The squealing in the kitchen died down.
The colonel became abstracted again, busy with his food.
A tall, slender African, dark-brown, not black, came out into the dining-room from the kitchen. He moved lightly, like an athlete. He nodded and smiled at the Israelis, at Bobby and Linda, and went to the colonel's table. The mobility and openness of his face made him look less like an African than a West Indian or American mulatto. He wore simple clothes with much style. His well-tailored khaki trousers were clean and ironed; the collar of his grey shirt was clean and firm. His cream-coloured pullover suggested the sportsman, the tennis-player or the cricketer. There was a parting in his hair, and his brown shoes shone.
He stood before the colonel and waited to be seen.
Then he said, 'I come to say good night, sir.' His accent had echoes of the colonel's accent.
'Yes, Peter. You're off. We heard the crash and we heard you squeal. Where to this time?!
'I go cinema, sir.' The pidgin was a surprise.
'You've seen our local bug-house?' the colonel asked Linda. 'I suppose that will close down when the army goes. If the army goes.'
The Israelis didn't hear.
'And what are you going to see, Peter?'
The question confused Peter. He continued to look at the colonel. His face held a half-smile and then went African-blank.
He said, 'I can't remember, sir.'
'That's the African for you,' the colonel said. The words were spoken at Linda but not addressed to her.
Peter waited. But the colonel was occupied with his food. Peter became composed again; the half-smile returned to his face.
He said at last, 'I go, sir?'
The colonel nodded without looking up.
Peter moved away with his light athlete's step. His leather heels sounded on the floor of the bar, the verandah. As soon as they touched the concrete steps, the colonel slammed a sauce bottle down and shouted, _'Peter!'__
Bobby jumped. Timothy held his face straight as though he had just been slapped. Even the Israelis looked up. It was silent in the dining-room, the bar, the kitchen.
Then, as lightly as his leather heels permitted, Peter came back to the dining-room and stood before the colonel's table.
The colonel said, 'Give me the keys for the Volkswagen, Peter.'
'Keys in office, sir.'
'That's a foolish thing to say, Peter. If the keys were in the office, I wouldn't be asking you for them now, would I?'
'No, sir.'
'So it's a foolish thing to say.'
'Foolish thing, sir.'
'So you are very foolish.' Peter was silent.
'Peter?'
'Foolish thing, sir.'
'Don't say it with so much pride, Peter. If you are foolish, you are foolish and you do foolish things. No witchdoctor is going to cure that.'
Peter no longer glanced about the room; his eyes were fixed on the colonel. His bony shoulders were hunched; he appeared to stoop.
'Oh, he looks so fine,' the. colonel said, as though speaking to Linda again; but he wasn't looking at her. 'So polished.' He held out his open palm and raised it up and down. 'Pass by the door of his quarters, and it's all you can do to keep yourself from being sick.'
In his thin face Peter's eyes had begun to stare and shine. His mouth was loose.
'Give me the keys, Peter.'
'Keys in Volkswagen, sir.'
Bobby pushed his plate aside. Linda kicked him below the table.
He settled back. The colonel saw. He looked away from Peter to the floor near Bobby's feet, and he seemed to grow abstracted.
He made a gesture with his index finger. 'How wide is the hotel lot, Peter?'
'One hundred and fifty feet, sir.'
'And deep?'
'Two hundred feet.'
'And in those thirty thousand square feet _I__ am in charge. I don't care what happens outside. I am in charge here. If you don't like what I do you can get out. Get out at once;'
Bobby pressed a finger on the tablecloth and picked up a crumb. 'What do you think of me, Peter?'
'I like you, sir.'
'He likes me. Peter likes me.'
'You take me in when I was small. You give me job, you give me quarters. You look after my children.'
'He has fourteen. He's living with three of those animals right now. So polished. So nice. So well-spoken. You wouldn't believe he doesn't even know how to hold a pen in those hands. You wouldn't believe the filth he comes out of. But you like dirt, don't you, Peter? You like going in to some black hole to eat filth and dance naked. You will steal and lie to do that, won't you?'
'I like the quarters, sir.'
'While I live you will stay there. You won't move in here, Peter. I don't want you to bank on that. If I die you will starve, Peter. You will go back to bush.'
'That is true, sir.'
'And you like me. I am good to you. But I haven't been good to you. In this room we've had people talking about exterminating you. Don't you remember?'
'I don't remember.'
'You're a liar.'
'I like you, sir.'
'What about the boy who was locked in the refrigerator?'
'That was somewhere else.'
'So you remember that.'
'I never talk about these things, sir.'
'The whippings? There was a lot of that. What about the crops you weren't allowed to grow? You remember that? You say you like me?'
'I hate you, sir.'
'Of course you hate me, and I know you hate me. Last week you killed that South African. Old, helpless. Didn't you? Lived here for twenty years. Married one of your women.'
'Thief kill him, sir.'
'That's what they always say, Peter. But we know who killed him. It was someone who hated him.'
'No, sir.'
'Do you remember when your woman was sick, Peter?'
'You know about that, sir.'
'Tell me again.'
Peter's staring eyes were inflamed, moist with tears of irritation.
His half-open mouth was collapsed, the upper part of his face taut. 'It's a story you always tell,' the colonel said. 'People always listen.'
Timothy was leaning against one of the square pillars in the middle of the room, head back, slightly to one side, looking on. 'My wife was sick,' Peter said. He stopped, choked with irritation.
'You had three others. Go on.'
'She cry every night in the quarters.'
'Black with filth and stink.'
'One night she was very sick. I get car and take her to hospital.
They say no. Hospital for Eu'peans only. Huts for natives. Indian doctor take her. Too late, sir. She die.'
'And you went out the next day and got other women and sent them to the forest to chop wood.' And they loaded up the wood on their backs and came back to you in the evening. It's a good story, especially for visitors.'
'I never talk about these things, sir.'
'Who do you hate more? The Indian or me?'
'I hate the Indian.'
'You are ungrateful. Who do you hate more? The Indian or me?'
'I will always hate you, sir.'
'Don't you forget it. Your hate will keep me alive. One night, Peter, you will knock on my door -'
'No, sir.'
'You will be wearing a raincoat or you will have a jacket. You will be holding your elbows close to your side -'
'No, sir. No, sir.' Peter was closing and opening his eyes.
'I won't behave like the South African, Peter. When you say, "Good evening, sir," I won't say, "Why, it's Peter, my own boy. Come in, Peter. Have some tea. How are you? How's your family?" There'll be no cups of tea. I won't behave like that. I'll be waiting. I'll say, "It's Peter. Peter hates me." And you won't come past that door. I'll kill you. I'll shoot you dead.'
Peter opened his eyes and looked at the top of the colonel's head.
'This is how I swear my oath,' the colonel said. 'Under these lights, in the open, before witnesses. Tell your friends: For some time Peter stood looking at the top of the colonel's head. His mouth closed, became firm again; there were no tears in his inflamed eyes. He put his hand in the pocket of his khaki trousers and took out a key-ring with two keys. He was going to place it on the table, but the colonel held out his hand and Peter put the keys in the colonel's palm. There was nothing more to keep him; and with a step as light and springy and athletic as before he walked through the dining-room to the kitchen.