"Everything?"
"Everything I want to know. I asked him this morning if he knew where you were."
"Why?"
"I told you. I wanted to tell you there's nothing between us. Between Crow and me."
"Okay, I know. So what?"
"Sew buttons," Emmie said, blowing into the straw in her water glass, making bubbles like a little kid.
"Emmie, do you know a man named Tom Darden, or Laylan Weeks?"
Tess had deliberately omitted any context with the names, but Emmie's face was a careful blank. "No. Who are they?"
"Darden is the man I found at Marianna's place. Weeks is the person they think he was with before he died. They're from here, but they've been in prison for a pretty long time."
Emmie put on a pretty pout of concentration, as if thinking hard. "Did they go to Alamo Heights High School?"
"I don't think so."
"Then I guess I don't know them."
"Do you know what brought me here?"
"Now that's another one of those big questions, isn't it?"
Tess pulled the clipping of Crow from her datebook. "I know now this was cut out of an old newspaper ad, and the headline is nothing more than a fragment of the band's old name. But it doesn't mean he isn't in big trouble. He sent me this for a reason."
"You think Crow sent this to you?"
"Who else?"
Emmie sucked her metal spoon clean, then tried to hang it from her nose. It fell to the counter with a noisy clatter. "It never works with these spoons. I don't know why I keep trying."
"Is he in big trouble, Emmie? Are you?"
"I'm fine," she said sharply.
"Did something happen while you were staying at Marianna's place?"
"No." She gulped the last of her shake. "I have to go. We've got a late night tonight. I need to catch a few hours of sleep."
"You playing the Morgue again?"
Emmie nodded. "But on Saturdays, we have an after-hours gig in this really cool place, Hector's. It's like a shack under the highway and most of die people who hang out there are bikers. But a lot of people come there just to hear us now. We're not the Breakfast Club there, we're Las Almas Perdidas. The Lost Souls."
"Not more eighties music?"
"Original stuff. And covers, done in a conjunto style, with a little bluegrass mixed in. You'd be surprised how an accordion and a fiddle can make an old song sound new again."
Yes, Tess would. "Well, let's get me back to La Casita, so you can have your siesta."
"When are you going back to Baltimore?"
"Not sure." She was less sure of everything, the more time she spent here. "Do you want me to leave, Emmie? Is that the point of this excursion? Or are you trying to figure out if I know anything?"
"I just wanted to talk to you a little. I feel as if I know you. I know you and Crow knows-actually, he doesn't know as much as he thinks he does. But that's another story, for another day."
They drove back to La Casita in Emmie's little Nissan Sentra, not the type of car Tess would have picked for a crazy rich girl. Emmie was an unexpectedly competent driver, too, focused and aggressive, with none of the dreaminess or abrupt shifts that characterized her conversation. Tess alternated between studying Emmie and studying the landmarks. She was beginning to get her bearings.
"It's like a bow-legged woman," she said.
"What?" Emmie asked, for once the one caught off guard.
"San Antonio. It's laid out like a bow-legged woman with her legs crossed at the ankles. That's how the parallel streets of Broadway and McCullough come to intersect. Here on Hildebrand, we're about waist-high. Now that I understand that, I think I'll be able to get around better."
"Sure, on the north side. But there's more to San Antonio than the north side. The streets and highways around here are like dividing cells. They come together and break apart, they change names abruptly. Don't be fooled into thinking it's an easy city to know."
But when they stopped at the next traffic light, Emmie glanced over at Tess, and seemed to take pity on her. It was as if she knew how vulnerable it made Tess feel to be in a place where she didn't know everything and everyone.
"A bow-legged woman," Emmie said. "That's not bad, actually. Hildebrand is waist-high, you're right, and your motel is just above the knee. She must be a very fat woman, don't you think, with big thighs spread far apart? Yet her ankles are very dainty. Her best feature." Emmie laughed happily. "Yes, you might even say it ain't over until the fat lady crosses her ankles."
Tess said nothing, she was too busy looking out at the window, grimly memorizing landmarks. They had passed one college on the right, now another was on the left, where they were turning by the Southwestern Bell Building and heading down the fat lady's left leg, Broadway. And here was La Casita. Home sweet home.
"Thanks for the milkshake," she told Emmie.
"Milkshake?" she asked, as if she had forgotten their trip to the pharmacy. "Oh, de nada."
Tess checked in with Mrs. Nguyen before going to her room. "I still don't know when I'm leaving." Actually, she still didn't know why she was staying.
"No problem," her landlady said, eyes fixed on a Mexican soap opera as she ate a slice of pizza. "Your friend find you?"
"Her? She's not really a friend."
"Not your girlfriend. Boyfriend."
"I don't have a boyfriend," she said stupidly.
"Not boyfriend boyfriend. Boy. Friend. He came by, he had a picture of you, with your black dog. That's how I know he knows you. I told him you gone off, he asked me if he could see the dog. So I let him in the room. But don't worry, I watch him. I watch him carefully. Very nice boy, very handsome, he patted the dog on the head. Younger than you, yes?"
"Ye-e-e-sss." The milkshake seemed to lurch in her stomach, as if it was going for one more spin in the Hamilton mixer. "And you watched him the whole time?"
"Whole time," Mrs. Nguyen said, nodding vigorously. Then her head stopped in mid-bob. "Except-"
"Except when, Mrs. Nguyen?"
"When the pizza man came, I had to go get my purse. No more than two minutes. Maybe three. Very nice boy. He said goodbye, I locked your room. The dog looked happy to see him."
"The world's greatest watchdog bounded up when Tess opened the door to her room. Whatever Esskay knew, she wasn't telling. But she had something on her breath, some liver-ish treat that Tess hadn't given her. Heck, Charles Manson could drop by if he brought a treat. Esskay had her priorities. And she would have remembered Crow. Her long-term memory was much better than her short-term one. She still remembered the exact spot where she had once seen a cat sunning itself on a windowsill.
The room looked normal, and Tess had so few possessions that it didn't take much time to inventory everything there. Her bag of laundry was on the bed, her copy of Don Quixote on the nightstand. Her knapsack was there, too, seemingly untouched. She took out the false bottom, made sure her gun and cell phone were nestled there. This past summer, in a particularly hellish forty-eight hours, her gun had been stolen and her phone had been flung across five lanes of traffic on Interstate 95. A tailor had designed a black flap that attached with Velcro strips, but it would only fool someone who glanced inside the knapsack without picking it up. The weight would have given away its secret contents.
No, if Mrs. Nguyen hadn't mentioned her gentleman caller, she would never have known someone had been here. But someone had, and it felt as creepy as a real break-in, or a burglary. Creepier, because she knew who the perpetrator was, yet couldn't begin to guess at his motives.
Chapter 11
Hector's was not the type of place listed in the yellow pages, or in San Antonio's Chamber of Commerce magazine. But Mrs. Nguyen, embarrassed by her uncharacteristic lack of vigilance on Tess's behalf, called a cousin whose daughter had a friend who knew a guy who sometimes hung out with bikers. A family scandal, as it turned out, and Mrs. Nguyen was on the telephone for quite some time, clucking over the shame of it all, even as she passed keys to the La Casita regulars and kept one eye on her Mexican soap operas.