The guards would go with Cosimo, too, and the soldiers up in the castle, and the grooms who were hardly as old as the boy who went around with Dustfinger. Even Minerva's son Ivo would have gone if she had let him. They'll all come back, thought Fenoglio, as he rode toward the stables. Or most of them, at least. It will end well, I know it will. Not just well, but very well indeed!
52. ANGRY ORPHEUS
All words are written in the same ink, "flower" and "power," say, are much the same, and though I might write "blood, blood, blood" all over the page, the paper would not be stained nor would I bleed.
Philippe Jaccottet, "Chant d'en Bas"
Elinor lay on her air mattress staring at the ceiling. She had quarreled with Orpheus again, even though she knew she'd be punished with the cellar. Sent to bed early, Elinor! she thought bitterly. That was how her father used to punish her as a child when he caught her yet again with a book that he didn't think she should be reading at her age. Sent to bed early, sometimes at five in the afternoon. It had been particularly bad in summer, when the birds were singing and her sister was playing outside under the window – her sister who didn't care for books at all, but liked nothing so much as telling tales on Elinor when, instead of playing with her, she buried her head in a book that her father had said she mustn't read.
"Elinor, please don't quarrel with Orpheus!" Darius had
tried drumming that into her so often, but no, she just couldn't control her temper! How could she be expected to, when his wretched dog slobbered all over some of her most valuable books because his master never thought of putting them back on their shelves when he'd had his fun with them?
Recently, however, he hadn't been taking any more books off the shelves, not one. That at least was a small comfort. "He just reads Inkheart," Darius had whispered to her as they were washing the dishes together in the kitchen. Her dishwasher had broken down. As if it wasn't bad enough to be working as a kitchen maid in her own house, now her hands were all swollen with washing-up water! "He seems to be looking for words," Darius whispered. "Then he puts them together differently, writes them down, writes and writes; the wastepaper basket is brimming over. He keeps on trying, and then he reads what he's written out loud, and when nothing happens…"
"Yes? Then what?"
"Oh, nothing," Darius had said evasively, scrubbing away industriously at a pan encrusted with fat, but Elinor knew that if it was "nothing" he wouldn't have turned so embarrassed and silent.
"Then what?" she repeated – and Darius, blushing to his ears, had finally told her. Then Orpheus threw her books, her wonderful books, at the walls. He flung them on the floor in his rage – now and then one even sailed out of the window – and all because he couldn't do what Meggie had done. Inkheart was closed to him, however lovingly he cooed and implored in his velvety voice, reading and rereading the sentences he so longed to slip between.
Of course, she had run straight off when she next heard him shouting. She'd gone to save her printed children. "No!" Orpheus had yelled, so loudly that you could hear him in the kitchen. "No, no, no! Let me in, you thrice-accursed thing! I sent Dustfinger back into you! Can't you understand that? What would you be without him? I gave you back Mortola and Basta! I've earned my reward, haven't I?"
The man built like a wardrobe wasn't standing outside the library door to stop Elinor. He was probably roaming the house yet again, to see if he could find something worth stealing after all. Not in a hundred years would it have occurred to him that the books were by far the most valuable things in the place. Later, Elinor couldn't remember the names she had called Orpheus. She remembered only the book he was holding in his raised hand, a beautiful edition of the poems of William Blake. And for all her furious insults, he threw it out of the window, while the wardrobe-man grabbed her from behind and dragged her to the cellar stairs.
Oh, Meggie! thought Elinor as she lay on the air mattress, staring up at the crumbling plaster on her cellar ceiling. Why didn't you take me with you? Why didn't you at least ask if I'd like to come, too?
53. THE BARN OWL
And every doctor must know that God has set a great mystery in the plants, if only because of the spirits and wild fancies that cast men into despair, and this aid comes not from the Devil but from Nature.
Paracelsus, Works
The sea. Meggie hadn't seen it since the day they drove back from Capricorn's village to Elinor's house with the fairies and brownies who were nothing but ashes now. "This is where the physician whom I told you about lives," said Dustfinger, when the bay appeared beyond the trees. It was beautiful. The sun made the water shimmer like green glass, foaming glass constantly shaped by the wind into new folds. It was a strong wind, driving veils of cloud over the blue sky, and it carried a scent of salt and distant islands. It would have gladdened the heart but for the bare hill in the distance rising above the wooded slopes, and the castle on the top of the hill, broad and heavy as its master's face, in spite of its silvered rooftops and battlements. "Yes, there it is," said Dustfinger when he saw Meggie's look of alarm. "The Castle of Night. And the hill where it stands is called Mount Adder, what else? Bare as an old man's bald head, so no one can come close under the cover of trees. But don't worry, it's not quite as close as it looks."
"The towers," said Farid. "Are they really all pure silver?"
"Oh yes," said Dustfinger. "Dug from the mountains, this one and others. Roast fowls, young women, fertile land… and silver… the Adderhead has a hearty appetite for many things."
A broad, sandy beach edged the bay. Where it joined the trees a long wall and a tower rose, sand-colored and inconspicuous. There was not a soul to be seen on the beach, no boat was drawn up on the pale sand, only that building – the low tower and the long, tiled rooftops hardly visible behind the wall. A path wound toward it like a viper's trail, but Dustfinger led them around to the back of the building under cover of the trees. He beckoned impatiently to them before disappearing into the shadow of the wall. The wood of the door outside which he was waiting for them was weathered, and the bell hanging above it was rusty with the salty wind. Wildflowers grew near the door, faded blossoms and brown seed heads with a fairy nibbling at them. She had paler skin than her woodland sisters.
It all seemed so peaceful. The buzz of a wasp reached Meggie's ear, mingling with the roaring of the sea, but she remembered only too well how peaceful the mill had looked. Dustfinger had not forgotten it, either. He stood there listening intently before he finally put out his hand and pulled the chain of the rusty bell. His leg was bleeding again – Meggie saw him press his hand to it – but nonetheless he had kept urging them to make haste on the way to this place. "There's no better physician," was all he would say when Farid asked where he was taking them, "and none we can trust more. In addition, it's not far from there to the Castle of Night, and that's where Meggiestill wants to go, doesn't she?" He had given them some leaves to eat, downy and bitter. "Get them down inside you," he said when they made faces of disgust. "You can stay where we're going only if you have at least five of them in your belly."
The wooden door opened just a crack, and a woman peered through. "By all good spirits!" Meggie heard her whisper, and then the door opened and a thin, wrinkled hand beckoned them in. The woman who quickly closed it behind them again was just as wrinkled and thin as her hand, and she stared at Dustfinger as if he had fallen straight from heaven.