Suzette Haden Elgin, as her Web site biography states, “was born in Missouri in 1936. All sorts of things happened, and in the late 60s she found herself widowed, re-married, mother of five, and a graduate student in the Linguistics Department of the University of California San Diego.” In order to earn some extra money, she started writing science fiction, and in 1970 she published her first novel. A few years after that she finished a dissertation on Navajo syntax and then worked as a linguistics professor until 1980, when she retired and moved back to her native Ozarks.
A year later, she was invited to speak as a guest of honor at a feminist science fiction convention. She planned to address the topic of why the fictional worlds of women writers tended to be based on the idea of matriarchy—where women are superior to men—or androgyny—where women are the same as men—but not a third alternative, where women are entirely different from men. Perhaps, as she explains in the introduction to her grammar of Láadan, the language she eventually created, it was because “the only language available to women excluded the third reality … the lack of lexical resources literally made it impossible to imagine such a reality.”
She had recently become aware, through a book she had been asked to review, of the “feminist hypothesis that existing human languages are inadequate to express the perceptions of women,” and she began thinking about what a language that did adequately express those perceptions might look like. And if there were such a language, how might it change the people who spoke it? How might it change society?
She wanted to explore these questions further, but wasn’t quite sure how to go about it. “A scientific experiment and a scholarly monograph would have been nice,” she wrote, “but I knew what the prospects of funding would be for an investigation of these matters.” So she took her questions to the laboratory of fiction, beginning her work on Native Tongue, a futuristic novel in which a marginalized class of women linguists create a language for themselves.
Elgin wanted to know, as a linguist, exactly how her fictional language worked, so she set about creating it, going far beyond the rough description and smattering of vocabulary of other fictional thought-experiment languages, such as Newspeak. She put her language to the test by translating various texts into it, in the process refining and expanding it, and by the end of 1982 Láadan had a well-defined syntax and a vocabulary of over a thousand words. Elgin began to see the possibility for a real-world experiment as well. If women really did feel that existing languages were inadequate to their perceptions, what would happen when they were offered a woman’s language? Either “they would welcome and nurture it, or it would at minimum motivate them to replace it with a better women’s language of their own construction.” Láadan was released to the world when Native Tongue was published in 1984, and Elgin decided to wait ten years to see how it fared out there. She would declare the experiment a success or a failure by 1994.
Early on, Láadan was embraced by a small group of women science fiction readers who formed the Láadan Network. One of them put together a zine of contributions from the network—letters, comments, Láadan poetry, suggestions for new words. In 1988, the Society for the Furtherance & Study of Fantasy & Science Fiction, the group that organized the WisCon convention, published a grammar and dictionary of the language that included lessons and exercises.
Láadan establishes itself as a “woman’s language” through some rather obvious devices. It has the only language textbook I know of that gives the word for “menstruate” in Lesson 1. But the approach has a level of sophistication that far exceeds non-gendered pronouns or “womyn’s herstory”–type coinages. The language is meant to convey a female perspective in the way it carves up the world of experience into linguistic forms. The experience of menstruation, for example, is carved up the following way:
osháana — to menstruate
ásháana — to menstruate joyfully
elasháana — to menstruate for the first time
husháana — to menstruate painfully
desháana — to menstruate early
wesháana — to menstruate late
Pregnancy is also covered by a range of vocabulary items:
lawida — to be pregnant
lalewida — to be pregnant joyfully
lewidan — to be pregnant for the first time
lóda — to be pregnant wearily
widazhad — to be pregnant late in term and eager for the end
As is menopause:
zháadin — to menopause
azháadin — to menopause uneventfully
elazháadin — to menopause when it’s welcome
The effort to capture the perspective of women in words is not limited to the particularities of the female body. Other words cover a range of situations that could conceivably be experienced by men, but that are nonetheless designed to make you want to nod your head and go, “Uh-huh. Tell it, sister.”
radiidin: non-holiday, a time allegedly a holiday but actually so much a burden because of work and preparations that it is a dreaded occasion; especially when there are too many guests and none of them help
rathom: non-pillow, one who lures another to trust and rely on him or her but has no intention of following through, a “lean on me so I can step aside and let you fall” person
rathóo: nonguest, someone who comes to visit knowing perfectly well that he or she is intruding and causing difficulty
ramimelh: to refrain from asking, with evil intent; especially when it is clear that someone badly wants the other to ask
thehena: joy despite negative circumstances
bala: anger with reason, with someone to blame, which is futile
bina: anger with no reason, with no one to blame, which is not futile
áayáa: mysterious love, not yet known to be welcome or unwelcome
áazh: love for one sexually desired at one time, but not now
ab: love for one liked but not respected
am: love for one related by blood
The lexicon is shot through with fine distinctions in emotion, attitude, reason, and intention, presumably because these are aspects of experience that are important to women. The fact that English vocabulary doesn’t make such distinctions does not mean they are impossible to talk about in English, but, as Elgin stresses, it does mean they are more “cumbersome and inconvenient” to talk about, so that women are often accused of “going on and on” when they try to express their perspective on things.
The idea of female perspective is also carried by aspects of linguistic structure outside the word. Elgin, noting that women are often “vulnerable to hostile language followed by the ancient ‘But all I said was …’ excuse,” built into the syntax a requirement that speakers make clear what they intend when they speak. Every sentence begins with a word indicating the speech act being performed (statement, question, command, request, promise, warning) modified by an ending that marks whether that act is performed neutrally, in anger, in pain, in love, in celebration, in fear, in jest, in narrative, or in teaching. In Láadan the “It wasn’t what you said, it was how you said it” objection can’t be so easily dismissed. If a person uses the marker for a neutral speech act and then tries to claim, “Hey, I was just kidding!” the responsibility is on the speaker for not being clear, and not on the hearer for taking it the wrong way.