Her body had been worn out by four confinements in four years’ time. But more exhausting still, perhaps, was the pace of court life — an uninterrupted series of dances, masquerades and banquets. On Valentine Visconti, exhaustion worked like a poison. At her father’s court in Pavia, she had loved the small elegant gatherings frequented by poets and scholars, the debates and word games, the music played in her own chambers. Gian Galeazzo Visconti, although denounced as a tyrant and a sorcerer, had a more acute eye for learning and the fine arts than the pretentious inhabitants of Saint-Pol.
The glitter of the torch flames, reflected in the gold and silver plate on the sideboard, hurt her eyes. She closed them and sank away instantly into a deep pool of exhaustion, a darkness without rest, riddled with the voices and stifled laughter of the women. It seemed to her that the walls of Saint-Pol vibrated with sound like the walls of a gigantic beehive. The entire enormous palace, with its complex structure which linked halls, chambers, towers, bastions, inner courtyards, annexes, stables and gardens, enclosed her like a honeycomb of cells, buzzing with bees. She was aware all at the same time of members of the household running up and down the stairs and through the corridors; of the continuous uproar in and around the kitchens, larders and wine cellars where the christening meal and the banquet were being prepared; of the stamping of hooves and the jingle of weapons and armor in the guardrooms; of the chirping and twittering of birds in the great indoor aviary; of the roaring of lions — the King’s menagerie — in their winter quarters. And more disturbing than all this was the ceaseless cacophony of the bells. She murmured prayers and endeavored to lose herself in thoughts of the ceremony nearby in the church of Saint-Pol, where even now her son was receiving baptism over the basin hung with gold brocade. She thought of her brother-in-law the King who, as godfather, had to hold the child in his right arm throughout the christening. She had been told that he was pleased at the birth and the planned festivities.
For the first time in months, he had left the castle of Creil where he was confined, to show himself to the public. His relatives, warned by physicians, watched him anxiously, fearing a sudden renewed outburst of madness. Valentine felt a heartrending pity for the King, of whom she was as fond as he was of her. The news two years earlier of an unexpected eruption of his illness had upset her no less — although she reacted in a different way — than it had upset the Queen. Despite her displays of desperate grief, Isabeau believed — or professed to believe — that recovery was possible; Valentine, on the other hand, perhaps because of her swifter Southern intuition, knew that the germ of madness, always present in the King’s childlike, capricious nature, had now put down roots that were ineradicable. To some degree, Valentine shared the view that a madman was little more than a dangerous animal; but the thought of her brother-in-law imprisoned in the barred balcony high above the walls of Creil, gazing down from his cage at the nobles of his retinue who were playing ball in the dry moat below, filled her with horror and compassion. Although she knew that Isabeau’s grief was sincere, she could not remain blind to the avidity with which the Queen had taken over the administration of the court, and the Duke of Burgundy the control of affairs of state.
She had little faith in the physician Guillaume de Harselly, however capable he might be. She no longer believed that illness could be banished by confession and exorcism. The previous winter she had found another physician’s recommendation for a cure even less beneficial; the King should be kept away from the Council and all state business; he should be diverted with various amusements. As a result, Saint-Pol became a madhouse where the music was never silenced, where the uproar of balls and drinking bouts never stopped; where Isabeau, evening after evening, on the arm of Louis d’Orléans, led the rows of celebrants in their multi-colored finery, and the King, actually somewhat recovered, clapped his hands in time with the music and looked on eagerly at each new entertainment.
The torchlight pricked Valentine’s closed eyes; the heat of the lying-in chamber made her think of the endless nights spent under the canopy of tapestries and fading flowers at the side of the King, who enjoyed having her near him and would not allow her to withdraw. As she looked down from the raised platform upon the crowd in the overflowing hall, it often seemed to her that she was in a purgatory more cruel and terrifying than the one the Church had taught her to fear. The statues in the niches of the cathedral, the spewing monsters, the devils and gargoyles which looked down upon Paris, grimacing, from the exterior of Notre Dame, had come to life in the grotesquely-masked dancers illuminated in the torchlight: in the women whose high headdresses were decorated with horns and rolls of stuffed cloth, in the men whose wide pleated sleeves looked like the wings of bats and who wore sharply pointed shoes like the beaks of alien beasts.
Valentine moved her head restlessly on the pillows. The rush of milk made her feverish. The normal cure for this, the feeding of her child, was denied to her: that was taken care of by the wet nurse who sat by the hearthfire, a cloth folded over her breasts. A chamberwoman threw some logs on the fire; the flames leapt high in the recesses of the hearth.
Flames had put a premature end to the wild masquerade which Isabeau had held in January to celebrate the marriage of her friend and confidante, the widow of the Sire de Hainceville. The celebration of a second marriage offered abundant opportunity for unbridled pleasures, jokes full of double entendres, reckless debauchery. An endless train of guests danced hand in hand through the hall. And the King, infected by the general atmosphere of wild elation, allowed himself to be seduced into joining a game of dressing-up invented by some noblemen who wanted to terrorize the women for sport.
In a side room they had their naked bodies sewn into garments of thin leather smeared with pitch and then strewn with feathers; they put on feather headdresses to make themselves look like savages. So attired, they leapt shouting among the dancers who dispersed in panic in every direction, to the onlookers’ delight.
The Duchess of Berry, the very young wife of the Duke’s uncle, sat beside Valentine under the canopy. She recognized the King by his build and laughed uncontrollably at his antics, which were wilder and more excited than those of the others. Louis d’Orléans entered the hall, drunk, with a lighted torch in his hand, accompanied by some friends; the savages rushed over to him and began, crowded together, to dance around him. The shouts of the bystanders drowned out the music. A scuffle broke out, in the course of which the feathered headdresses caught fire.
In nightmares, Valentine still heard the screams of the living torches, hopelessly doomed in their tight garments; they ran in circles, frantically clawing at themselves, or rolled howling over the floor. Isabeau, who knew that the King was one of the dancers, collapsed at the sight of the flames. But the young Duchess de Berry, tears of laughter still on her cheeks, wrapped the train of her dress around the King and was able to smother the fire. The others burned half an hour longer, but they did not die for several days.