Room 1712-B doesn’t exist, because it’s a “Black Room.” And “Black Rooms” don’t exist-the government tells us so.
To get inside this Black Room, you have to run a gamut of security screens. First, talk to the seventeenth-floor guard. His desk happens to be just fifteen feet from 1712-B. He’s got security clearance from the NSA, by the way, and is perfectly willing to cap your ass. Second, slide your key card through the slot next to the door. The card has a built-in code that changes every ten seconds, matching an algorithm based on the time of day-this one makes sure only the right people can enter at the right times. Third, type your personal code into the keypad. Fourth, press your thumbprint onto a small gray plate just above the door handle so a fancy little device can check your thumbprint and your pulse. Truth be told, the fingerprint scanner isn’t worth a crap and it can be easily fooled, but the pulse check is handy-just in case you’re just a tad overly excited because someone has a gun to your head, a gun that was probably used to kill the aforementioned security guard.
If you successfully navigate these challenges, 1712-B opens to reveal the Black Room-and the things inside that also do not exist.
Among those goodies is a NarusInsight STA 7800, a supercomputer designed to perform mass surveillance on a mind-boggling scale. The NarusInsight is fed by fiber-optic lines from beam splitters, which are installed in fiber-optic trunks carrying telephone calls and Internet data into and out of Ohio. This technojargon means that those lines carry all digital communication in Ohio, including just about every phone call made in and out of the Midwest. Oh, you’re not from the Midwest? Don’t worry, there are fifteen Black Rooms spread around America. Plenty for everyone.
This machine monitors key phrases, like nuclear bomb, cocaine shipment, or the ever-popular kill the president. The system automatically records every call, tens of thousands at a time, using voice-recognition software to turn each conversation into a text file. The system then scans the text file for those potentially naughty terms. If none are found, the system dumps the audio. If they are found, however, the audio file (and the voice-to-text transcript) is instantly sent to the person tasked with monitoring communication containing those terms.
So yeah, every call is monitored. Every. Single. Call. For terrorism words, drug words, corruption words, all the stuff you’d expect. But due to some rather violent cases that had popped up in recent weeks, a secret presidential order added a new word to the national-security watch list.
And in this case “secret” wasn’t some document that people discussed in hushed tones with Beltway reporters. This time, “secret” meant that nothing was written down, no record of any kind, anywhere.
What was that new word?
Triangles.
The system listened for the word triangles in association with words like murder, killing, and burn. Two of those words happened to be used in a certain call to a certain guest line for Captain Jinky amp; the Morning Zoolander’s radio show.
The system translated that call to text, and in analyzing that text found the words triangles and killed in close proximity. “Stick a fucking knife in your eye” didn’t hurt, either. The system marked the call, encrypted it, and shipped it off to its preassigned analyst location.
That location happened to be yet another secret room, this one located at the CIA headquarters in Langley, Virginia. When a room at the CIA headquarters is secret, a secret from people who spend their lives creating and breaking secrets, that’s some pretty serious black-ops shit.
The preassigned analyst listened to the call three times. She knew after the first listening this was the real deal, but she listened twice more anyway, just to be sure. Then she placed a call of her own, to Murray Longworth, deputy director of the CIA.
She didn’t know, exactly, what it meant to have murder and triangles in close proximity, but she knew how to spot a bogus call, and this one seemed authentic.
The call’s origin? The home of one Martin Brewbaker, of Toledo, Ohio.
It wasn’t the kind of music you’d expect to hear at that volume.
Heavy metal, sure, or some angry kid pissing off the neighborhood with raw punk rock. Or that rap stuff, which Dew Phillips just didn’t get.
But not Sinatra.
You didn’t crank Sinatra so loud it rattled the windows.
I’ve got you…under my skin.
Dew Phillips and Malcolm Johnson sat in an unmarked black Buick, watching the house that produced the obscenely loud music. The house’s windows literally shook, the glass vibrating in time with the slow bass beat and shuddering each time Sinatra’s resonant voice hit a long, clean note.
“I’m not a psychologist,” Malcolm said, “but I’m going to throw out an educated guess that there’s one crazy Caucasian in that house.”
Dew nodded, then pulled out his Colt. 45 and checked the magazine. It was full, of course, it was always full, but he checked it anyway-forty years of habit died hard. Malcolm did the same with his Beretta. Even though Malcolm was just under half Dew’s age, that habit had been instilled in both men courtesy of same behavioral factory: service in the U.S. Army, reinforced by CIA training. Malcolm was a good kid, a sharp kid, and he knew how to listen, unlike most of the brat agents these days.
“Crazy, sure, but at least he’s alive.” Dew slid the. 45 into his shoulder holster.
“ Hopefully he’s alive, you mean,” Malcolm said. “He made that call about four hours ago. He could be gone already.”
“I’m crossing my fingers,” Dew said. “If I have to look at one more moldy corpse, I’m going to puke.”
Malcolm laughed. “You, puke? That’ll be the day. Say, you going to bang that CDC chick? Montana?”
“Montoya.”
“Right, Montoya,” Mal said. “The way this case is going, we’re going to see a lot of her. She’s pretty hot for an older chick.”
“I’m fifteen years older than her, at least, so if she’s ‘old,’ that means I’m ancient.”
“You are ancient.”
“Thanks for pointing that out,” Dew said. “Besides, Montoya is one of those educated women-far too smart for a grunt like me. Afraid she’s not my type.”
“I don’t know who is your type. You don’t get out that much, man. I hope I’m not your type.”
“You’re not.”
“Because if I am, you know, that’s going to make my wife nervous. Not that there’s anything wrong with that, of course.”
“Knock it off, Mal,” Dew said. “We can wallow in your rapier wit later. Let’s get on point. It’s party time.”
Dew’s earpiece hung around his neck. He fitted it into his ear and tested the signal.
“Control, this is Phillips, do you copy?”
“Copy, Phillips,” came the tinny voice through the earpiece. “All teams in position.”
“Control, this is Johnson, do you copy?” Malcolm said.
Dew heard the same tinny voice acknowledge Malcolm’s call.
Malcolm reached into his jacket pocket and pulled out a small leather business-card holder. Inside were two pictures, one of his wife, Shamika, and one of his six-year-old son, Jerome.
Dew waited. Malcolm usually did that before they talked to any suspect. Malcolm liked to remember why he did this job, and why he had to always stay sharp and cautious. Dew had a picture of his daughter, Sharon, in his wallet, but he wasn’t about to pull it out and look at it. He knew what she looked like. Besides, he didn’t want to think about her before he went on a mission. He wanted to insulate her against the kinds of things he had to do, the kinds of things his country needed him to do.
Malcolm snapped the card holder shut and tucked it away. “How’d we get this choice gig again, Dew?”
“Because good ol’ Murray loves me. You’re just along for the ride.”
Both men stepped out of the Buick and walked toward Martin Brewbaker’s small, one-story ranch house. An even two inches of snow covered the lawn and the sidewalk. Brewbaker’s place was near the corner of Curtis and Miller, just off the tracks in Toledo, Ohio. It wasn’t rural by any stretch, but it wasn’t packed in, either. The four lanes of busy Western Avenue kicked up plenty of noise-not enough to drown out Screamin’ Frank Sinatra, but close.