Gately, for several months before he did his State assault-bit, was disastrously involved with one Pamela Hoffman-Jeep, his first girl ever with a hyphen, a sort of upscale but directionless and not very healthy and pale and incredibly passive Danvers girl that worked in Purchasing for a hospital-supply co. in Swampscott and was pretty definitely an alcoholic and drank bright drinks with umbrellas in Rte. 1 clubs in the late P.M. until she swooned and passed out with a loud clunk. That’s what she called it — ‘swooned.’ The swooning and passing out with a loud clunk as her head hit the table was more or less a nightly thing, and Pamela Hoffman-Jeep fell automatically in love with any man she termed ‘chivalrous’[374] enough to carry her out to the parking lot and drive her home without raping her, which rape of an unconscious head-lolling girl she termed ‘Taking Advantage. ‘ Gately got introduced to her by Fackelmann, who one time as he came up through a sports bar called the Pourhouse’s parking lot to dialogue with a Sorkin-debtor Gately saw Fackelmann staggering along carrying this unconscious girl to his ride, one big hand quite a bit farther up her prom-looking taffeta gown than it really needed to be to carry her, and Fackelmann told Gately if Don’d give this gash a ride home he’d stay and do the collection, which Gately’s heart wasn’t in collections anymore and he jumped at the trade, as long as Fackelmann could promise him she could hold her various fluids in the 4x4 he was driving. So it was Fackelmann who told him, as he put the tiny and limp but still continent body in his arms in the parking lot of the Pourhouse, to watch his personal six, Gately, and be sure and violate her a little, because this gash here was like one of those South Sea-culture gashes in that if Gately took her home and she woke up nonviolated she’d be Gately’s for life. But Gately obviously had no intention of raping an unconscious person, much less even putting his hand up the gown of a girl that might lose her fluids any second, and this locked him into the involvement. Pamela Hoffman-Jeep called Gately her ‘Night-Errand’ and fell passively in love with his refusal to Take Advantage. Gene Fackelmann, she confided, was not the gentleman Gately was.
What helped make the involvement disastrous was that Pamela Hoffman-Jeep was always either so leglessly drunk or so passively hungover all the time that any sort of sex any time at all with her would have classified as Taking Advantage.
This girl was the single passivest person Gately ever met. He never once saw P.H.-J. actually get from one spot to another under her own power. She needed somebody chivalrous to pick her up and carry her and lay her back down 24/7/365, it seemed like. She was a sort of sexual papoose. She spent most of her life passed out and sleeping. She was a beautiful sleeper, kittenish and serene, never drooling. She made passivity and unconsciousness look kind of beautiful. Fackelmann called her Death’s Poster-Child. Even at work, at the hospital supply co., Gately imagined her horizontal, curled fetal on something soft, with all the hot slack facial intensity of a sleeping baby. He imagined her bosses and coworkers all tiptoeing around Purchasing whispering to each other to not wake her up. She never once rode in the actual front seat of any vehicle he drove her home in. But she also never threw up or pissed herself or even complained, just smiled and yawned an infant’s little milky yawn and snuggled deeper into whatever Gately had swaddled her in. Gately started doing that thing about yelling they’d been robbed when he carried her into whatever stripped luxury apt. they were crewing in. P.H.-J. wasn’t what you’d call great-looking, but she was incredibly sexy, Gately felt, because she always managed to look like you’d just X’d her into a state of total unmuscled swoon, lying there unconscious. Trent Kite told Fackelmann he thought Gately was out of his fucking mind. Fax observed that Kite himself was not exactly a W. T. Sherman with the ladies, even with coke-whores and strung-out nursing students and dipsoid lounge-hags whose painted faces swung loose from their heads. Fackelmann claimed to have started a Log just to keep track of Kite’s attempted pickup lines — surefire lines like e.g. ‘You’re the second most beautiful woman I’ve ever seen, the first most beautiful woman I’ve ever seen being former British Prime Minister Margaret Thatcher,’ and ‘If you came home with me I’m unusually confident that I could achieve an erection,’ and said that if Kite wasn’t still cherry at twenty-three and a half it was proof of some kind of divine-type grace.
Sometimes Gately would come out of a Demerol-nod and look at pale passive Pamela lying there sleeping beautifully and undergo a time-lapse clairvoyant thing where he could almost visibly watch her losing her looks through her twenties and her face starting to slide over off her skull onto the pillow she held like a stuffed toy, becoming a lounge-hag right before his eyes. The vision aroused more compassion than horror, which Gately never even considered might qualify him as a decent person.
Gately’s two favorite things about Pamela Hoffman-Jeep were: the way she would come out of her stupor and hold her cheek and laugh hysterically each time Gately carried her across the threshold of some stripped apartment and bellow that they’d been ripped off; and the way she always wore the long white linen gloves and bare-shoulder taffeta that made her seem like some upscale North Shore debutante who’s had like one too many dippers of country-club punch and is just begging to be Taken Advantage of by some low-rent guy with a tattoo — she’d make a sort of languid very-slow-motion bullwhip-gesture with her hand in the long white glove as she lay wherever Gately had deposited her and simper out with an upscale inflection ‘Don Honey, bring Mommy a highball’ (she called a drink a highball), which it turned out was a deadly impression of her own Mom, who it turned out this lady made Gately’s own Mom look like Carry Nation by comparison, lush-wise: the only four times Gately ever met Mrs. H.-J. were all at E.R.s and sanitaria.
Gately lies there pop-eyed with guilt and anxiety in the hiss and click of resumed sleet, in the twilit St. E.’s room, next to the glittering back-brace-and-skull-halo thing clamped exoskeletally to the empty next bed and gleaming dully at selected welds, Gately trying to Abide, remembering. It had been Pamela Hoffman-Jeep that finally clued Gately in on the little ways Gene Fackelmann had been historically getting over on Whitey Sorkin, and alerted him to the suicidal creek Fackelmann had got himself into with a certain mistaken-bet scam that had blown up right in his map. Even Gately had been able to tell something was the matter: for the last two weeks Fackelmann had been squatting sweatily in a corner of the stripped living room, right outside the little luxury bedroom Gately and Pamela were lying in, out there squatting over his Sterno cooker and incredible twin hills of sky-blue Dilaudid and many-hued M&M’s, not much speaking or responding or moving or even seeming to cop a nod, just sitting there hunched and plump and glistening like some sort of cornered toad, his mustache flailing around on his lip. Things would have had to be bad indeed for Gately ever to try to get coherent data out of P.H.-J. Apparently the deal was that one of the bettors that bet with Sorkin through Fackelmann was a guy Gately and Fackelmann know only as Eighties Bill, an impeccably groomed guy that wore red suspenders under snazzy Zegna-brand menswear and tortoiseshell specs and Docksiders, an old-fashioned corporate take-overer and asset-plunderer, maybe fifty, with an Exchange Place office and a souvenir FREE MILKEN bumper sticker on his Beamer — it was a night of many highballs and much papoosing, and Gately had to keep flicking the top of P.H.-J.’s skull to keep her conscious long enough to free-associate her way through the details — who was on his fourth marriage to his third aerobics instructor, and who liked to bet only on Ivy League college hoops, but who when he did so — bet — bet amounts so huge that Fackelmann always had to get Sorkin’s pre-approval on the bet and then call Eighties Bill back, and so on.