At a twist in the road ahead, where the bare verge widened and rose and fell away, half a dozen small domestic animals stood together silhouetted against the sky. But two turned out to be naked children. Dull-eyed, disfigured with mud, they stood where they were and watched the car pass.
Linda said, 'I was hoping to buy some of those White Fathers cigars for Martin. Do you know them? You could get a great big bundle for a few shillings. Wrapped in a sort of dry banana-leaf box.'
Martin, Bobby thought: they were getting near home. He said, 'I thought Martin was a pipe man.'
'He loves these. They're absolutely vile, but he likes to puff away and fill his room with the smoke. Just puffing away. Into curtains, bookshelves, under cushions. Just to get the smell everywhere. You used to be able to get them at the colonel's. But I didn't see them this time, and I forgot to ask. I imagine they used to come from the other side of the lake. But I suppose the poor old White Fathers now have other things to think about instead of cigars.'
'I don't know. I wonder why we always think when things are not going well for us that it's all coming to an end.'
'The colonel's under no illusion on that score. Oh dear, it was awful.'
'I'm in no position to judge,' Bobby said. 'I've never been one for settler grandeur.'
'It's gone down so much. I suppose since he had that accident and damaged his hip. The rooms are so awful and the boys are so dirty, and he's stopped looking after himself.'
'That's what happens the minute you take your eyes off them."
Linda missed the irony. Her silence was like simple agreement. Bobby tried again. 'I thought only Africans smelled. What is it that Doris Marshall says? That little bit of settler wisdom about civilization and cleanliness?'
'Oh goodness,' Linda said. 'That Timothy.'
Bobby let the subject drop.
Linda said, 'I suppose there must be hundreds of people like that all over the world, in all sorts of strange places.'
'They've had a good life.'
'That's not the point.'
'What is?'
'I don't believe you want to understand. It's so awful.' Her voice broke; it took Bobby by surprise. 'The foolish man is trying to live on his will alone. Oh dear. And the shirt he was wearing was so dirty. He wanted the company. And he's right. They're waiting to kill him.'
'I'd kill him myself if I stayed there.'
'I don't trust that Peter one little bit. A little too fawning and smooth, with that fancy wristwatch.'
Bobby said, 'Peter is a little too clean, I must admit.'
'The colonel was shell-shocked in the Great War. He told me.
He said that if anyone scolded him he became unconscious. Scolded, that was the word he used. Then he said he pulled himself together.' Bobby suppressed his unease. 'He can go South.' He paused. 'Still a lot of blacks there he can take it out of.'
'If you put it like that. But it doesn't matter where he goes now. He took Peter in as a boy, fresh from the bush -'
'- and trained him. I know.'
'I suppose they had a good life, as you say. But what strange places they landed themselves in. Salonika, India.'
'How quickly we pick things up. I wasn't aware that we sent settlers to Salonika.'
'I don't even know where Salonika is. He's sick of the sight of the lake, sick of the hotel and the quarters, sick of his own food and the table he goes to three times a day. But he won't leave. He told me he hadn't been outside his gate for months.'
'That doesn't sound like will to me. I used to have an aunt like that, in darkest England.'
'And he's still so damned fair. He still gives you a five-course dinner.'
She had been talking slowly; he thought she was only growing 'mystical'. But then he saw a thin trickle of tears below her dark glasses. He wanted to say: I know why you're crying. But he decided to let her be, to do nothing that would feed her mood.
He concentrated on his driving. Always, on the rocky road, there were signs of the army lorries that had gone before: the churned-up soft edges, massively embossed with tyre-treads, the muddy potholes at some corners, and occasionally a dislodged boulder, white where it had been buried, earth colour above that. The road continued to be reasonably easy, and empty.
'I suppose you're right,' Linda said. 'Let the dead bury the dead.'
Valley led to valley. The road climbed and dropped. But they kept going lower. The valleys became wider; the earth became less black, rockier; the light became more tropical. The dwellings were no longer all of grass; not all had fences and trampled yards. There were little clusters of timber-and-corrugated-iron shacks; and sometimes now there were even ruins, of weathered boards and rusting corrugated iron.
Something like a monument appeared beside the road. It looked like a war memorial or a drinking fountain. It turned out to be a standpipe: a black nozzle sticking out of a- large concrete, wall, with bevelled edges and cut-away corners, PUBLIC WORKS. AND WELFARE JOINT ADMINISTRATION 27-5-54 roughly picked out in a stripe of blue-and-white mosaic at the top of the wall. It was the first of eight monumental standpipes. Then once more there was only the road: From the car they had intermittent glimpses of a rocky river, widening as the land grew flatter. And then the road came out from a cutting in the bush and ran on a high concrete-walled embankment beside the sprawling riverbed: narrow muddy channels between islands of sand and half-stripped shrubs and heaped rocks white in the sunlight. There was no barrier on the embankment, and the openness gave a sense of hazard.
The road turned away from the river and entered bush again.
But the river remained close; and. when the road next twisted down out of the bush, to run beside the river once more, Bobby and Linda saw a soldier in a crimson beret standing in bright sunlight on the wide concrete wall of the embankment, the khaki of his uniform and the shining black of his face, contrasting textures, clear and sharp against the openness of the riverbed.
He waved at the car, leaning forward slightly, keeping his polished black boots together. African labourers in the valleys were thin, their clothes ragged. The soldier's ironed uniform was tight over his round arms and thighs and his soldier's paunch. He was conscious of his difference, of the army clothes, the evidence of the army diet. His wave was heavy and awkward and looked frantic, but it held authority; and there was confidence in the round, smiling face.
Bobby was driving slowly on the rocky road. Linda said, 'He's a nice fat one.'
The African continued to smile and wave, his hand flapping from the wrist. The car didn't stop. The African's hand dropped; his face went blank.
Bobby, glancing at the shaking rear-view mirror, had a momentary, confused sense of openness and hazard: the barrierless high embankment tilting behind him, racing beside him. He looked down from the mirror to the road.
'I don't like that look he gave us,' Linda said. 'Now I imagine he's going to telephone his other fat friends, and they'll be waiting for us at some roadblock. I imagine he's running to beat out the message on his drums right at this moment.'
'I always give Africans lifts.'
'I didn't stop you.'
'How do you mean, you didn't stop me?'
'Just what I said. They'll pick you out anywhere, in that yellow native shirt.'
'For God's sake.'
He had been slowing down. Now, a little too wildly, he accelerated.
'I suppose it's because they can't read,' Linda said, 'but they're very sharp. You know that sort of common near the compound. Martin and I were driving past that one day, when we saw Doris Marshall's houseboy, or steward, I suppose we should say, rolling about on the grass, dead drunk as usual, in the middle of the afternoon. As soon as he saw us he ran out right into the road to wave us down. Martin was for stopping. I wasn't. Well, that drunken houseboy _saw__ that conversation from fifty or a hundred feet away, and repeated it word for word to Doris Marshall. Doris didn't like it. Suffafrican ittykit. I'd wounded her steward's feelings.'