanbenito sport shirts for the Spanish trade. Spotted here and there among the stalls were little espresso bars, and near them were spaghetti houses, already selling the concoction that Marco Polo had brought back from China, where they unaccountably called it noodles. Mack found Marguerite at a progenitor of the boutique system that was to make such a change in the habits of luxury buyers. She was looking at herself in a tall mirror that was tilted this way and that for her by the proprietor, a small man with a harelip but, perhaps in compensation, very good teeth.
"Ah, signore," he said, "you have come just in time to see your lady in all her glory!"
Mack smiled indulgently. It was not his money. He could afford to be generous.
"Go for it, babe," he said huskily.
"Look," she said, "I've picked out these darling ball gowns. You must look at Signore Enrico's men's store, Johann. He carries the latest in doublets and camicia."
"Camicia?" said Mack.