When I awoke the room was dim and full of shadow, as though it were being stealthily colonised by the natural forces of neglect. A long slice of light showed around the edge of the kitchen door. Behind it I could hear voices. There was a smell of cooking and the clattering of pots and pans. I heard Adam say:
‘Don’t put the garlic in now. It’ll burn.’
Janie said, ‘I hate garlic. I won’t eat it if it’s got garlic.’
‘Shall I not put it in then?’ said Lisa.
‘Yes, in a minute.’
‘No!’ wailed Janie. ‘Don’t!’
‘Is there any point putting it in if she’s not going to eat it?’
‘She’s not the only pebble on the beach. You’re not the only pebble on the beach, young lady.’
‘But hon,’ said Lisa, ‘think about it, it’s only one tiny thing. You probably won’t even notice the difference.’
‘Neither will she then.’
Hamish stirred on my chest and sat up. There was something seismic in our parting, like the crusty parting of the surface of the earth when the underlying plates force themselves violently upwards.
‘Anyway, didn’t she eat earlier?’
‘No, I thought she could eat with us tonight.’
‘What are those green things? I don’t like those green things.’
‘You see?’
‘Those are peppers. They’re just peppers.’
Hamish looked around the shadowy room silently, as though trying to remember where he was.
‘— the spicy kind. The green kind. They’re there to make it look pretty.’
‘Once you let her get the idea that it’s up to her —’
‘I don’t like them.’
‘You’ve never tried them, Janie. Have you ever tried them?’
‘No, because I don’t like them.’
‘They don’t actually taste of anything,’ said Lisa.
There was a clattering sound.
‘— tell her that. Why are you telling her that?’
‘I’m just saying that they aren’t actually offensive.’
The room was filling with a blue, underwater light. It was like a reflection, a displacement: it seemed to have rolled in off the placid, darkening sea that lay out of sight nearby. Adam told me that the land these houses were built on had once lain under water. Hamish and I were sitting below sea level. The headlights of a passing car fled in a brilliant arc up the walls and across the ceiling, illuminating the empty pieces of furniture.
‘Look,’ said Lisa, ‘I’ll take the peppers out of yours, all right?’
‘That’s completely ridiculous.’
‘All right?’
‘Oh, for heaven’s sake don’t start crying.’
Mewling sounds came from behind the closed door. Hamish turned his head towards it.
‘Oh, honey, what’s the matter?’
‘Nothing’s the matter,’ I heard Adam say.
‘What is it, sweetheart?’
‘I don’t like peppers!’ wailed Janie.
‘Look, she just said she was going to take yours out!’ said Adam. ‘It’s completely ridiculous.’
‘I don’t like them!’
‘Why don’t you just give her something else? What’s the point of wasting good food on her? It’s completely ridiculous.’
‘You’re repeating yourself.’
‘Your mother isn’t a slave, you know! She’s got better things to do than cook three separate meals every evening!’
‘People are allowed not to like things,’ said Lisa.
‘I don’t like peppers!’ wailed Janie.
‘I know you don’t. Mummy’ll take them out.’
‘But I want something else! I don’t want that — I want something else!’
Hamish got off my lap and set off into the gloom. Presently I saw his shape passing in front of the large window.
‘But you said!’ said Janie.
‘Nobody said.’
‘They did!’
‘No they didn’t!’
‘Look, it’s nothing. I’ll just do something else quickly. I’ll do some fish fingers. It won’t take a minute.’
‘You’re giving in to her.’
‘I had fish fingers for lunch.’
‘I’m not giving in! I just happen to think it’s cruel to force children to eat things that disgust them.’
‘We had fish fingers at school for lunch.’
‘Well, in that case she should eat earlier. She should eat with the baby. It isn’t disgusting, you know, just because you don’t like it. Adults don’t eat disgusting things. Why would I eat something if it was disgusting?’
‘You don’t like tomatoes. Nobody forces you to eat tomatoes, do they?’
‘I do like tomatoes.’
‘I hate tomatoes,’ said Janie.
Their voices seemed to agitate the surface of a torpor at whose bottom I lay, untouched, like some sunken object that had slipped out of the bounds of light and fallen far beneath the reach of a commotion now both meaningless and mysterious. I wondered where Rebecca was, and the thought of her paid out above me, winding and waving upwards through the blue light until I could see its end, far short of any grasp. If she came to look for me, I thought, she would never find me.
I heard Lisa say:
‘That’s a lie.’
‘What?’
‘I said that’s a lie. You’re lying. You don’t like tomatoes.’
Adam said: ‘I can’t believe you’d accuse me of lying.’
He appeared to wish to confer on this accusation more seriousness than the dislike of tomatoes alone could sustain.
‘I’m just stating the facts.’
‘There aren’t any facts. I know what I like and what I don’t like.’
‘When I don’t like something,’ said Janie, ‘I put it in my pocket.’
‘What, food? You put food in your pocket?’
‘I take it out later and throw it into the bin.’
‘You put it in your pocket?’
‘When I don’t like something I do. Like stew — it’s got all those bits in it.’
‘You put that in your pocket?’
Hamish bumped into the darkened television set. It rocked on its stand and he cried out in alarm as a cascade of videos fell to the floor. Immediately the kitchen door opened. Hamish stood as though naked in the new path of light, his face petrified.
‘Oops-a-daisy!’ cried Lisa, before I could speak.
She trod swiftly over the carpet and gathered Hamish into her arms, and without a glance in my direction she carried him into the kitchen.
*
At ten o’clock, as I did the night before, I phoned Rebecca before it could be established, definitively, that she was not going to phone me.
‘I just got in,’ she said. ‘I just walked through the door.’
This, at least, was ambiguous: she might have been accusing me of pestering her, or she might equally have been mentioning her absence as the excuse for not having called earlier. There was a third possibility, which was that she meant to convey both things, irritation and guilt, at once. I envisaged these three interpretations as a sort of diagram, like a drawing of the chambers of the heart. In such drawings there were always little arrows to clarify the direction of flow, in through the blue veins and out through the red. Then there was the heart itself, which in spite of its centrality to all those veins, in spite of the appearance it gave of turning bad blood to good, was remarkable only for the intricacy with which it maintained separation between them. In those neat little chambers the blue and the red dwelt side by side, not mingling but merely proximate. It was the closest possible arrangement, like marriage, for contradictory traffic.