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As we fought, the fingerling moved within the corridors of the squid shape, assuming new posts and positions, and as the squid swam around the bear so also the fingerling was set in motion inside that movement, testing every space. The fingerling approached an organ much like the stomach he had claimed, and when he was wormed deep inside that clenched and puckered sac, then at my command the squid charged up through the depths toward the struggling bear, and there I said goodbye, goodbye to son and ghost, goodbye to bear and other-mother, other-wife who was never mine, and if they did not wholly deserve this end they got, at least they were ended, and what mercy I believed that was: To steer the squid to swim before the bear, leading her on, then to turn our body back. To feel the squid release into the water the contents of our ink sac like a fist opening, the unfolding of a hand holding some smoky darkness, holding blackness, my blackness, yes, all that ghost I had named the fingerling when it deserved no other name, and now that son, caught there in that organ, and now that son expelled at last, swimming out into obfuscation, into a cloud of camouflage, into a cloud of grief through which the squid swam, my past floating outside our body, and still I felt nothing, still I saw with the dispassionate yellow gaze of the squid—or else how could I have done what I did—and the voice and the voices of my only son surrounded us, made a cloud that was not just ink, and in it the squid saw everything and the bear saw nothing, and the water churned with the stuff of our ink and the unmakings of the fingerling, torn and threaded by the sharp slimness of that expelling orifice, and as this animated ink he floated in streaks and flumes around the bear, whose mouth filled when she growled to smell him, the clotted stink of something rotten unbirthed, gestated too long.

The squid was a hunter and a trapper too, and I was the squid, and the squid was me, and we shot through the ink toward the bear, searching for that thin breadth of bone-spaced chance, and as we jetted through that horror I heard the fingerling’s voice call out to me, call out in many voices for me to save him, to take him back in, begging as only a child can beg. Despite his treacheries he was sometimes somehow still a baby boy, and had I been a man his drowning might have undone the taut strings with which I had shut my heart.

As a squid?

As a squid I saw only a food we would not eat, flesh of my flesh, poison if I made the same mistake again. His blackness streamed around us, but all the squid cared was how it hid our long shape, masked our sharp scent. We swam the wet length of our clouded boy, and when the squid reached the bear we sought again to strike her where she needed to be struck, and against us and against the fingerling the bear struggled to surface, her mouth and eyes and ears filling with the bodies of my son, with the minnowed shapes of him. And what shapes they were! Not just ink and boy but already hunger and hatred clumping, solidifying, becoming new shapes, new forms of ancient and angry swimmers, each frustrating the bear, then tearing at her eyes, then dismantling the last solid sockets of her jaw, then eating her tongue from out her mouth.

Soon the bear was blind and belligerent, confused so that she did not know up or down, and the squid circled her flailing once, twice, amid the ink. I wanted to speak to her, to reach out and say some parting words—to say sorry, sorry again—but the squid did not have the same brain as a man, nor the same vocal cords, and without the fingerling I could not have translated her replies, and anyway what right words were there to say.

The squid dragged our hooks across the bear’s stomach, this time breaking her weakened bones across new perforations, leaving furrows for the black ghosts of the fingerling to crack wider, and when that succeeded we laid down more cuts, across the hump of the shoulders and both halves of the hips, across the plates of the bear’s back and head. I needed the squid to strike the throat, craved that hit, but could not help my marveling at our thoroughness, the glory of this hunter’s shape, so different from my trapper’s form upon the land, for the squid was an exquisite killing machine and within it I an exquisite killer. The ghosts of the fingerling hungered, desperate outside my strong-shelled body, and with no other source in the empty lake they redoubled their attack on the bear, tore strings of marrow from out her bones, and with them they grew quickly larger, shaped more like fish, then more like eels. Black scaled and dark slimed, they wiggled in and out of the bear’s armor, and when they slipped away it was with gulping throats, bloated stomachs.

All around me was the squid, and all around the squid was the black of our ink, my own personal black, a trap carried for so long so that it might snare the bear, so that within it the squid might drag her down, and I wondered then: Did she remember the first squid, in the lake above, how he too showed her the bottom of his lake? How there he promised her its future?

Did she realize that future had happened, and that here at last it was at its end, the last of the present, the beginning of the forever-past, and the bear was no human woman anymore, no bear-mother either, but some other thing, adversary made killer made legend: And although I might have felt remorse at the killing of a woman, how could I feel the same for a myth, this unlovable story?

We sensed only the slightest resistance as our hooks swung through the slice of space between the bear’s head and neck, just a small snag and then another as those sharp edges dragged through the windpipe and the jugular and the carotid, and then the squid pushed forward, shoved our head into that space as another squid had entered into my chest, and with our beak we tore the bear until a loud rising of air filled the water, then pink foam, then black, and then and then and then, and then to be the squid and to have the squid be me, to together be a hunter who had hunted: to swim unflinched as the bear jerked inside our embrace, then to feel her loosen, limp out. And after we finished tearing loose her throat, then we released her bulk to swim arcing away, so that her unblubbered bones might slowly sink, burdened by the heavy weight of the many fingerlings, their shapes come hungry to feed.

WHAT ACCOMPANIED US THEN BUT a child’s cacophony, the fingerling’s voice not one speech but a thousand, a thousand thousands, all together the sound of a break, and of a fracture. I had given him an innumerable number of pains, and he had returned to me the same, and now all of those hurts would own the depths of this lake, would feed on the bear for as long as it took to take her inside their many mouths, and so at least he would possess the mother he had wished to possess, as much as I had possessed him.