His head reels. He won’t look. The voices cry out in hurt and laceration and he feels the very ground give way beneath him. The rest, mercifully, is a blank.
When he comes to, muttering in protest—“False idols, I mean like an autographed picture of Mickey Mantle, for christ’s sake?”—he finds himself in a cramped mud-and-wattle hut that reeks of goat dung and incense. By the flickering glow of a bank of votary candles, he can make out the bowed and patchy head of Nuala Nolan. Outside it is dark and the rain drives down with a hiss. For a long moment, McGahee lies there, studying the fleshless form of the girl, her bones sharp and sepulchral in the quavering light. He feels used up, burned out, feels as if he’s been cored like an apple. His head screams. His throat is dry. His bladder is bursting.
He pushes himself up and the bony demi-saint levels her tranced gaze on him. “Hush,” she says, and the memory of all that’s happened washes over him like a typhoon.
“How long have I—?”
“Two days.” Her voice is a reverent whisper, the murmur of the acolyte, the apostle. “They say the Pope himself is on the way.”
“The Pope?” McGahee feels a long shiver run through him.
Nods the balding death’s-head. The voice is dry as husks, wheezy, but a girl’s voice all the same, and an enthusiast’s. “They say it’s the greatest vision vouchsafed to man since the time of Christ. Two hundred and fifteen people witnessed it, every glorious moment, from the cask of gin to the furtive masturbation to the ace up the sleeve.” She’s leaning over him now, inching forward on all fours, her breath like chopped meat gone bad in the refrigerator; he can see, through the tattered shirt, where her breasts used to be. “Look,” she whispers, gesturing toward the hunched low entranceway.
He looks and the sudden light dazzles him. Blinking in wonder, he creeps to the crude doorway and peers out. Immediately a murmur goes up from the crowd — hundreds upon hundreds of them gathered in the rain on their knees — and an explosion of flash cameras blinds him. Beyond the crowd he can make out a police cordon, vans and video cameras, CBS, BBC, KDOG, and NPR, a face above a trenchcoat that could only belong to Dan Rather himself. “Holy of holies!” cries a voice from the front of the mob — he knows that voice — and the crowd takes it up in a chant that breaks off into the Lord’s Prayer. Stupefied, he wriggles out of the hut and stands, bathed in light. It’s McCarey there before him, reaching out with a hundred others to embrace his ankles, kiss his feet, tear with trembling devoted fingers at his Levi’s and Taiwanese tweed — Michael McCarey, adulterer, gambler, drunk and atheist, cheater of the IRS and bane of the Major Deegan — hunkered down in the rain like a holy supplicant. And there, not thirty feet away, is the statue, lit like Betelgeuse and as inanimate and snotgreen as a stone of the sea.
Rain pelts McGahee’s bare head and the chill seizes him like a claw jerking hard and sudden at the ruined ancient priest-ridden superstitious root of him. The flashbulbs pop in his face, a murmur of Latin assaults his ears, Sister Mary Magdalen’s unyielding face rises before him out of the dim mists of eighth-grade math…and then the sudden imperious call of nature blinds him to all wonder and he’s staggering round back of the hut to relieve himself of his two days’ accumulation of salts and uric acid and dregs of whiskey. Stumbling, fumbling for his zipper, the twin pains in his groin like arrows driven through him, he jerks out his poor pud and lets fly.
“Piss!” roars a voice behind him, and he swivels his head in fright, helpless before the stream that issues from him like a torrent. The crowd falls prostrate in the mud, cameras whir, voices cry out. It is the statue, of course, livid, jerking its limbs and racking its body like the image of the Führer in his maddest denunciation. “Piss on sacred ground, will you,” rage the plaster lips in the voice of his own father, that mild and pacifistic man, “you unholy insect, you whited sepulcher, you speck of dust in the eye of your Lord and maker!”
What can he do? He clutches himself, flooding the ground, dissolving the hut, befouling the bony scrag of the anchorite herself.
“Unregenerate!” shrieks the Virgin. “Unrepentant! Sinner to the core!”
And then it comes.
The skies part, the rain turns to popcorn, marshmallows, English muffins, the light of seven suns scorches down on that humble crowd gathered on the sward, and all the visions of that first terrible day crash over them in hellish simulcast. The great vats of beer and gin and whiskey fall to pieces and the sea of booze floats them, the cattle bellowing and kicking, sheep bleating and dogs barking, despoiled girls and hardened women clutching for the shoulders of the panicked communicants as for sticks of wood awash in the sea, Sophia Loren herself and Virginia Woolf, Fredda, Cindy Lou Harris, and McCarey’s wife swept by in a blur, the TV vans overturned, the trenchcoat torn from Dan Rather’s back, and the gardai sent sprawling—“Thank God he didn’t eat rattlesnake,” someone cries — and then it’s over. Night returns. Rain falls. The booze sinks softly into the earth, food lies rotting in clumps. A drumbeat of hoofs thunders off into the dark while fish wriggle and escargots creep, and Fredda, McCarey, the shaven-headed pizza vixen, and all the gap-toothed countrymen and farmwives and palsied children pick themselves up from the ground amid the curses of the men cheated at cards, the lament of the fallen women, and the mad frenzied chorus of prayer that speaks over it all in the tongue of terror and astonishment.
But oh, sad wonder, McGahee is gone.
Today the site remains as it was that night, fenced off from the merely curious, combed over inch by inch by priests and para-psychologists, blessed by the Pope, a shrine as reverenced as Lourdes and the Holy See itself. The cattle were sold off at auction after intensive study proved them ordinary enough, though brands were traced to Montana, Texas, and the Swiss Alps, and the food — burgers and snowcones, rib roasts, fig new-tons, extra dill pickles, and all the rest — was left where it fell, to feed the birds and fertilize the soil. The odd rib or T-bone, picked clean and bleached by the elements, still lies there on the ground in mute testimony to those three days of tumult. Fredda McGahee Meyerowitz, Herb Bucknell and others cheated at cards, the girl from the pizza parlor and the rest were sent home via Aer Lingus, compliments of the Irish government. What became of Virginia Woolf, dead forty years prior to these events, is not known, nor the fate of Emma Bovary either, though one need only refer to Flaubert for the best clue to this mystery. And of course, there are the tourism figures — up a whopping 672 percent since the miracle.
McCarey has joined an order of Franciscan monks, and Nuala Nolan, piqued no doubt by her supporting role in the unfolding of the miracle, has taken a job in a pastry shop, where she eats by day and prays for forgiveness by night. As for Davey McGahee himself, the prime mover and motivator of all these enduring mysteries, here the lenses of history and of myth and miracology grow obscure. Some say he descended into a black hole of the earth, others that he evaporated, while still others insist that he ascended to heaven in a blaze of light, Saint of the Common Sinner.
For who hasn’t lusted after woman or man or drunk his booze and laid to rest whole herds to feed his greedy gullet? Who hasn’t watched them starve by the roadside in the hollows and waste places of the world and who among us hasn’t scoffed at the credulous and ignored the miracle we see outside the window every day of our lives? Ask not for whom the bell tolls — unless perhaps you take the flight to Cork City, and the bus or rented Nissan out to Ballinspittle by the Sea, and gaze on the halfsize snotgreen statue of the Virgin, mute and unmoving all these many years.