It chances that this last meeting with Nettie is inseparably associated—I don't know why—with the landlady of the Menton inn.
The Menton inn was one of the rare pleasant corners of the old order; it was an inn of an unusual prosperity, much frequented by visitors from Shaphambury, and given to the serving of lunches and teas. It had a broad mossy bowling-green, and round about it were creeper-covered arbors amidst beds of snap-dragon, and hollyhock, and blue delphinium, and many such tall familiar summer flowers. These stood out against a background of laurels and holly, and above these again rose the gables of the inn and its signpost—a white-horsed George slaying the dragon—against copper beeches under the sky.
While I waited for Nettie and Verrall in this agreeable trysting place, I talked to the landlady—a broad-shouldered, smiling, freckled woman—about the morning of the Change. That motherly, abundant, red-haired figure of health was buoyantly sure that everything in the world was now to be changed for the better. That confidence, and something in her voice, made me love her as I talked to her. "Now we're awake," she said, "all sorts of things will be put right that hadn't any sense in them. Why? Oh! I'm sure of it."
Her kind blue eyes met mine in an infinitude of friendliness. Her lips in her pauses shaped in a pretty faint smile.
Old tradition was strong in us; all English inns in those days charged the unexpected, and I asked what our lunch was to cost.
"Pay or not," she said, "and what you like. It's holiday these days. I suppose we'll still have paying and charging, however we manage it, but it won't be the worry it has been—that I feel sure. It's the part I never had no fancy for. Many a time I peeped through the bushes worrying to think what was just and right to me and mine, and what would send 'em away satisfied. It isn't the money I care for. There'll be mighty changes, be sure of that; but here I'll stay, and make people happy—them that go by on the roads. It's a pleasant place here when people are merry; it's only when they're jealous, or mean, or tired, or eat up beyond any stomach's digesting, or when they got the drink in 'em that Satan comes into this garden. Many's the happy face I've seen here, and many that come again like friends, but nothing to equal what's going to be, now things are being set right."
She smiled, that bounteous woman, with the joy of life and hope. "You shall have an omelet," she said, "you and your friends; such an omelet—like they'll have 'em in heaven! I feel there's cooking in me these days like I've never cooked before. I'm rejoiced to have it to do. . . ."
It was just then that Nettie and Verrall appeared under a rustic archway of crimson roses that led out from the inn. Nettie wore white and a sun-hat, and Verrall was a figure of gray. "Here are my friends," I said; but for all the magic of the Change, something passed athwart the sunlight in my soul like the passing of the shadow of a cloud. "A pretty couple," said the landlady, as they crossed the velvet green toward us. . . .
They were indeed a pretty couple, but that did not greatly gladden me. No—I winced a little at that.
Section 3
This old newspaper, this first reissue of the New Paper, dessicated last relic of a vanished age, is like the little piece of identification the superstitious of the old days—those queer religionists who brought a certain black-clad Mrs. Piper to the help of Christ—used to put into the hand of a clairvoyant. At the crisp touch of it I look across a gulf of fifty years and see again the three of us sitting about that table in the arbor, and I smell again the smell of the sweet-briar that filled the air about us, and hear in our long pauses the abundant murmuring of bees among the heliotrope of the borders.
It is the dawn of the new time, but we bear, all three of us, the marks and liveries of the old.
I see myself, a dark, ill-dressed youth, with the bruise Lord Redcar gave me still blue and yellow beneath my jaw; and young Verrall sits cornerwise to me, better grown, better dressed, fair and quiet, two years my senior indeed, but looking no older than I because of his light complexion; and opposite me is Nettie, with dark eyes upon my face, graver and more beautiful than I had ever seen her in the former time. Her dress is still that white one she had worn when I came upon her in the park, and still about her dainty neck she wears her string of pearls and that little coin of gold. She is so much the same, she is so changed; a girl then and now a woman—and all my agony and all the marvel of the Change between! Over the end of the green table about which we sit, a spotless cloth is spread, it bears a pleasant lunch spread out with a simple equipage. Behind me is the liberal sunshine of the green and various garden. I see it all. Again I sit there, eating awkwardly, this paper lies upon the table and Verrall talks of the Change.
"You can't imagine," he says in his sure, fine accents, "how much the Change has destroyed of me. I still don't feel awake. Men of my sort are so tremendously MADE; I never suspected it before."
He leans over the table toward me with an evident desire to make himself perfectly understood. "I find myself like some creature that is taken out of its shell—soft and new. I was trained to dress in a certain way, to behave in a certain way, to think in a certain way; I see now it's all wrong and narrow—most of it anyhow—a system of class shibboleths. We were decent to each other in order to be a gang to the rest of the world. Gentlemen indeed! But it's perplexing———"
I can hear his voice saying that now, and see the lift of his eyebrows and his pleasant smile.
He paused. He had wanted to say that, but it was not the thing we had to say.
I leant forward a little and took hold of my glass very tightly.
"You two," I said, "will marry?"
They looked at one another.
Nettie spoke very softly. "I did not mean to marry when I came away," she said.
"I know," I answered. I looked up with a sense of effort and met Verrall's eyes.
He answered me. "I think we two have joined our lives. . . . But the thing that took us was a sort of madness."
I nodded. "All passion," I said, "is madness." Then I fell into a doubting of those words.
"Why did we do these things?" he said, turning to her suddenly.
Her hands were clasped under her chin, her eyes downcast.
"We HAD to," she said, with her old trick of inadequate expression.
Then she seemed to open out suddenly.
"Willie," she cried with a sudden directness, with her eyes appealing to me, "I didn't mean to treat you badly—indeed I didn't. I kept thinking of you—and of father and mother, all the time. Only it didn't seem to move me. It didn't move me not one bit from the way I had chosen."
"Chosen!" I said.
"Something seemed to have hold of me," she admitted. "It's all so unaccountable. . . ."
She gave a little gesture of despair.
Verrall's fingers played on the cloth for a space. Then he turned his face to me again.
"Something said 'Take her.' Everything. It was a raging desire—for her. I don't know. Everything contributed to that—or counted for nothing. You———"
"Go on," said I.
"When I knew of you———"
I looked at Nettie. "You never told him about me?" I said, feeling, as it were, a sting out of the old time.
Verrall answered for her. "No. But things dropped; I saw you that night, my instincts were all awake. I knew it was you."
"You triumphed over me? . . . If I could I would have triumphed over you," I said. "But go on!"
"Everything conspired to make it the finest thing in life. It had an air of generous recklessness. It meant mischief, it might mean failure in that life of politics and affairs, for which I was trained, which it was my honor to follow. That made it all the finer. It meant ruin or misery for Nettie. That made it all the finer. No sane or decent man would have approved of what we did. That made it more splendid than ever. I had all the advantages of position and used them basely. That mattered not at all."