Lena said, "Okay."
Molly put her hand on the door handle. "We'll get you back in time for your party."
"Party?" Lena asked, wondering what the hell she meant.
"For your birthday," Molly reminded her. She opened the door a few inches. "Ready?"
Lena nodded, not trusting herself to speak. They both got out of the van and met at the back, where Wagner's men had loaded boxes of cold water and prewrapped sandwiches they had gotten from one of the gas stations on the outskirts of town. As they walked toward the station, Lena concentrated on the sandwiches. She read the labels, wondering who would actually pay money for a ham salad sandwich on white bread. The expiration date on the pack read three months from now. There were probably enough preservatives in one bite to pickle a horse.
"Here we go," Molly said, just as the door was pushed open from the inside.
Lena suppressed a gag as Matt's body flopped back onto the ground. What was left of his head made a splattering sound as it hit the concrete, blood and brain spilling out onto the sidewalk. Most of his face was gone, his left eye dangling from a nerve like a fake Halloween mask. The bottom part of his jaw was exposed, and she could see everything – his teeth, his lolling tongue, the way the tendons and muscles held the whole thing in place.
"Slow," said the man standing just inside the doorway. He was wearing a black knit ski mask that had almond-shaped slits for the eyes and mouth but no nose. He reminded Lena of something out of a horror movie, and she felt a cold shock of fear that nearly paralyzed her. Frank had not mentioned masks. The men had put them on specifically to hide their identity from the paramedics. What that meant for the hostages who had already seen them, Lena did not know.
"Nice and easy," he said, motioning them in. In one hand he held a shotgun – the Wingmaster Frank had seen – and in the other was a Sig Sauer. His Kevlar vest was tight to his chest, and she could see another pistol sticking out of the waistband of his fatigues.
Lena realized she had stopped walking when Molly whispered, "Lena!"
By sheer force of will, Lena managed to get her feet moving. She tried to step over Matt without actually looking at him, her stomach in such a knot the whole time that she felt the urge to double over. Her sneakers left tracks in his blood.
Inside, the temperature of the station was at least twenty degrees hotter than on the street. There was a second shooter standing behind the counter, an AK-47 resting on the surface in front of him. He wore a ski mask, too, but his had more of an hourglass shape to it, leaving ample room to breathe. His eyes were flat, almost lifeless, and he barely glanced at Lena and Molly as they entered the lobby.
The first one, probably Smith, tried to shut the door but Matt was in the way. He slammed the door into the body, but it would not move. "Fuck," he mumbled, viciously kicking Matt in the side. His boots were steel-toe military issue, and Lena heard something break, probably Matt's ribs. They snapped like twigs.
Smith said, "Come move this fucker."
Lena stood there, the box of sandwiches in her hands, frozen to the floor. Molly gave her a panicked look before setting down the box of bottled water. She walked over to Matt and grabbed his ankles to pull him back into the station.
"No," Smith said. "Outside. Get this fucker outside." He wiped at his mouth with the back of his arm. "Fucker stinks." As Molly walked toward the head, Smith gave Matt another solid kick to the chest. "Fucking prick," he said, an edge to his voice that stopped Molly in her tracks. He raised his foot again, kicking Matt in the groin. The dead weight did not resist, and the sound of boot hitting flesh reminded Lena of the noise Nan made when she would hang the rugs from the house on the laundry line and beat them with the broom.
Smith's anger was spent fairly quickly, and with one final kick, he told Molly, "What the fuck are you waiting for? Move the fucker."
Molly looked like she did not know where to touch him. Matt was wearing his usual short-sleeved white shirt with a tie that had gone out of style when Jimmy Carter left the White House. Blood from his head wound saturated his shirt, and there were fresh rents along his arms where Smith had kicked him. These newer wounds were a strange purple color, and they did not bleed.
Smith pushed Molly with his boot. It was not a threatening gesture in and of itself, but considering his earlier display, Molly seemed to take it for the threat it was. She tried to pull Matt by his shirt, but it just came untucked, the buttons popping off and tapping against the floor like hail, his white fish-belly rounding over his pants. Finally, she grabbed him under his arms and pulled.
The body would not move, and Smith was about to give it another kick when Molly said, "No."
Smith was incredulous. "What did you say?"
"I'm sorry," Molly said, looking down. The front of her uniform was covered in black blood. She looked at Lena. "For God's sake, give me a hand."
Lena looked around, like she did not know where to put the box she was holding. She did not want to touch him. She could not touch his dead body.
Smith leveled the Wingmaster on her. "Do it."
Lena put down the box, feeling her lungs shake in her chest as she tried to breathe. She clamped her jaw shut, trying to keep her teeth from chattering. She had never been so scared in her life. Why was she afraid? There had been times in the past when she had welcomed death, even begged it to come to her door, but now she was terrified by the thought of being killed.
Somehow, she managed to kneel at Matt's feet. She stared at his cheap black loafers, the frayed cuffs of his worn pants, the white athletic socks that had a dirty brown cast to them. Molly counted to three, and they lifted him. The pant cuff slid up on his left leg, and Lena saw his ankle jutting out, the pasty white, hairless skin around the bone wrinkling as the foot flexed flat against Lena's abdomen. She thought of the baby inside her, wondered if he knew how close he was to a dead man. Wondered, too, if it was catching.
They set him out on the sidewalk away from the front door, Smith watching their every move. His mouth was twisted into an expression of deep satisfaction as he watched them, and Lena fought the urge to run as she followed Molly back into the station. She did not realize what had happened until they were back inside. Smith had the food and water. He could have shut them out right then and there. He could have shot them in the face or told them to fuck off, but he hadn't.
"That's better," Smith said. "Tolliver was stinking up the room."
Molly's head jerked around, her mouth open.
"What?" Smith asked, pointing the Sig at Molly's forehead. "You want to say something else, bitch? You want to mouth off?"
"No," Lena answered for her, surprised she was capable of saying the word.
Smith's smile behind the mask was horrifying. She saw his eyes crawl up and down her body, paying specific attention to her breasts; the glint told her he liked what he was seeing. He pushed the muzzle of his gun into Molly's head one last time before turning his attention to Lena. "That's what I thought." He motioned for her to turn around. "Hands against the wall."
The phone started ringing, a shrill bell that cut through the air like a knife.
Smith repeated, "Turn around."
Lena pressed her palms between two framed photographs from the 1970s Grant County police force. They were all men, all in blues, all with shaggy mustaches. Ben Walker, then the Chief of Police, was the only one who looked out of place with his military crew cut and clean-shaven face. Farther down was a photograph with Lena in it. She held her breath, hoping to God Smith did not notice.
"You hiding anything?" Smith's hands were like a sledgehammer as he patted her down. He pushed her flat to the wall, pressing himself against her. "You hiding anything?" he repeated, deftly unbuttoning her blouse with one hand.
She was silent, her heart pounding in her chest. She tried not to look at the photograph less than two feet from her nose. She had been so young then, so open to her future and what it held. Being a cop like her old man had been Lena's life plan for as long as she could remember. The day that photograph had been taken was one of the best days of her life, and now it might end up killing her.