"She should do a lot of shopping if her movements are going to appear normal," Pearl said, pitching in. To Myrna: "You're a woman in New York. Even under the circumstances, it would make sense that you'd shop."
If you were a homicidal psychopath with your own sick reality.
Quinn settled back down and gave Myrna the old sweet smile. "Of course you'll be given money to shop. At taxpayer expense. That's only fair, because in the end you're doing this for the taxpayer as well as for Sherman, for other people as well as yourself."
"Something else I want's a gun," Myrna said.
"We'll be protecting you, dear."
"Oh, it isn't for self-protection. It's to protect Sherman."
"But you'd use it if you had to in order to protect yourself," Pearl said.
Myrna gave her a cold glance that made Pearl wish she hadn't spoken. She and Myrna understood each other too well for comfort. Monster slayer and monster-was there that much difference once the battle was joined and blood was spilled?
"I'll see that you have a small handgun to keep beneath your pillow," Quinn said.
"I spent my girlhood and much of my womanhood in or near the swamp, Detective Quinn. I'd be most comfortable with a shotgun, as I owned one as a youngster."
"A shotgun…"
Myrna smiled at him in a way that seemed to hypnotize him. "If you think this whole thing is a bad idea-"
"No, no, dear. You can have a shotgun. I'll bring one next time I see you."
"Thank you so much. I'll feel a lot safer for Sherman and for me."
"I don't think it will come to gunfire," Quinn said. "You have my solemn word I'll do everything possible to see that no harm comes to you or to your boy."
"If I do agree, what's the next step?"
"We'll see that your presence in the city is leaked to the media, to make sure Sherman knows you're here. The danger to you would begin late tonight or tomorrow morning, with broadcast news and the appearance of the newspapers."
"The danger to Sherman, you mean."
"To both of you," Quinn said. "We know we're asking a lot of you."
"However much it is, I do agree. I'll do as you suggest."
Quinn smiled widely and patted her shoulder again, this time slightly harder and more reassuringly. "That's the best thing, honestly."
"We're very good at what we do," Pearl said, "and we'll see that you stay safe."
"My uppermost thought is safety," Myrna said, "but Lord knows, not for myself."
Lauri knew she was going to sleep with Joe Hooker. She wasn't sure exactly when she'd decided, and it hadn't been sudden. And she knew it was the result of his subtle but persistent plan of seduction. In small but intimate ways he was moving their still young relationship in that direction; in the quiet way he regarded her, the amusing double entendres, the casual but suggestive touching of her arm, her shoulder, her neck. In a way, that was what fascinated her, watching an older, experienced seducer work, being the object of his efforts and moved inch by inch by him. She knew it was happening, it was deliberate, yet she let herself be moved, she wanted it, even knowing it was like drifting farther and farther into a strong current that would inevitably claim her completely. This guy wasn't Wormy, who was usually so wrapped up in his music he didn't seem to know she was around unless he wanted sex.
Sex, music, sex, with little time left over for companionship and tenderness.
It didn't have to be that way. That was what all of Joe's actions, all of his thoughtfulness and smiles, and his slight but unrelenting pressure, were telling her. It didn't have to be the way it was with Wormy.
Not that she wasn't still fond of Wormy. But she was an adult and could have a relationship with more than one man. (Was Wormy really a man?) Wormy was takeout food, cheap weed, and wine, and frantic trysts in his dump of an apartment he shared with two other members of the band who weren't away often enough. Joe promised dinner at nice restaurants, leisurely walks in the park, Broadway plays, and…what was inevitable. Joe was a Mercedes. Wormy was…transportation.
Lauri feigned a headache and upset stomach after work and didn't go with Wormy and the others to a club in the Village. Instead she walked around the corner from the Hungry U, where a cab was waiting, and inside the cab was Joe Hooker.
When she climbed in the back of the cab he pecked her on the cheek and briefly touched her arm.
"Hungry?" he asked.
She laughed. "I just got off work at a restaurant."
He grinned in the darkness. "I know; I had to ask. If you're not hungry, you must be thirsty. I know a little piano cabaret where we can have some drinks and talk about my favorite subject."
Lauri didn't have to ask what his favorite subject was. Should she tell him she might be carded?
"They know me there," he said, as if he read her thoughts. Then he added, "So we can get a good table. Besides, I already gave the cabbie the address."
She was wearing jeans and a white blouse with a small floral design. She'd changed from her food-server shoes to heels, though. "Am I dressed okay for it?"
"Beautiful women are always dressed for wherever they are."
She laughed, trying to keep her tone low and sexy. Adult. "You know something, Joe Hooker? You're dangerous."
He glanced over at her as if caught off guard, then smiled. "Spice of life, danger."
"Live fast, die young," she said, not knowing what else to say and finding herself temporarily tongue-tied.
He appeared alarmed. "Good Lord, Lauri, I hope you don't think I'm dangerous that way."
Why did I have to tell him that? Hurt him? Why am I acting like such a fool?
She snuggled closer to him in the rocking, jouncing back of the cab as it took a potholed corner. "There's dangerous, and then there's nice dangerous," she said, looking up at him. "You're nice dangerous."
He kissed her lightly on the lips.
They held hands.
56
"Is a photograph truly necessary?" Myrna asked, not very sincerely.
She actually seemed enthralled by the idea that her photo was going to be in the papers and on TV news; but at the same time, she was afraid. Pearl didn't think Myrna was afraid of what she was about to do, of her son Sherman, or what might happen to him. It was more that she'd spent almost her entire life playing down her beauty and avoiding being noticed, and now here she was in New York, wearing the smart gray linen pants suit she'd bought at Bloomingdale's and posing for a news photographer.
Well, Quinn had dropped mention that the man was a news photographer. He was actually an NYPD employee who photographed mostly crime scenes. Still, these photos would find their way into the news.
"You look wonderful, Mom," Jeb said.
He'd moved from the Waverton into the Meredith, in a room on the second floor, to be nearer to his mother. It was Myrna who'd negotiated the deal. Apparently, to Myrna, an agreement merely meant the commencement of negotiations. While they were at the Meredith, Jeb's expenses were also being picked up by the city.
Myrna continued to warm to the proceedings, seated in the small wooden desk chair, swiveling her body, striking exaggerated poses. The NYPD photographer, an acne-scarred, hard-bitten young man with an emaciated body and shaved head, glanced at Pearl and Quinn, then got into the spirit and shot from a slight crouch, giving Myrna a lot of meaningless patter so he could catch her "off guard." Quinn had seen him at some of the crime scenes, glumly snapping his body shots, and thought his name was Klausman. Today you'd think the guy was shooting supermodels in Paris.
Quinn had seen and heard about enough. "I want one taken downstairs on the sidewalk," he said. "Out in front of the hotel."
"A candid shot," said Klausman. "We can pretend we've caught her by surprise as she's entering the lobby." This sure beat photographing corpses. It was fun working with a live woman who moved around and smiled when he said say cheese.