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Father and I didn’t know what to make of that.

We were certain that, if Mr. Pattica had seen my face, he would have either fled in terror or, in spite of his injuries, attacked me. We endured too much over the years to believe that, upon revealing ourselves, we would be embraced. The only abovegrounder who had been kind to Father was the friend who’d given him a key to the food bank, and even that individual found it difficult to meet with him more than once every year — and briefly — to confirm that he remained well.

But what about the fireflies? How could Mr. Pattica have seen the fireflies to which I had stood witness earlier that night, and how could he have arrived at the same simile that had occurred to me — tiny airships in the dark? We could conclude only that the blows he had taken to the head had not only temporarily blinded him but had also conferred upon him an equally temporary clairvoyance.

We were fortunate because his brief psychic vision distracted him from what his fingertips could have told him about my face.

Of course we were aware that temporary clairvoyance was a lame and unlikely explanation. The ordering of this world, however, is so abstruse, so deep and complex, most explanations that people embrace to make sense of moments of strange experience are inadequate. Our very existence as thinking creatures is an astonishment that can’t be solved. Every human cell, with its thousands of protein chains, is more complex than a 747 or the largest cruise ship, in fact more complex than the two combined. All life on Earth, in its extravagant variety, offers itself for study, but though we probe to ever deeper layers of its structure, the meaning eludes us.

There is no end of wonders and mysteries: fireflies and music boxes, the stars that outnumber all the grains of sand on all the beaches of the world, pinhead eggs that become caterpillars that dissolve into genetic soup from which arise butterflies, that some hearts are dark and others full of light.

58

At 1:40 in the morning, Gwyneth parked at the curb on the south side of the cathedral complex, steps from the break in the compound wall that served the residence of the archbishop.

“Here?”

“Yes.”

“What are we doing here?” I asked.

“Visiting.”

She turned, reached over the console, groped for something on the floor behind her seat, and snared a laundry bag with a drawstring closure.

“What’s that for?” I asked.

“Convenience.”

The frozen and crumbling sky, the countless shoals of crystals swimming down the night, the street a quiet sea of white …

We climbed a snowbank compacted by a city plow, forged across a buried sidewalk, and disturbed the pristine white coverlets on the steps leading up to a much broader doorstep under a columned portico.

When she took from a pocket the key on the stretchy coil of green plastic, I said, “Not really?”

“What?”

“This isn’t the place I was expecting.”

“What place were you expecting?”

“I don’t know. Just not this.”

“Well, this is the place,” she said.

“Wow. We should take off our boots.”

“We didn’t take them off when we went into Simon’s place.”

“It was just a bungalow, there was an urgency to the moment.”

“There’s an urgency to this moment,” she said, “and who’s to say this place is more sacred than poor Simon’s bungalow?”

Nevertheless, I unzipped my snow-caked boots and shucked them off, and so did she. We were both still wearing athletic shoes, and hers were the silver ones on which she had flown like Mercury through the library stacks.

The key worked, the deadbolt retracted, and we went into the spacious foyer, which was round and paved with marble. Next to the door, the numbers on the keypad of the security panel glowed a soft green. The audio function had been disabled, as promised, and the indicator light above the words PERIMETER ARMED blinked silently to announce a violation of the premises. Having stripped off her gloves and shoved them in a jacket pocket, Gwyneth held in her left hand the paper that her guardian had given her. I shone my flashlight on the code, and with her right hand she entered the four numbers and the star symbol. The indicator light stopped blinking and went dark.

Trust. Our relationship hinged on trust. And I did trust her. But I was nevertheless nervous. My mouth went dry with apprehension.

The stairs were not an architectural feature and did not open into the foyer. We ventured into the large drawing room, probing left and right with our flashlights. This was one of the chambers in which the archbishop entertained, for among his responsibilities was the work of establishing bonds with the leaders of the city’s political, business, arts, and faith communities. Several elegantly furnished seating areas, Persian carpets, and exquisite antiques were balanced by marvelous paintings of scenes from Scripture, marble statuary of Biblical figures, including one of the Holy Mother, and small icons on various tables and consoles. There was also a large portrait of Christ by an artist unusually observant of detail and superbly skilled at creating an illusion of depth, so that the image appeared three-dimensional, and for a moment I could not breathe.

The stairs were behind a corner door in the drawing room, and we climbed to the third floor. At the head of the stairs, another door opened onto an antechamber that offered two chairs. It was lighted only by a flickering electric candle in a glass chimney that stood before a shrine to Mary.

I whispered, “We shouldn’t be here.”

“But we are.”

“Why?”

“We have two things to do before we can go back to my guardian.”

I remembered then that he had asked her if he would see her in a little while, and she said that was the plan.

“What two things?” I asked.

“Trust me,” she said, and turned to the apartment door.

I thought the door would be locked, that we would be foiled by the lack of a second key. But it was not locked.

When we crossed the threshold, I expected darkness, but a couple of lamps glowed. The light made Gwyneth hesitate, but then we stepped into a different world from the ground-floor rooms, which had clearly been part of the residence of a prince of the church.

Here, the living room reminded me of pictures of homes furnished by interior designers who specialized in soft contemporary style. The upholstered furniture, covered in rich golden silk except for two red chairs, featured waterfall edges and round plump arms, and the legs were tucked back out of sight, so that each piece seemed to float an inch off the floor. Tables laminated in exotic lacquered woods in shades varying from silver to gold, scarlet accent pillows, and large canvases of bold abstract art finished a space very like those that, in magazines, belonged to au courant novelists, avant-garde artists, and movie stars who described their taste as “simple glamour.”

I was surprised that the living room contained no smallest representation of things sacred. But the most striking thing about it was the pair of marionettes on the fireplace mantel. They sat with the support of decorative metal stands, facing each other from opposite ends of a painting in which several black arcs made with a wide brush were stark against a white backdrop, spattered across with blue like the blood of some extraterrestrial species.

59

At the end of the living room, on the right, a hallway led to the rest of the apartment. Although the hall was mostly dark, a rectangle of light issued from an open door, catching the tight nap of the pale-gray wool carpet at such an angle as to make it appear pebbled. From that room came two solemn male voices.