As a result, Banks was more full of anger and self-pity than usual that night. Whenever he thought of Sean, which was far more often than he would have liked, he wanted to kill him. He even considered phoning an old mate on the Met and asking if they couldn’t put the bastard away for something. There were plenty of coppers on the Met who would jump at the chance to put someone called Sean away. But while he had certainly bent the rules occasionally, Banks had never yet abused his position for his own ends, and even at his lowest ebb he wasn’t going to start.
His hatred was unreasonable, he knew, but when was hatred ever reasonable? He had never even met Sean. Besides, if Sandra wanted to pick up some toy boy and take him home to her bed, it was hardly the toy boy’s fault, was it? More likely hers. But reason didn’t stop Banks from wanting to kill the bastard.
That night, after several whiskeys too many, he had fallen asleep on the sofa as usual, with Dylan’s Blood on the Tracks playing on the CD. Long after the music had finished, he woke from a dream peculiar only for its emotional intensity.
He was sitting alone at a pine table in a kitchen, and sunlight flooded through the open curtains, bathing everything in its warm and honeyed glow. The walls were off-white, with a strip of red tiles over the sink and counter area; matching red canisters for coffee, tea and sugar stood on the white Formica countertops, and copper-bottomed pots and pans hung from a wooden rack beside the set of kitchen knives. The clarity of detail was extraordinary; every grain and knothole in the wood, every nuance of light on steel or copper shone with a preternatural brightness. He could even smell the warm pine from the table and the fitted cupboards, the oil on the hinges.
That was it. Nothing happened. Just a dream of light. But the intense feeling of well-being it gave him, as warm and bright as the sunlight itself, still suffused him when he awoke, disappointed to find himself alone and hung over on the sofa in the Eastvale semi.
When Sandra decided a few weeks later that their separation was to be permanent – or at least that reconciliation wasn’t imminent – they sold the semi. Sandra got the television and VCR; Banks got the stereo and the lion’s share of the CD collection. That was fair; he had collected them in the first place. They split the kitchenware, and for some obscure reason, Sandra also took the tin opener. Books and clothes were easily divided, and they sold most of the furniture. All in all, there hadn’t been a hell of a lot to show for over twenty years of marriage. Even after the sale, Banks didn’t care much where or how he lived, until a few weeks in a bed-and-breakfast place straight out of Bill Bryson changed his mind.
He began to seek isolation. When he first saw the cottage from the outside, he didn’t think much of it. The view of the dale was terrific, as was the seclusion afforded by the woods, the beck, and the ash grove between the cottage and Gratly itself, but it was a squat, ugly little place that needed a lot of work.
A typical Dales mix of limestone, grit and flag, it had originally been a farm laborer’s cottage. Carved into the gritstone doorhead was the date “ 1768” and the initials “J.H.,” probably the time it was built and the initials of the first owner. Banks wondered who J.H. was and what had become of him. Mrs. Perkins, the present owner, had lost both her two sons and her husband, and she was finally leaving to move in with her sister in Tadcaster.
Inside, the place didn’t make much more of an impression at first, either; it smelled of camphor and mold, and all the furniture and decor seemed dark and dingy. Downstairs was a living room with a stone fireplace at one end; upstairs, only two small bedrooms. The bathroom and toilet had been tacked on to the kitchen at the back, as they often were in such old houses. Plumbing was pretty primitive back in 1768.
Banks was not a believer in visions and prescience, but he would have been a fool to deny that when he walked into the kitchen that day he experienced the same feeling of well-being and of peace that he had experienced in the dream. It looked different, of course, but he knew it was the same place, the one in his dream.
What it all meant, he had no idea, except that he had to have the cottage.
He didn’t think he would be able to afford it; properties in the Dales were fetching astronomical prices. But fortune and human eccentricity proved to be on his side for once. Mrs. Perkins had no love whatsoever for the holiday-cottage trade and no particular greed for mere money. She wanted to sell to someone who would actually live in the cottage. As soon as she found out that Banks was looking for just such a place, and that his name was the same as her maiden name, the deal was as good as done. The only black mark against Banks was that he wasn’t born a Yorkshireman, but she took to him anyway, convinced they were related, and she even flirted with him in that way some old ladies have.
When she let him have the place for £50,000, probably about half of what she could have got, telling him it would be enough to see her to her grave, Dimmoch, the estate agent, groaned and shook his head in disbelief. Afterward, Banks always had the impression that Dimmoch suspected him of exerting undue pressure on Mrs. Perkins.
The cottage became Banks’s long-term project – his therapy, his refuge and, he hoped, his salvation. In an odd way he felt working on the cottage was like working on himself. Both needed renovating, and both had a long way to go. It was all new to him; he had never had the faintest interest in DIY or gardening before; nor had he been much inclined to self-analysis or introspection. But somehow he had lost his way over the past year, and he wanted to find a new one; he had also lost something of himself, and he wanted to know what it was. So far, he had fitted some pine cupboards in the kitchen, like the ones in his dream, installed a shower unit to replace the claw-footed Victorian bathtub, and painted the living room. It hadn’t kept the depression away completely, but made it more manageable; at least he always managed to drag himself out of bed in the morning now, even if he didn’t always view the day ahead with any real relish.
A night bird called out far in the distance – a broken, eerie cry, as if perhaps some predator was threatening its nest. Banks stubbed out his cigarette and went back inside. As he got ready for bed, he thought of the skeletal hand, possibly human; he thought of DS Cabbot, definitely human; he thought of Hobb’s End, that lost, ruined village suddenly risen from the depths with its secrets; and somewhere in his mind, in the darkness way beyond the realms of logic and reason, he heard an echo, a click, felt something intangible connect across the years.
THREE
Banks watched from the edge of the woods the next morning as the SOCOs slowly lifted the skeleton from its muddy grave under the expert direction of John Webb.
First, they had to take down the wall next to which the bones were buried, then they made a trench around the area and dug down until the bones were exposed, about three feet below the surface. Next, they slipped a thin sheet of metal into the earth under the bones, and finally they got it in place, ready to lift out.
The bones came up on the metal sheet, still packed in earth, and four SOCO pallbearers carried it up the slope, where they laid it out on the grass at Banks’s feet like a burnt offering. It was just eleven, and DS Cabbot still hadn’t shown up. Banks had already talked to Adam Kelly, who hadn’t been able to add anything to his previous statement.