The timpanists across the lake picked up their felt sticks and rolled for a few bars, while the coaches, as though they could thus escape from bad weather, sang off to the city. The lake underwent complex metallurgical changes and the sky, cloaking hot and fearsome lights, began to sweat, then cry. "Oh Jesus," called Vesta, "here it comes." And indeed there it came while they were still half a mile from shelter other than that of trees: the sky cracked open like a waterbutt, and the air became vertical glass down which pail after pail was poured. They dashed blindly towards the lakeside inn, Vesta tottering on her smart spikes, Enderby gripping her elbow as though her arm were a pair of blackboard dividers, already too wet really to be all that urgent about seeking shelter. The deluge made Enderby's scalp prickle with dandruff, and his fawn summer suit was soaked. But she, poor girl, was already a wreck: hat comically flopping, hair in rat-tails, mascara running, her face that of a crying old crone as though she wept over the disintegration of her chic. "In here," gasped Enderby, steering her straight into a room smelling of size and new paint, empty chairs and tables in it, a sleek boy-waiter admiring the free show of the rain. "I think," panted Enderby, "that we'll have to take a room, if they have one. The first thing to do is to get dry. Perhaps they'll -" The waiter called a name, then turned his young empty face back on these two wet ones. Enderby said, "Una camera. Si é possible." The boy called again, an unbroken boy's yelp under the drumming water. A woman came, creamily fat in a flowered frock, clucked commiseration, took in in a swift look Vesta's ringed finger, said there was a camera with one letto. Beside her smiling hugeness Vesta looked a snivelling waif. "Grazie," said Enderby. Lightning cracked momentarily the late-sky, the timpanists counted half a bar and came in with a fine peal, rolling cosmic Berlioz chords. Vesta made the sign of the cross. She was shivering.
"What," asked Enderby, "did you do that for?"
"Oh God," she said, "it scares me. I can't stand thunder."
4
Enderby felt his stomach turn over when she said that.
Up in the bedroom they confronted each other naked. Somehow, for some reason, Enderby had not expected that, when they had stripped off their drenched clothes and dumped them outside the door, they would confront each other naked. Naked confrontation was supposed to come about otherwise: deliberately, in desire or duty. Enderby had been trying to digest too many other things to foresee this prelapsarian picture (and there up the hill, so neatly fitting into the pattern, was a great postlapsarian witness), for the room was very much like his own as a boy-pictures of St John the Baptist, the Sacred Heart, the B.V.M., a melodramatic Golgotha; a smell of unclean bedclothes, dust, boots, and stale holy water; a stringy unbeaten carpet; a narrow bed. This reproduction of the main stage-set for so many adolescent monodramas, here in Italy under rain, did not depress him: that bedroom had always been an enclave of revolt in stepmother country. Very clearly, lines of an unpublished poem came back to him:
…There were times, misunderstood by the family,
When you, at fifteen, on your summer evening bed
Believed there were ancient towns you might anciently visit.
There might be a neglected platform on some station
And a ticket bought when the clock was off its guard.
Oh, who can dismember the past? The boy on the friendly bed
Lay on the unpossessed mother, the bosom of history,
And is gathered to her at last. And tears I suppose
Still hunger for that reeking unwashed pillow,
That bed ingrained with all the dirt of the past,
The mess and lice and stupidity of the Golden Age,
But a mother and loving, ultimately Eden…
He nodded several times, standing there naked in rainy Italy, thinking that it was a mother he had always wanted, not a stepmother, and he had made that mother himself in his bedroom, made her out of the past, history, myth, the craft of verse. When she was made she became slimmer, younger, more like a mistress; she became the Muse.
Lightning again shivered the firmament and then, after a careful count, the laughing drummers knocked hell out of their resonant membranes. Vesta gave a little scream, put her arms round Enderby's trunk, and then seemed to try to push herself inside him as though he were a deviscerated rabbit of great size and she a mound of palpitating stuffing."There, there,"said Enderby, kindly but disturbed: she had no right to bring these stepmother terrors into his adolescent bedroom. Then he sweated, seeing more than a mere fear of thunder. Still, he clasped her to him and soothed her shoulder-blades, thinking how such naked contacts had an essential unalluring core of heartiness: the slap of palm on buttock; the jelly sound of two moist segments of flesh drawing apart. She shivered: the air had cooled considerably.
"You'd better," said Enderby, "get into bed."
"Yes," she shuddered, "yes. Into bed." And she pulled him towards bed, her grip on him unrelaxed, so that they shambled to it as though clumsily dancing. As soon as they were in it, a skein of lightning lay an instant against the sky, like a stunned man against a cliff, and then the drums whammed out from hi-fi loudspeakers all over the heavens. She again seemed to try to enter him in fear, a rather soft rock of ages, and he smelt her terror, as familiar a smell as that faintly oily one of the coverlet.
"There," he said again, clasping her, stroking and soothing. It was a very narrow bed. This, he kept reminding himself, was his bride, an intelligent and desirable young woman and it was time, under the thunder and rain, to be thinking of performing, that is to say consummating, that is to say. He stealthily felt his way down to find out what was his body's view of this constatation, but all was quiet there, as though he were calmly reading Jane Austen.
The rain eased and the thunder was trundled, grumbling, off. Enderby felt her body relax and seem, somehow, to grow moister and more expectant. She gripped him still, though there was no more thunder to fear. Enderby's engines, rusty and sluggish, tried to wake up and respond to various quite unoriginal ganglionic stimuli, but there were certain difficulties which were secret and shameful. Enderby had been spoiled by too many pictures; it was a long time since he had held a real woman in his arms like this; he had possessed in imagination houri after houri of a beauty, passivity, voluptuousness no real woman could ever touch. Perhaps, he now felt, if this body he held could become-just for twenty or thirty seconds-one of those harem dreams of his, pampered, pouting, perfumed, steatopygous, he could, he was sure, achieve what it was a plain duty, apart from all questions of gratification, to achieve. But the body of his bride was spare, barely cushioned. With a desperate effort he conjured a gross tit-swinging image, saw whose image it was, then, making the retching noises of a child trying to disgust, he swung out of the bed with unwonted agility and stood shivering on the worn mat. "What's the matter?" she called. "What is it? Don't you feel well?" Forgetting that he was naked, Enderby dashed out of the room without replying. Two doors down the corridor was the sign Gabinetto, and Enderby, re-living the past, entered it and locked its door. To his horror he found that the lavatory was not a sane comfortable English WC but a Continental crouch-hole with a right-hand hand-rail and a toilet-roll-fitting on the same side. Once, many years ago, he had fallen into one of these holes. He almost cried for the security of his old seaside lavatory but, unlocking the door to leave, the tears froze as he heard two female Italian voices on the corridor. One of these, saying loud passing greetings to the other, was now right up against the gabinetto door and trying the handle. Enderby swiftly re-locked himself in. The voice spoke urgently, saying, for all Enderby knew, that its owner was in a bad way, desperate, and couldn't wait too long. Enderby seated himself on the edge of the low crouch-hole dais, saying, "Go away. Go away," and, as an afterthought, "Io sono nudo, completamente nudo", wondering if that was correct Italian. Correct or not, the voice was silenced and apparently carried back down the corridor. Enderby the completely naked sat on, in thinking pose, feeling at his lowest ebb.