The wind is rising. The sand, blown aloft, stains the sky grey. Skein clambers from the pit and lies by its rim, breathing hard. The skull-faced man helps him get up.
Skein has seen this series of images hundreds of times. “How do you feel?” the skull-faced man asks.
“Strange. Good. My head seems clear!”
“You had communion down there?”
“Oh, yes. Yes.”
“And?”
“I think I’m healed,” Skein says in wonder. “My strength is back. Before, you know, I felt cut down to the bone, a minimum version of myself. And now. And now.” He lets a tendril of consciousness slip forth. It meets the mind of the skull-faced man. Skein is aware of a glassy interface; he can touch the other mind, but he cannot enter it. “Are you a Communicator too?” Skein asks, awed.
“In a sense. I feel you touching me. You’re better, aren’t you?”
“Much. Much. Much.”
“As I told you. Now you have your second chance, Skein. Your gift has been restored. Courtesy of our friend in the pit. They love being helpful.”
“What shall I do now? Where shall I go?”
“Anything. Anywhere. Anywhen. You’re free to move along the timeline as you please. In a state of controlled, directed fugue, so to speak. After all, if time is random, if there is no rigid sequence of events—”
“Yes.”
“Then why not choose the sequence that appeals to you? Why stick to the set of abstractions your former self has handed you? You’re a free man, Skein. Go. Enjoy. Undo your past. Edit it. Improve on it. It isn’t your past, any more than this is your present. It’s all one, Skein, all one. Pick the segment you prefer.”
He tests the truth of the skull-faced man’s words. Cautiously Skein steps three minutes into the past and sees himself struggling up out of the pit. He slides four minutes into the future and sees the skull-faced man, alone, trudging northward along the shore. Everything flows. All is fluidity. He is free. He is free.
“You see, Skein?”
“Now I do,” Skein says. He is out of entropy’s jaws. He is time’s master, which is to say he is his own master. He can move at will. He can defy the imaginary forces of determinism. Suddenly he realizes what he must do now. He will assert his free will; he will challenge entropy on its home ground. Skein smiles. He cuts free of the timeline and floats easily into what others would call the past.
“Get Nissenson into a receptive state,” he orders his desk.
Coustakis, blinking rapidly, obviously uneasy, says, “First let me get it clear. This man will see everything that’s in my mind? He’ll get access to my secrets?”
“No. No. I filter the communion with great care. Nothing will pass from your mind to his except the nature of the problem you want him to tackle. Nothing will come back from his mind to yours except the answer.”
“And if he doesn’t have the answer?”
“He will.”
“And if he goes into the transmission business for himself afterward?” Coustakis asks.
“He’s bonded,” Skein says curtly. “No chance of it. Let’s go, now. Up and together.”
The desk reports that Nissenson, half the world away in São Paulo, is ready. Quickly Skein throws Coustakis into the receptive condition, and swings around to face the brilliant lights of his data-access units. Here is the moment when he can halt the transaction. Turn again, Skein. Face Coustakis, smile sadly, inform him that the communion will be impossible. Give him back his money, send him off to break some other Communicator’s mind. And live on, whole and happy, ever after. It was at this point, visiting this scene endlessly in his fugues, that Skein silently and hopelessly cried out to himself to stop. Now it is within his power, for this is no fugue, no illusion of time-shift. He has shifted. He is here, carrying with him the knowledge of all that is to come, and he is the only Skein on the scene, the operative Skein. Get up, now. Refuse the contract.
He does not. Thus he defies entropy. Thus he breaks the chain.
He peers into the sparkling, shifting little blazes until they kindle his gift, jabbing at the electrical rhythms of his brain until he is lifted into the energy level that permits the opening of a communion. He starts to go up. He reaches forth one tendril of his mind and engages Nissenson. With another tendril he snares Coustakis. Steadily, now, he draws the two tendrils together. He is aware of the risks, but believes he can surmount them.
The tendrils meet.
Out of Coustakis’s mind flows a description of the matter transmitter and a clear statement of the beam-spread problem; Skein shoves it along to Nissenson, who begins to work on a solution. The combined strength of the two minds is great, but Skein deftly lets the excess charge bleed away and maintains the communion with no particular effort, holding Coustakis and Nissenson together while they deal with their technical matters. Skein pays little attention as their excited minds rush toward answers. If you. Yes, and then. But if. I see, yes. I could. And. However, maybe I should. I like that. It leads to. Of course. The inevitable result. Is it feasible, though? I think so. You might have to. I could. Yes. I could. I could.
“I thank you a million times,” Coustakis says to Skein. “It was all so simple, once we saw how we ought to look at it. I don’t begrudge your fee at all. Not at all.”
Coustakis leaves, glowing with delight. Skein, relieved, tells his desk, “I’m going to allow myself a three-day holiday. Fix the schedule to move everybody up accordingly.”
He smiles. He strides across his office, turning up the amplifiers, treating himself to the magnificent view. The nightmare undone. The past revised. The burnout avoided. All it took was confidence. Enlightenment. A proper understanding of the processes involved.
He feels the sudden swooping sensations of incipient temporal fugue. Before he can intervene to regain control, he swings off into darkness and arrives instantaneously on a planet of purple sand and blue-leaved trees. Orange waves lap at the shore. He stands a few meters from a deep conical pit. Peering into it, he sees an amoebalike creature lying beside a human figure; strands of the alien’s jellylike substance are wound around the man’s body. He recognizes the man to be John Skein. The communion in the pit ends; the man begins to clamber from the pit. The wind is rising. The sand, blown aloft, stains the sky grey. Patiently he watches his younger self struggling up from the pit. Now he understands. The circuit is closed; the knot is tied; the identity loop is complete. He is destined to spend many years on Abbondanza VI, growing ancient and withered. He is the skull-faced man.
Skein reaches the rim of the pit and lies there, breathing hard. He helps Skein get up.
“How do you feel?” he asks.