'You see?' I whispered to myself. 'He's not Baba.' I ran into the house. I was standing in front of their bedroom door. I knocked. 'Who's in there?' I screamed, my voice full of fear. They didn't answer. 'If you don't answer I swear I'll open the door,' I said and pushed the door open.
I ran to the curtains and pulled them open. The naked monster was under the covers again, pretending to be asleep, pretending to be Baba. And Mama was sitting on the bed beside it, looking at me. She seemed almost frightened. I wanted to tell her, 'Don't worry, everything will be all right.' I opened the window instead. Somehow I felt we, Mama and I, would be safer this way. The new air seemed to wash the room.
'Baba doesn't want you to see him like this,' Mama said.
Suddenly the figure under the sheets sat up on the edge of the bed, giving me its back, wrapping its body in the white bed sheet that was stained with thin lines of blood. Slowly I began to recognize him: his wavy black hair, the modest hills of his shoulders, the neck I massaged many times and many more times buried my face in to kiss and make the ticklish sound of a fart that always made him laugh. Tears choked me.
'Baba?' I tried to say.
He twitched. 'Take him away. Please.'
'It's no good now. He saw you.'
'Baba?'
'Yes,' he snapped, as if the effort to speak was punishing him. 'Take him away, he'll get nightmares.'
'I almost never get nightmares.'
After a few seconds, during which I thought I must leave or else the world wouldn't continue, Baba spoke. 'My eyes aren't working properly. I am… ill.' Then he shook his head and waved his hand behind his back. I thought of running to kiss it a thousand and one times. 'Najwa,' he said, the gesture of his hand finally making sense, 'please, take him away.'
20
Later that day Moosa arrived. Where has he been, Mama asked, and why didn't he say something before leaving? He thought she and Baba needed to be alone after such a traumatic experience, he explained.
'You told Suleiman you'd be passing by later, don't say you'll be passing by later when you have no intention of doing so. The last thing I need now is to worry about you.'
'How are you, Champ?' Moosa asked me, his weak smile full of effort.
'There's a monster in our house,' I thought of telling him. But he seemed elsewhere. His eyes darted around the room, and then he walked off towards the bathroom. Mama and I followed him. He bent over the basin and began to wash his hands. 'How's Bu Suleiman?'
'Thankfully all of his wounds are on the surface,' Mama said. 'They broke one rib, but nothing else. He just looks…' She shook her head and sighed deeply. I, for some reason, did the same. I remembered how Siham had copied her old father's gesture. Moosa noticed the bed sheet covering the mirror above the basin. 'He made me cover the mirrors. He doesn't want to see himself. He doesn't want Slooma to see him either,' she said, running her fingers through my hair as if she and I had discussed all of this before, shared all the details and retold them to one another so many times neither of us could truly say who had first told the story to the other.
Moosa was no longer wearing the bloodstained shirt he had on the day before, but he still seemed keen on cleaning himself, as if he had just returned from a long drive through the desert. He turned down his shirt collar, baring his thick long neck. He soaped his face and beard, his ears and neck, then splashed cold water on them. Mama and I took a step back to avoid getting wet. He dried himself vigorously, then pulled out a comb from his back pocket, puffed out his cheeks and combed his beard. When he had finished he looked at us for a moment, then walked out. He knocked twice on Baba's door. 'Bu Suleiman?' he called and opened the door just wide enough to enter then shut it behind him. Mama and I stood outside. We heard everything Moosa said, he was speaking loudly as if Baba was deaf.
'How are you?' he asked. Mama placed her ear against the door. 'Thank God for your safety. You do look much better than yesterday. You'll be back to normal in no time.' Then Baba must have asked him a question. 'Don't worry. They are all well. Everyone understands, no one blames you, you had to do what you had to do.' Then, after a pause, Moosa asked, 'Shall I bring you a glass of water?' and the door opened. Mama was startled. Moosa looked at her for a moment, then squeezed through the door and shut it behind him. We followed him into the kitchen. He filled a glass of water and gulped it down. 'Does he know about Rashid?'
'I don't know,' Mama said. 'I didn't tell him.'
He rinsed the glass again, filled it and walked back to Baba, but just outside the kitchen, as if he had heard a balloon explode in a nearby room, he paused for a second, then continued. I heard him knock twice and say, in the same loud and optimistic tone, 'Bu Suleiman?'
In all of this time Moosa didn't look into my eyes long enough for me to tell him or ask him anything. His movements were mechanical. I yearned to describe to him, second by second, what we had watched together on television. I remembered how there was comfort in the retelling of it when he and Mama and I sat around the breakfast table immediately afterwards. There were many details we had neglected, details I had noticed and was now wondering if he, too, had seen, like that dark patch of urine that Mama had missed. There was the way Ustath Rashid had been nudged tenderly up the ladder, with a mere touch on the elbow, and the sudden frustration at Ustath Rashid's reluctance that had overtaken the man at the bottom of the ladder. I couldn't wait, I couldn't wait for us to tell it back and forth, over and over, the way we described scenes in films we liked. And the man who was walking across the National Basketball Stadium, in the middle of the chaos, walking calmly from one corner of the screen to the other, holding a battered black typewriter under one arm as if it was a puppy; did either of them notice this? I longed to ask Moosa where he thought this man was going, what he was going to do with a broken typewriter, and why then and there? It hadn't occurred to me then that it might be Nasser 's typewriter, evidence rescued from the chase.
Mama filled a teapot with water and placed it on a burner. She was moving with certainty now that Baba was home. When she looked over at me and saw that I was looking at her she smiled, came and kissed me on the cheek. Even though she looked tired, her face was rosy and her eyes sparkled. 'It was a narrow escape; now I must focus on you.' I had no idea what she meant, but found myself smiling back at her.
We heard someone enter the bathroom and lock the door. After a few minutes Moosa appeared, walking towards the kitchen, clutching the white sheet in one hand. He flung it to one side. 'Let him see himself for what he really is,' he said; his lower lip was trembling and tears pooled in his eyes. He turned around himself, then left the room. Mama looked at me as if I would know why Moosa was behaving in this way. She followed him, then I heard their voices in the reception room. I stood outside the entrance.
'I can't bear looking at him,' Moosa said. 'The betrayal in his eyes – I am sorry, I am sorry – his voice scorches me, this is worse than death – forgive me – this is the blackest day of my life.'
After a long silence Mama said, 'Only yesterday you were ready to die for him, now you wish he had died for you.'
'I've been up for two days…'
I felt a presence behind me in the hallway. I turned around but found no one there. The walls long and lined with the same infinite bird plucking at the same infinite twig, the swing-doors silently shut at the end, the clock ticking monotonously like two people arguing.